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Flying Club Cup [Import]

Beirut Audio CD
4.5 out of 5 stars  See all reviews (4 customer reviews)
Price: CDN$ 14.43 & FREE Shipping on orders over CDN$ 25. Details
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Frequently Bought Together

Flying Club Cup + Gulag Orkestar (Vinyl) + The Rip Tide
Price For All Three: CDN$ 64.16


Customers Who Bought This Item Also Bought


Product Details


1. A Call To Arms
2. Nantes
3. A Sunday Smile
4. Guyamas Sonora
5. La Banlieue
6. Cliquot
7. The Penalty
8. Forks And Knives (La Fete)
9. In the Mausoleum
10. Un Dernier Verre (Pour La Route)
11. Cherbourg
12. St. Apollonia
13. The Flying Club Cup

Product Description

Amazon.ca

Beirut's second LP purportedly takes inspiration from French chanson of yesteryear (as opposed to the Balkan folk of yesteryear). Bandleader Zach Condon has found a new home in Paris, and a new muse as well, quickly absorbing fodder from the likes of Francois Hardy or Jacques Brel. The music remains quite recognizably Beirut--in all its oom-pa glory--but the production value is stepped up a notch. It's through the dense arrangements that it reaches new heights, this without question being the fullest offering yet. The band appeared on Owen Pallet's (Final Fantasy/Arcade Fire) new album in exchange for the use of Arcade Fire's Masonic church studio, along with the exotic pile of instruments within. Pallet ended up contributing several string arrangements and the band made full use of the studio. The result is a truly orchestral take on the simpler gypsy stomp of Gulag Orkestar or the straight-up eight-piece live band of the Lon Gisland EP. Opener "Nantes" features a perfectly broken organ and introduces the wealth of percussion that continues throughout the album, as well as some samples of French TV or radio (the most explicit Franco-features are these sampled tidbits). Waltzing glockenspiels give way to a celebratory, raucous chorus on "La Banlieu." "Un Dernier Verre" features a skittering, jazzy piano bit (in 3/4 time, natch). The Flying Club Cup lacks the immediate hits that made Gulag Orkestar explode (like "Postcards from Italy" or "Mount Wroclai"). It works as an album rather than just a collection of songs. It's a more pensive presentation--dare I say it: more mature. Beirut remains mind-boggling work for a 21-year-old, and it's exciting to watch Condon's musical palette expand as he gathers the life experience to match his voice. --Jason Pace

Product Description

Since its release in May of 2006, Beirut's internationally celebrated Gulag Orkestar album has soundscanned more than 45,000 copies, and the band has done a tsunami of interviews, photoshoots and features (including NY Times, Spin, Pitchfork, Urb, and Village Voice). This great fervor developed around an album conceived and constructed in a teenager's New Mexico bedroom. Six months of recording has led to The Flying Club Cup, an homage to France's culture, fashion, history, and music. Two years ago, Zach Condon immersed himself in Balkan folk, absorbed sounds, scales, styles, and the sonic joys of a skeletally structured, cacophonic ensemble - and moved west. Soaking up the likes of Francois Hardy, Charles Aznavour, and, most notably, Jacques Brel (a huge influence on both Scott Walker and Mark E. Smith), Condon has been articulating his conversational French. Most of the album was created at a nondescript Albuquerque office space, a.k.a. A Hawk and a Hacksaw's practice room; Heather Trost plays violin and viola on three songs. Engineering and production assistance came from Griffin Rodriguez (A Hawk and a Hacksaw, Man Man). He helped separate the many instrumentalists involved in recording, as opposed to Gulag's largely solo flight. The orkestar, which has solidified into a core group of eight members, has grand plans for replicating the album live, and is now an integral part of Beirut's identity. Additional recording was done with Owen Pallet (Final Fantasy) at the Masonic church studio owned by The Arcade Fire. Within the spectacle and intimacy of The Flying Club Cup, you can hear a love letter to the joie de vivre that defines our existence. Listen closer, and you also hear the emergence of a singular musical talent - Mr. Zachary F. Condon, at present living in Paris - unbounded by cultural borders and by where his heart travels.

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Most helpful customer reviews
3 of 4 people found the following review helpful
5.0 out of 5 stars what melody will see him in my arms again? Oct. 12 2007
By E. A Solinas HALL OF FAME TOP 10 REVIEWER
Format:Audio CD
Beirut have always been all about Europe. Ever since Zach Condon started mingling electronica and indie-rock with traditional East-European music, his little band has been redolent of the old world.

And though "The Flying Club Cup" has a more modern flavour to some of its songs, the feeling of wistful, melancholy nostalgia still hangs heavily over these exquisitely orchestrated pop tunes. Think early twentieth-century France, as seen through sepia photographs and a band's sad tunes.

It opens with a haunting chorus of wailing horns, before switching to the smooth, swaying melody of "Nantes." Condon sings mournfully, "Well it's been a long time/long time now/since I've seen you smile/and I'll gamble away my fright... and in a year, a year or so/this will slip into the sea..."

It's much the same throughout the remaining songs, which tend to be bittersweet in tone, with a backdrop of horns and stately pop rhythms. Mellow dance tunes, Eastern European marches, mournful accordion-piano ballads, and pretty folky tunes. Not to mention, of course, combinations of all of the above.

In the second half, we're even graced with some upbeat songs -- the twittering violin and swirling melody of "In The Mausoleum." And the sprightliest music on the album is "Un Dernier Verre (Pour La Route)," a peppy pop tune that sounds like something Snoopy would dance to as the World War I flying ace.

If I were to compare Condon and Beirut to any other artist, it would probably be Sufjan Stevens -- polished, multilayered music with rich vocals. But the music of "The Flying Club Cup" is all nostalgia, bittersweet and weariness, mingled with a rich, over-the-top quality. It's so much BIGGER than Beirut's past work -- in sound, in scope, in feeling.
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5.0 out of 5 stars beirut - flying club cup Jan. 17 2008
Format:Audio CD
More than three minutes into the Lon Gisland EP's "Elephant Gun", the horns pause, and the song lingers on a few of Zach Condon's syrupy syllables before returning to Beirut's strongest melody. It's the sound of Condon and his band shedding its layers of self-packed cultural baggage. As Pitchfork's Brandon Stosuy wrote earlier this year of Lon Gisland: "Condon has shown that, yes, there are songs behind the international flavors, that his work would be interesting even if he kept the trumpet at home."

Surprisingly, Condon's horn remains in Brooklyn for the bulk of his sophomore album, The Flying Club Cup. Condon himself returns to France-- the place where he was first exposed to the Balkan music that colored much of this debut, Gulag Orkestar. It's clearly a place he loves. "Once we got there, we kept trying to go to other places, but we didn't feel like traveling so much as being in Paris," he said when I interviewed him a year ago. It's reflected here, with both Gallic brass and accordion and song titles that reference French cities and locations. Crucially, however, Flying Club Cup would be a triumph even with those layers stripped away; that's not to say that the cultural patina obscures the "real" songs underneath, but its removal allows us to sidestep mind-numbing questions about authenticity and intention.

Flying Club Cup deftly showcases Condon's gifts: "Nantes" sounds exotic without directly referencing a particular era or feeling, and "A Sunday Smile"-- despite being about specific people and places-- evokes universal sensations such as sleepiness and warmth.
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2 of 2 people found the following review helpful
4.0 out of 5 stars Simple, mesmerizing beauty. Nov. 9 2007
By Monica
Format:Audio CD
Beirut is Zach Condon, a 21-yearold prodigy from New Mexico who has never been to the Lebanese capital, nor even the Balkans, the region whose gipsy folk sound coloured his remarkable debut album, "Gulag Orkestar".
On the latter Condon's whimsically named band worked up their rhythmic clangour with the help of borrowings from Balkan gipsy brass. I don't mean Slavic street theatre like Gogol Bordello, but the more subtle approach of bands such Kocani Orkestar, from Macedonia.
On the CD -- recorded at his parents' house in New Mexico -- Zach Condon sounded like a pretentious trust-fund boy gatecrashing an Emir Kusturica film set, but there was no doubting his talent. By the end of the year, Beirut had become one of the most compelling bands around.
Having rambled through lo-fi electronica, doo-wop and Balkan folk music, Zach now attempts to conjure a feel of France in an album inspired by an old photo of hot air balloonists setting off from the Eiffel Tower.
The horns and fiddles remain but now Beirut seem fuelled by vin rouge and absinthe as Condon's muse moves on to France.
The gusto with which he tackles his theme is infectious, and it is hard to be cynical when the clichés come packaged so elegantly.
Queasy accordions, fruity brass and rustic percussion do the job nicely, but this is an album of wispy moods and atmospheres rather than a collection of songs you could really take to your heart.
Wary of accusations of being a mere pastiche merchant, this time France being the theme -- at least he has lived in Paris -- this means waltzing accordions and horns, plucked strings and Condon's tremulous voice , a dramatic, stirring sound that is miles away from anything else coming out of the North American indie scene.
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Amazon.com: 4.5 out of 5 stars  42 reviews
35 of 40 people found the following review helpful
5.0 out of 5 stars What melody will see him in my arms again? Oct. 8 2007
By E. A Solinas - Published on Amazon.com
Format:Audio CD
Beirut have always been all about Europe. Ever since Zach Condon started mingling electronica and indie-rock with traditional East-European music, his little band has been redolent of the old world.

And though "The Flying Club Cup" has a more modern flavour to some of its songs, the feeling of wistful, melancholy nostalgia still hangs heavily over these exquisitely orchestrated pop tunes. Think early twentieth-century France, as seen through sepia photographs and a band's sad tunes.

It opens with a haunting chorus of wailing horns, before switching to the smooth, swaying melody of "Nantes." Condon sings mournfully, "Well it's been a long time/long time now/since I've seen you smile/and I'll gamble away my fright... and in a year, a year or so/this will slip into the sea..."

It's much the same throughout the remaining songs, which tend to be bittersweet in tone, with a backdrop of horns and stately pop rhythms. Mellow dance tunes, Eastern European marches, mournful accordion-piano ballads, and pretty folky tunes. Not to mention, of course, combinations of all of the above.

In the second half, we're even graced with some upbeat songs -- the twittering violin and swirling melody of "In The Mausoleum." And the sprightliest music on the album is "Un Dernier Verre (Pour La Route)," a peppy pop tune that sounds like something Snoopy would dance to as the World War I flying ace.

If I were to compare Condon and Beirut to any other artist, it would probably be Sufjan Stevens -- polished, multilayered music with rich vocals. But the music of "The Flying Club Cup" is all nostalgia, bittersweet and weariness, mingled with a rich, over-the-top quality. It's so much BIGGER than Beirut's past work -- in sound, in scope, in feeling.

Not to mention that the sound here is a bit less Balkan -- think electro-indie mingled with vintage pop melodies, then filtered through an old French radio. Lots of mellow accordion, mingled brass, rattling drums and tambourine, an acoustic guitar, some twittery fiddle melodies and a nimble, energetic piano. Here are there, a gentle layer of keyboard is laid over it all.

Condon's voice is the clincher -- this guy is not only a great musician, but he has a smooth, rich voice that slides through the music like a satin ribbon. And his songs are evocative and stirring ("A plague on the workhouse!"), with plenty of feeling ("what melody will lead my lover from his bed?/What melody will see him in my arms again?").

Beirut's second album is a stunning artistic triumph, draped in classic melodies, exquisite songwriting and sweeping instrumentation. "The Flying Club Cup" flies on its own.
9 of 11 people found the following review helpful
5.0 out of 5 stars Incredible album, amazing videos Oct. 15 2007
By Alexander Chow-Stuart - Published on Amazon.com
Format:Audio CD
This album is just beautiful: tender, fresh, surprising, original, stirring. My wife saw them live last week and I only wish I could have gone, too! For a wonderful taste of the songs, visit the album website ([...] which has live videos crafted by La Blogotheque and featuring the band (principally 20 year old singer and songwriter Zach Condon) in incredibly simple yet mysteriously beautiful settings, most if not all in Brooklyn. The first track/video Nantes has the camera following him down the seemingly unending stairs of a fabulous semi-abandoned industrial building as his voice drifts in and out and various musicians appear at various points on the stairwell. Magical.
8 of 10 people found the following review helpful
5.0 out of 5 stars Great Music Aug. 12 2009
By Anthony Baus - Published on Amazon.com
Format:Audio CD|Verified Purchase
Listening to The Flying Cup Club crystallized an old memory from my undergraduate college days (long, long ago). I was taking a philosophy course on aesthetics. On the first day, the professor asked: "What separates animals from people?"

Some of the class resorted to an answer that relied on biology, which was the same thing as answering "nothing." Some said tool use was a distinctive trait of people. This was just plain wrong. They had forgotten watching chimps on nature documentaries use grass stalks to fish termites out of their mounds. I also didn't have a good answer. Class dismissed without a valid response. Only while walking away from class that afternoon did the answer occur to me: art. Art is the one activity that differentiates humans from the rest of the living world.

The work of Beirut is a monument to humanity's claim of singularity. It conveys a deep sense of longing that transmutes a morning commute in a used sedan into a beautiful event. It draws inspiration from a reality that claims civility as a virtue and talent as the key to success. It is a reality we need. Go buy it.
5 of 6 people found the following review helpful
5.0 out of 5 stars Homesick, fully grown children March 21 2008
By David Munns - Published on Amazon.com
Format:Audio CD
This is their second LP release, and by far their best release to date.

Critics are quick to say Beirut's sound is Euro-stylized by influences like Jacques Brel and François Hardy. They're eager to compare the band's frontman, Zach Condron, to Scott Walker. It won't be long before they liken Beirut to the Tindersticks had Stuart Staples turned queer.

But "The Flying Club Cup" proved Zach Condon has developed a musical style beyond compare.

Whereas "Gulag Orkestar" showed that the self-ordained small time American band could meld Macedonian folk sounds with romantic classical European music stylings and bourgeoise bohemian sophistication, "The Flying Club Cup" uses this melded sound as the departure point toward a far more striking occurrence: style defined without subculture.

Timeless, ageless, genderless, cultureless, songs like "Cliquot" and "The Penalty" make "The Flying Club Cup" an album that could have come out of almost any place in the world at any point in history.

But it's not just universal in those senses. Perhaps because of frontman Zach Condon's sophisticated, mature air and voice, it was refreshing and unexpected to hear him sing such honest lyrics about love. It was, well, sweet. Better yet, it is why I think "The Flying Club Cup" is nothing short of genius.

In sum, "The Flying Club Cup": Beirut's balkan-gypsy-folk-french-euro-pop music style renowned in their first LP release, made even better with more mature lyrics for the young at heart.
7 of 9 people found the following review helpful
5.0 out of 5 stars Still Brilliant Oct. 11 2007
By Madame M - Published on Amazon.com
Format:Audio CD
If you're first hearing about Beirut because of this album, please, do yourself a favor and buy the others. I hesitantly bought this album, worried that the brilliance of the first would not continue...you know, the whole second album slump thing. But when I heard Nantes (track two), I was pleasantly suprised. After listening to the album numerous times, purchasing it electronically, and then actually buying the physical album (Gasp!), all I can say is I can't wait for the next one to come out.

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