From Publishers Weekly
After founding the Dada journal Sic, which printed his poems and those of more famous writers, Albert-Birot invented his joyously erotic hero, Grabinoulor, whose earliest exploits appeared in Sic in 1921. The irrepressible Grabinoulor performs his fantastic epic feats in an onrush of perpetual motion, which this slim book presents in rivers of unpunctuated prose. When Grabinoulor moves a statue in his apartment, trying to restore the parallels and perpendiculars of the furniture, he topples the earth. With his unconventional poetry, he squashes a grammarian. When unleashing his sexual fantasies, he produces poems shaped like bellies, breasts and phalluses. For some of these verses, the French text is included to reveal plays on words. Albert-Birot celebrated the erotic as a means of freeing the artistic imagination from bourgeois constraints. For him, sexuality represented poetic creation. His tricks of language, his leaps through time and space are in the traditions of Rabelais and Shandy. The ribaldry does not shock now as it once perhaps did, but Grabinoulor is still fun to read. The book is a valuable document in the development of Dada and surrealism.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
From the publisher's French literature series, Albert-Birot's 1986 Grabinoulor actually appeared first in 1919 in the literary avant-garde publication SIC, of which the author was founder and editor. The book is presented in both traditional chapters and in sections in which the words appear in the form of shapes such as triangles and even lips. In Cholodenko's more straightforward work, the eponymous hero sets out to investigate himself and his surroundings in a series of vignettes highlighting the absurdity of his life. More for the academics.
Copyright 2001 Reed Business Information, Inc.