From Publishers Weekly
When she moves in with her grandfather by the sea, Hannah is drawn to an elusive cat who haunts the rocky beach. Despite her grandfather's mild cautions ("She belongs to herself," he says), Hannah attempts to woo the fog-gray feline by leaving fish scraps on a plate. After some experimental menus, Fog Cat eventually joins Hannah in the house. Replete with seaside analogies (the sound of Fog Cat wailing is "as sad and lonely as the foghorn of a ship lost at sea"; Hannah's eyes grow "as round as sand dollars"), Helmer's (The Boy, the Dollar and the Wonderful Hat) lengthy text combines predictability with emotional turns. Hannah's hopes are dashed when Fog Cat gives birth to two stillborn kittens; then a third is discovered, alive. As the kitten gains strength, however, Fog Cat herself runs off, never to be seen again. While evoking the rusticity and diffused light of coastal fishing villages, Mombourquette's (Emma and the Silk Train) watercolor and ink illustrations are a little stiff, especially in portraits of Hannah and her grandfather. A fresher and more fluid interpretation of the same plot can be found in George Ella Lyon and Paul Brett Johnson's A Traveling Cat. Ages 5-8.
Copyright 1999 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From School Library Journal
Kindergarten-Grade 3-When Hannah comes to live with her grandfather in a coastal fishing village, an encounter with a green-eyed cat and the fog-the two are inexorably linked-arouses in her a desire to tame the animal. Grandfather suggests that this wild creature can't be caught "...any easier than you could catch a handful of fog," but Hannah persists with food scraps and patience. Her efforts are rewarded as the feline takes up residence with the pair for the winter and surprises them with a litter of three kittens. Helmer's touches of realism are nicely balanced with sentiment so that the story is believable, satisfying, and tender, without being cloying. Two of the kittens die and Fog Cat vanishes when the survivor is strong enough, yet Hannah has what she yearned for. Mombourquette's pen, ink, and watercolor illustrations are as effective in creating the green/gray mist as they are in depicting the understated bonds between adult and child, humans and animals. The artist is particularly adept at bringing quiet scenes to life through animated faces. The lyrical prose and the emotional impact make this title suitable for one-on-one sharing. A story of a fleeting, but nonetheless life-changing friendship, in the fine tradition of Patricia Polacco's Rechenka's Eggs (Philomel, 1988).
Wendy Lukehart, Dauphin County Library, Harrisburg, PA Copyright 1999 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.