Leary's, Davis's and Scott's best work, bar none. The screenwriter, Bruce McIntosh, also did a brilliant job. I've seen Leary miscast in so many films that it was wonderful finally seeing him in one that showed all facets of his talent. He should not be in light, frothy romantic comedies, which he's done, and this certainly is not a light, frothy, romantic comedy. I'm not even sure he should be in gangster films and I've seen him in several of those (ok at best). He and Hope Davis are great together here and come together better as a couple than he has come together with any other actress in a film. I've seen him in romance vehicles with other actresses, like Sandra Bullock, that were just dismal. He needs to do biting satire like he did in "The Ref" or outright layered, nuanced drama, like he does here. (I also loved his standup comedy act.) Leary's character, Bill, wakes up from a coma in a psychiatric hospital with delusions that he is about to be executed by some futuristic society which has unfrozen him from the past. However, under Hope Davis's care as Ann, his psychiatrist, he starts remembering trauma from his pre-coma life, including the death of his father, a break up with his fiance, and a drunken binge while driving. He starts to recover from his mental breakdown yet his delusions don't entirely disappear, surprisingly enough. Or are they delusions? Great blues music throughout. I'd heard nothing about this film and tried it out simply based on what I read on the box and Leary's, Scott's and Davis's involvement. I wasn't expecting a perfect 10 of a film but I sure got it! Hubby absolutely loved it too.