From Publishers Weekly
Reisman's first novel (after the prize-winning collection,
House Fires) is mesmerizing, not because of the action of the plot, which is minimal, but because Reisman demonstrates a rare, poetic understanding of family dynamics. The catalyst for this narrative about the hidden dramas of a Jewish family living in Buffalo from the late 1920s to 1950 occurs offstage. Rebecca Cohen, wife of jewelry store owner Abe, has died, leaving five adult children. Goldie, the eldest, on whom the responsibility for caring for her siblings has fallen, suddenly disappears without a word. Her departure leaves Sadie Cohen Feldstein, the only married sister, to cope with her tyrannical father and difficult siblings, who live together in the family home. Celia is mentally unstable, prone to misbehavior in public. Jo is rude, moody and fiercely resentful of having to protect Celia. Handsome, spoiled Irving is a wastrel and compulsive gambler, too fond of cards, whiskey and women. Abe, the paterfamilias, escapes his family into the arms of Lillian Schumacher, a fallen woman. Goldie's disappearance is also an escape, though the family fears she is dead. Irving escapes his gambling debts by joining the army in 1940. The others yearn to flee their responsibilities, but the years roll by until another family crisis brings Goldie home. The echoing word in the narrative is loneliness, used to signify each character's inchoate longings for connection, understanding, "touching" (another signal word) and love. Reisman writes with beauty and precise imagery; she describes one character's personality as "carp under ice, nibbling ancient disappointments." This realism, subtly laced with tenderness and compassion, distinguishes a novel whose addictive embrace continues after the last page has been turned.
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From Booklist
The bonds of family are like spiderwebs: deceptively delicate but tough beyond all reason should we try to break them. When Goldie Cohen, 33, goes missing following her mother's death and her father's hasty attachment to the town vixen, the family begins to unravel. Spanning 21 years, from the late 1920s to the '50s, Reisman's debut novel provides a glimpse into a splintered Jewish Russian immigrant family in upstate New York. Told from the alternating perspectives of the various Cohen children, the story reveals the ways in which Goldie's memory lingers and lays bare the distances deepening between the rest of the family members. Sadie, a young wife and mother, takes on the family burden once managed by her older sister: her reckless brother, imbalanced sister, and recalcitrant father, whose expectations and silences engulf them all. Reminiscent of Julia Glass'
Three Junes (2002)
, the novel portrays a subtle dance of interdependence and disconnection.
In luminous prose that showcases a cacophony of voices, Reisman exposes how our families can be "the most familiar of strangers."
Misha StoneCopyright © American Library Association. All rights reserved
