From Amazon
It calls itself a novel, but
Finbar's Hotel is really more a collection of related short stories
by novelists. Irish writer Dermot Bolger came up with the idea to invite six of his literary colleagues to collaborate on a tale about a decrepit Dublin Hotel on the eve of its demolition. In its prime, Finbar's was a glorious place; now, however, it's the haunt of prostitutes and thieves. A new owner plans to pull it down, but before he does, the seven authors (
Bolger, Anne Enright,
Joseph O'Connor, Roddy Doyle, Jennifer Johnston,
Hugo Hamilton, and
Colm Tóibín) imagine for it one last night. In "Benny Does Dublin" we meet Ben Winters, a fortysomething husband and father on the lam from his loving family for a single night. "He'd never been in a hotel room before. He wanted to see what staying in one was like. He was curious. All of these were right, honest answers. But why alone? Why so close to home?" "White Lies" introduces Rose and Ivy, two sisters united by love, divided by a painful secret. In "The Test" Maureen Connolly comes to Finbar's to hide from a broken heart and ends up mending it instead.
The serial novel has been tried before; what provides Finbar's Hotel with its twist is that none of the stories are signed. Bolger leaves it up to his readers to guess who's who. Those familiar with the work of these Irish novelists will enjoy the puzzle; others will still have these seven stories of love, despair, and redemption to relish. --Alix Wilber
From Publishers Weekly
The soon-to-be-demolished Dublin semi-landmark, the shabby Finbar's Hotel, is booked solid with seven of Ireland's most talented writers, each of whom tells a chapter of this ingeniously imagined novel. Readers familiar with the literary styles of Roddy Doyle, Colm Toibin, Jennifer Johnson, Hugo Hamilton, Joseph O'Connor, Anne Enright or Dermot Bolger will need to draw on their expertise to discern who wrote which episode, since no direct attribution is provided. Bolger (editor of The Vintage Book of Contemporary Irish Fiction) has masterminded this robust puzzle, and the hotel's very Irish atmosphere blooms with seven stories of nostalgia, humor and melancholy. There's a shaggy dog tale about a kidnapped cat in Room 103 and a hard-drinking Dublin man celebrating a mid-life crisis in 101 just across the hall from the already tense reunion of two sisters in 102. In 104 the night manager's reliving the hotel's shady history while confronting a guest who's checked in under an assumed name; and in 107 a paranoid art thief is worrying about how the woman next door might blow his hand off of a hot Rembrandt, while she in turn reminisces about her first love. One of the chief pleasures of this quirky book is encountering these characters from different perspectives as they intrude briefly into each other's stories. At its strongest points, the writers summon a deep sense of place, both historical and emotional. Not a conventional novel, clearly, yet the interlinked stories tenders more cumulative harmony than a conventional anthology; the heartening, garrulous Finbar's Hotel is a captivating place to check into.
Copyright 1999 Reed Business Information, Inc.