Vous voulez voir cette page en français ? Cliquez ici.


or
Sign in to turn on 1-Click ordering.
More Buying Choices
Have one to sell? Sell yours here
Flying: The Aviation Trilogy
 
See larger image
 

Flying: The Aviation Trilogy [Hardcover]

Richard Bach

List Price: CDN$ 81.99
Price: CDN$ 55.71 & this item ships for FREE with Super Saver Shipping. Details
You Save: CDN$ 26.28 (32%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
In Stock.
Ships from and sold by Amazon.ca. Gift-wrap available.
Only 1 left in stock--order soon (more on the way).
Want it delivered Monday, May 28? Choose One-Day Shipping at checkout.
‹  Return to Product Overview

Product Description

Review

The New York Times A classic of men who sail the upper regions of the earth.

Product Description

Here for the first time in a single volume are three of Richard Bach's most compelling works about flight.

From his edgy days as a USAF Alert pilot above Europe in an armed F84-F Thunderstreak during the Cold War to a meander across America in a 1929 biplane, Bach explores the extreme edges of the air, his airplane, and himself in glorious writing about how it feels to climb into a machine, leave the earth, and fly.

Only a handful of writers have translated their experiences in the cockpit into books that have mesmerized generations.

About the Author

A former USAF pilot, gypsy barnstormer and airplane mechanic, Richard Bach is the author of fifteen books. This, his fourth book, spent two years on The New York Times bestseller list and has continued to inspire millions for decades. His website is www.richardbach.com.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

The wind tonight is from the west, down runway two eight. It pushes gently at my polka-dot scarf and makes the steel buckles of my parachute harness tinkle in the darkness. It is a cold wind, and because of it my takeoff roll will be shorter than usual and my airplane will climb more quickly than it usually does when it lifts into the sky.

Two ground crewmen work together to lift a heavy padlocked canvas bag of Top Secret documents into the nose of the airplane. It sags awkwardly into space normally occupied by contoured ammunition cans, above four oiled black machine guns, and forward of the bomb release computers. Tonight I am not a fighter pilot. I am a courier for thirty-nine pounds of paper that is of sudden urgent interest to my wing commander, and though the weather this night over Europe is already freakish and violent, I have been asked to move these pounds of paper from England into the heart of France.

In the bright beam of my flashlight, the Form One, with its inked boxes and penciled initials, tells me that the airplane is ready, that it carries only minor shortcomings of which I already know: a dent in one drop tank, an inspection of the command radio antenna is due, the ATO system is disconnected. It is hard to turn the thin pages of the Form One with gloves on, but the cold wind helps me turn them.

Form signed, gun bay door locked over the mysterious canvas bag, I climb the narrow yellow ladder to my dark cockpit, like a high-booted mountain climber pulling himself to a peak from whose snows he can stand and look down upon the world. My peak is the small cockpit of a Republic F-84F Thunderstreak.

The safety belt of the yellow-handled ejection seat is wide nylon web, heavy and olive-drab; into its explosive buckle fits the nylon harness from over my shoulders and the amber steel link that automatically opens my parachute if I should have to bail out tonight. I surround myself with the universal quiet metallic noises of a pilot joining himself to his airplane. The two straps to the seat cushion survival kit, after their usual struggle, are captured and clink softly to my parachute harness. The green oxygen mask fits into its regulator hose with a muffled rubbery snap. The steel D-ring lanyard clanks as it fastens to the curved bar of the parachute rip-cord handle. The red-streamered ejection seat safety pin scrapes out of its hole drilled in the trigger of the right armrest and rustles in the darkness into the small pocket on the leg of my tight-laced G suit. The elastic leg strap of my scratched aluminum kneeboard cinches around my left thigh, latching itself with a hollow clank. My hard white fiberglass crash helmet, dark-visored, gold-lettered 1/lt. bach, fits stiffly down to cover my head, its soft sponge-rubber earphones waiting a long cold moment before they begin to warm against my ears. The chamois chinstrap snaps at the left side, microphone cable connects with its own frosty click into the aircraft radio cord, and at last the wind-chilled green rubber oxygen mask snugs over my nose and mouth, fitting with a tight click-click of the smooth chromed fastener at the right side of the helmet. When the little family of noises is still, by tubes and wires and snaps and buckles, my body is attached to the larger, sleeping body of my airplane.

Outside, in the dark moving blanket of cold, a ghostly yellow auxiliary power unit roars into life, controlled by a man in a heavy issue parka who is hoping that I will be quick to start my engine and taxi away. Despite the parka, he is cold. The clatter and roar of the big gasoline engine under his hands settles a bit, and on its voltage dials, white needles spring into their green arcs.

From the engine of the power unit, through the spinning generator, through the black rubber snake into the cold silver wing of my airplane, through the marked wires of the DC electrical system, the power explodes in my dark cockpit as six brilliant red and yellow warning lights, and as quick tremblings of a few instrument pointers.

My leather gloves, stamped with the white wings and star of Air Force property, go through a familiar little act for the interested audience that watches from behind my eyes. From left to right around the cockpit they travel; checking left console circuit breakers in, gun heater switch off, engine screen switch extend, drop tank pressure switches off, speed break switch extend, throttle off, altimeter, drag chute handle, sight caging lever, radio compass, TACAN, oxygen, generator, IFF, inverter selector. The gloves dance, the eyes watch. The right glove flourishes into the air at the end of its act and spins a little circle of information to the man waiting in the wind below: checks are finished, engine is starting in two seconds. Now it is throttle on, down with the glove, and starter switch to start.

There is no time to take a breath or blink the eye. There is one tiny tenth-second hiss before concussion shatters icy air. Suddenly, instantly, air and sparks and Jet Propellant Four. My airplane is designed to start its engine with an explosion. It can be started in no other way. But the sound is a keg of black powder under the match, a cannon firing, the burst of a hand grenade. The man outside blinks, painfully.

With the blast, as though with suddenly opened eyes, my airplane is alive. Instantly awake. The thunderclap is gone as quickly as it came, replaced by a quiet rising whine that peaks quickly, very high, and slides back down the scale into nothingness. But before the whine is gone, deep inside the engine, combustion chambers have earned their name. The luminous white pointer of the gage marked exhaust gas temperature pivots upward, lifting as thermocouples taste a swirling flood of yellow fire that twists from fourteen stainless steel chambers. The fire spins a turbine. The turbine spins a compressor. The compressor crushes fuel and air for the fire. Weak yellow flames change to businesslike blue torches held in their separate round offices, and the ghostly power unit is needed no more.

Flourish with the right glove, finger pointing away; away the power, I'm on my own.

Tailpipe temperature is settled and at home with 450 degrees of centigrade, tachometer steadies to note that the engine is turning at 45 percent of its possible rpm. The rush of air to the insatiable steel engine is a constant rasping scream at the oval intake, a chained banshee shrieking in the icy black air and the searing blue fire.

Hydraulic pressure shows on a dial, under a pointer. Speed brake switch to retract, and the pressure pulls two great slabs of steel to disappear into the smooth sides of my airplane. Rainbow lights go dark as pressure rises in systems for fuel and oil. I have just been born, with the press of wind at my scarf. With the wind keening along the tall swept silver of my rudder. With the rush of wind to the torches of my engine.

There is one light left on, stubbornly glowing over a placard marked canopy unlocked. My left glove moves a steel handle aft. With the right I reach high overhead to grasp the frame of the counterbalanced section of double-walled Plexiglas. A gentle pull downward, and the smooth-hinged canopy settles over my little world. I move the handle forward in my left glove, I hear a muffled sound of latches engaging, I see the light wink out. The wind at my scarf is gone.

I am held by my straps and my buckles and my wires in a deep pool of dim red light. In the pool is all that I must know about my airplane and my position and my altitude until I pull the throttle back to off, one hour and twenty-nine minutes and 579 airway miles from Wethersfield Air Base, England.

This base means nothing to me. When I landed it was a long runway in the sunset, a tower operator giving taxi directions, a stranger waiting for me in Operations with a heavy padlocked canvas bag. I was in a hurry when I arrived, I am in a hurry to leave. Wethersfield, with its hedges and its oak trees that I assume are part of all English towns, with its stone houses and mossed roofs and its people who watched the Battle of Britain cross the sky with black smoke, is to me Half Way. The sooner I leave Wethersfield a smudge in the darkness behind, the sooner I can finish the letter to my wife and my daughter, the sooner I can settle into a lonely bed and mark another day gone from the calendar. The sooner I can take myself beyond the unknown that is the weather high over Europe.

On the heavy black throttle under my left glove there is a microphone button, and I press it with my thumb. "Wethersfield Tower," I say to the microphone buried in the snug green rubber of my oxygen mask. I hear my own voice in the earphones of my helmet, and know that in the high glass cube of the control tower the same voice and the same words are this moment speaking. "Air Force Jet Two Niner Four Zero Five; taxi information and standing by for ATC clearance."

It still sounds strange. Air Force Jet. Six months ago it was Air Guard Jet. It was one weekend a month, and fly when you have the spare time. It was the game of flying better than Air Force pilots and shooting straighter than Air Force pilots, with old airplanes and with a full-time civilian job. It was watching the clouds of tension mushroom over the world, and knowing for certain that if the country needed more firepower, my squadron would be a part of it. It was thirty-one pilots in the squadron knowing that fact, knowing that they could leave the squadron before the recall came; and it was the same thirty-one pilots, two months later, flying their worn airplanes without inflight refueling, across the Atlantic into France. Air Force Jet.

"Roger, Zero Five," comes a new voice in the earphones. "Taxi runway two eight; wind is two seven zero degrees at one five knots, altimeter is two niner niner five, tower time is two one two five, clearance is on request. Type aircraft, please."

I twist the small knurled knob near the altimeter to set 29.95 in a red-lit window. The hands of the altimeter move sligh...

‹  Return to Product Overview

Amazon.ca Privacy Statement Amazon.ca Shipping Information Amazon.ca Returns & Exchanges