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For the King [Hardcover]

Catherine Delors
4.5 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

July 13 2010

From the author of the critically acclaimed Mistress of the Revolution comes a spellbinding historical thriller set in post- revolutionary Paris.

For her first novel, Mistress of the Revolution, which the Associated Press dubbed one of the "best reads of the year," Catherine Delors earned comparisons to Tracy Chevalier and Philippa Gregory. In For the King, she again demonstrates her matchless ability to illuminate key turning points in history while weaving a gripping story about a man caught between his heart and his integrity.

The Reign of Terror has ended, and Napoléon Bonaparte has seized power, but shifting political loyalties still tear apart families and lovers. On Christmas Eve 1800, a bomb explodes along Bonaparte's route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again. Complicating Miquel's investigation are the maneuverings of his superior, the redoubtable Fouché, the indiscretions of his own father, a former Jacobin, and two intriguing women.

Based on real events and characters and rich with historical detail, For the King takes readers through the dark alleys and glittering salons of post-revolutionary Paris and is a timeless epic of love, betrayal, and redemption.

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About the Author

Catherine Delors, herself from a family of French aristocrats, was born and raised in France. A lawyer, she has practiced in the United States for ten years, and now divides her time between Paris and Los Angeles.

Excerpt. © Reprinted by permission. All rights reserved.

1

It had been one of the shortest days of the Year Nine of the Republic, the 3rd of the month of Nivose in the revolutionary calendar. The 24th of December 1800, old style. Christmas Eve, as they used to say before the Revolution. Night had long fallen on Rue Nicaise. People were beginning to call it Rue Saint-Nicaise again, for saints were reappearing in everyday language. A few hundred yards away, the lights at the windows of the Palace of the Tuileries glowed dim through the fog.

Passersby, wrapped in coats, hurried home, their workday over. Some, smartly dressed, were going to the houses of friends to celebrate the ancient holiday with a réveillon, the traditional Christmas Eve feast. In the Café d’Apollon, patrons were drinking and cheering.

The shops were still open. The glove maker’s pregnant wife, her two-year-old boy clutching her skirts with both hands, leaned against her counter. She chatted with her maid, who was peeling carrots and turnips in preparation for the feast. The tailor next door was cutting a piece of fabric laid on his workbench. Across the street, the watchmaker, a magnifying lens to his eye, inserted a spring into a timepiece. Musicians, recognizable by the odd-shaped cases they carried, hurried in the direction of the brightly lit Longueville mansion. They had been hired for a lavish party there.

In spite of the damp chill, people on Rue Nicaise kept their doors and windows open to see the carriage of Napoléon Bonaparte, the First Consul, pass by.

France had been a Republic since 1792. King Louis XVI had been guillotined. General Bonaparte, since seizing power a year ago and becoming the First Consul, had settled in the royal Palace of the Tuileries. He liked to drive around Paris in a carriage drawn by six white horses, accompanied by a guard of soldiers, at the sound of trumpets, drums artillery salvos.

Tonight, however, there would be no such military pomp. The newspapers had announced that the First Consul was simply to attend the première of The Creation of the World, by Haydn, at the Opera. It was the most anticipated musical event of the season, and tickets sold for twice the usual price.

Joseph de Limoëlan was well informed of this. He had read and reread all the details in every newspaper, though he did not plan on attending the show. Indeed he was not dressed for an evening at the Opera.

Whip in hand, coarse trousers and a loose jacket disguising his tall, slender frame, he led a horse-drawn cart down the street. A gray tarpaulin came down to the hubs of its wheels. Clouds of mist blew out of the nag’s nostrils with each of its breaths. Another man, Pierre de Saint-Régent, also slightly built, his brows knit, walked by the side of the cart, his mouth tight. A third companion, François Carbon, strutted close behind on his short, sturdy legs, and stared at every woman they passed. The three men were dressed in matching blue jackets, coarsely embroidered around the neck in red and white.

Limoëlan stopped the cart in front of the Café d’Apollon. He had surveyed one last time the whole length of the street that afternoon, and determined this was the narrowest spot. But Saint-Régent’s frown became more pronounced.

“No, this light won’t do at all,” he hissed, nodding in the direction of the café. Its windows projected bright yellow rectangles that illuminated this entire stretch of the street.

Limoëlan, without a word, pulled on the horse’s bridle. The animal snorted and set forth reluctantly. They moved the cart thirty yards down Rue Nicaise, at the intersection of Rue de Malte. It was darker there, and the other street provided an escape route, should any of them escape.

Limoëlan stopped the cart sideways to impede the flow of traffic. Other drivers pulled on their reins, swerved and cursed at the three men, who ignored the volleys of insults. Each in turn went into the Café d’Apollon and, grim-faced, gulped down in silence mug after mug of wine.Their purpose was firm, of course, and they were entirely devoted to the holiest of causes. Yet such is human frailty that even the bravest fear death. Had not some of the saints themselves, though assured of the rewards that awaited them in eternal life, recoiled from the glory of martyrdom?

The three men, braced by their visit to the Café d’Apollon, gathered again around the cart. Limoëlan spoke in a low voice to his companions and left in the direction of the Seine River. Carbon seized the bridle of the horse and looked around. He whistled at a young woman, who hurried away.

Limoëlan walked along the embankment that followed the Louvre galleries. He paused, took off his gold-rimmed spectacles and wiped them with a checkered handkerchief. He groaned with impatience. How was he to find what he wanted in this fog? He pushed to the Pont-Royal, the “Liberty Bridge,” as the scoundrels now had the impudence to call it. He crossed the river. On the Left Bank, he recognized the massive outline of the former Hackneys’ Office, which had recently been turned into barracks. Among the flow of the passersby, he finally distinguished two slight figures standing under a streetlight by the entrance. Children, apparently. He approached. Now he could see their skirts. Two girls, little street vendors, stomping their feet in the cold. Each carried a wicker tray, attached by a leather strap to her shoulder.

Limoëlan paused. Either girl would do, but he only needed one. It bothered him to make that choice. Then, when he drew very close, he saw that the tray of one of the street vendors still contained a few cakes and biscuits. The other girl had already sold all of her wares and was apparently waiting for her companion to be done. No doubt it was a sign. She was the chosen one.

Limoëlan addressed her gently. A smile lit her pockmarked face when he put a silver coin in her hand. She giggled, slipped the strap above her head and handed the other girl her empty tray.

“Take it home to Mama, will you?” she said in a cheerful tone.

As the girl followed Limoëlan across the river to Rue Nicaise, he turned around to glance at her bony frame, dressed in a tattered striped skirt. She was gathering around her neck the collar of a woolen coat. The sleeves were too short and left her wrists, red with cold, bare. How old was she? Twelve, thirteen? He had not asked her name. It did not matter. He shivered and resolved not to look at her again.

“Hurry, will you?” he said, looking straight ahead. “We haven’t all night.”

She pressed on and almost caught up with him. They joined the cart and the other men. Limoëlan gave the girl the bridle to hold.

“Remember, no matter what, the horse must not move at all,” he said as he handed her the whip. “It is very important, do you understand?”

She nodded. “Oh, don’t worry, Sir, I’ll be very, very careful.”

The horse was covered with sweat and kept its head down. It was content to sniff noisily at discarded cabbage leaves on the cobblestones and seemed in no mood to canter away. The girl waited, shifted her weight from one foot to the other, patted the horse’s neck, toyed with the whip. Limoëlan pulled his watch. The time was near. He exchanged a glance with Saint-Régent and nodded.

Limoëlan left to post himself at the intersection of Rue Nicaise and Place du Carrousel. Soon he saw a cortege of carriages leaving the Palace and heading his way. He shuddered. At last. He had waited so long for this moment. A few more seconds, and it would be all over. He knew he had to signal to Saint-Régent, but somehow his heart stopped and he was unable to raise his hand. He was still frozen, overcome by an emotion he could not define, when the first carriage passed him by and turned onto Rue Nicaise.

The girl looked up when she heard the rattling of wheels and the noise of hooves. She gaped at the squadron of dragoons in splendid uniforms surrounding the procession of elegant carriages. One of the guards of the escort, saber drawn, galloped ahead to the cart and shouted to move it out of the way. His horse shoved Saint-Régent against the wall of a house. The girl, her mouth still open, held on to the nag’s bridle. She was staring at the gold braid on the dragoon’s green jacket, at the horsetail that flowed down his back from his shiny helmet, at the claws of the spotted pelt that served as his saddle blanket. In her entire life she had never seen anything so strange and beautiful. She paid no attention to Saint-Régent, who had swiftly recovered his balance and reached under the tarpaulin.

But the coachman of the first carriage had noticed it all. He swore at the top of his voice, whipped his horses and drove away at a gallop. A blinding burst of light tore at the night. Thunder shook the air. The horses of the guards reared up, neighed wildly, slipped and fell. Cobblestones, roof tiles, parts of walls, entire chimneys, shards of glass, shreds of flesh were raining down on the street.

All that was left of the nag was the head, intact like a trophy, one front leg and one side of the chest and rump. Straw poked out from the remaining half of its leather collar.


Customer Reviews

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Most helpful customer reviews
5.0 out of 5 stars Grittily authentic historical thriller Aug 9 2010
Format:Hardcover
I loved Catherine Delors's debut novel, Mistress of the Revolution, so my expectations for For the King were high, and I''m delighted to say that the book did not disappoint. An historical thriller, it deals with the failed assassination attempt on Napoleon in Paris on Christmas Eve 1800 ' or, in French Revolutionary parlance, the 3rd of the month of Nivose (translation: Frosty) of Year Nine of the Republic.

For the King follows the investigation after the attack, which, although it failed to harm Napoleon, killed and maimed many other people. The central character is Roch Miquel, the son of a tavern owner who has risen to be Chief of Police. Roch is convinced from the start that the Royalist faction is behind the plot, but unfortunately his patron and superior, the untrustworthy Fouché, is anxious to assign the blame to the ex-Jacobins who also want to see Bonaparte fall ' among them Roch's father.

And the lady on the cover? Roch is involved with Blanche Coudert, the beautiful young wife of a newly-rich banker. But his relationship to her comes under strain in the course of the investigation. You may notice that the cover image is from later in the 19th century, so the dress has been digitally altered to conform to the high waistline fashionable in 1800!

Although the cover highlights the romantic subplot, the main drive of the book is the chase after the assassins. This is a fast-paced read which never sacrifices atmosphere and is rich with details gleaned from archival research.

A very accomplished second novel and a wonderful read.

I received an ARC of For the King from the author.
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4.0 out of 5 stars For The King Jun 25 2010
Format:Hardcover
I have been excited about this book's release ever since I first read mention of it on Delors' Versailles and More blog, awhile back. What could be more appealing to me than a book set in France during the Revolution- with a sneak peak at both Josephine and Bonaparte, and involving characters such as Fouché- well-Obviously I couldn't wait to devour this!

I was ready to escape to a time filled with intriguing history, some romance...the usual? No way! This one involves a full-fledged mystery to boot! I was delighted by this unexpectedly captivating ride! Chief Inspector Miquel Roch is on a mission to uncover the truth behind the resulting massacre in the attempt to blow away First Consul himself, Bonaparte. Who masterminded this failed operation? The suspects are on the run, but the clues are numerous. One mystery person works behind the scene to help move the whole operation forward...For The King....

Jacobites, Chouans, Royalists- typically anyone of these groups would have had motive to want do away with Napoleon, the Usurper...This is a mystery with more at stake than Inspector Roch could have ever imagined; For one, his father's life depends on it.

Truth be told, no matter how good the mystery, I always need a heroine in my stories to keep me hooked. And so, just to make it that more appealing, For The King, has a variety of entertaining French ladies; especially, one particularly tempting Blanche, who happens to be keeper of quite a few heartbeats...literally.

For The King is an intriguing tale spun around actual history. The time frame, setting, plotted assassination, the accused, as well as many of the characters encountered in this read- all real. This made the story that more attractive to me. Delors' attention to detail and impeccable historical accuracy is remarkable. I was truly delighted to embark in this unexpected mystery that fulfilled more than the promise of another entertaining French historical fiction.
If you are fascinated by the French Revolution and the tumultuous changes of the times, you will absolutely want to read this- it's so interesting! Splendid!
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.3 out of 5 stars  17 reviews
6 of 6 people found the following review helpful
5.0 out of 5 stars For The King, by Catherine Delors, Must Read July 9 2010
By P. Klein - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
I enjoyed trying to piece together
all the clues provided. No cheating here.
I did feel a connection with the fictional
hero as he was on a time limited investigation
to find the real perpetrator/s of the terrorist
attack on Napoleon or an innocent man would face
dire consequences.
I enjoyed seeing the change in her hero, the
fictional police chief inspector Roch Miquel
as he is also stymied in his work by coworkers who
do not like him and a boss who manipulates him.
He learns from his experiences.
There is also dramatic foreshadowing for what is
to come for France under Napoleon.
But it is as a thriller that it is most satisfying.

Until next time Ms. Delors,
Well Done!
4 of 4 people found the following review helpful
3.0 out of 5 stars Columbo, 175 years earlier Aug 19 2010
By Michele - Published on Amazon.com
Format:Hardcover
Terrorists detonate a bomb in an effort to assassinate their country's leader. Although they fail in their goal, nevertheless there is widespread damage and many are killed or injured. Although the reader knows from the first who the culprits are, the hero - a detective in the city's police force who has worked his way up the ranks to become a Chief - does not know, and we watch as he methodically conducts his investigation to identify and apprehend the guilty.

Added to the mix is his affair with a beautiful married woman, whom he loves but whom he increasingly distrusts. Then there is the political infighting amongst the police forces, with everyone jockeying for position and power. The hero, whose enemies are many and whose friends are few, struggles just to hold on to the position he has worked hard for, and for which his beloved father sacrificed much hard work and money to help his son succeed. The hero's position becomes even more tenuous when his father is arrested on the flimsiest of charges that he is connected to a group seeking to overthrow their national leader, and the hero's superior - who feels no love for him - gives him exactly one month to apprehend the culprits or his father will face deportation.

Sound like a detective story set in modern-day NYC? Well, the detective's name is not O'Grady or Diamante and the story is not set in NYC. His name is Roch Miquel, he lives in Paris in 1800, and the national leader under attack is not a US President, but Napoleon Bonaparte.

For the King tells the story of a true but little-known (at least to Americans) incident in the early months of Napoleon's reign, when France was still seeking stability and equilibrium after the excesses of the Revolution, and when Paris was hotly divided between those who supported the powers of the Revolution, those who wanted a restoration of the monarchy, and those who felt Napoleon was the answer. Catherine Delors' familiarity with the culture and history of France comes through in the novel, as she creates a strong sense of the time and place. Although her often terse, clipped language and emotionally subdued style evokes the feel of modern detective fiction, the story is very firmly grounded in Paris in 1800.

The cover, beautiful as it is, does not accurately portray what this novel is really about. Those who pick up this book thinking it might be about a royal romance will be disappointed; although there is an element of romance in the story, it is restrained and just one element among many. On the other hand, men may hesitate to pick up this book because of the cover - thinking it is a royal romance - and that is a shame because the storyline, combined with Delors' frank and unsentimental style, would appeal to men every bit as much as women.

The suspense, action, and romance in For the King are mild; its major strength lies in its ability to transport the reader to a specific time and place, illuminating the seething cauldron that was Paris in the early days of Napoleon's reign. If, like me, you have only minimal knowledge of the French Revolution and its aftermath you will still have no problem following the narrative; Delors subtly incorporates explanations of the various administrative factions that governed Paris at that time, and she seamlessly weaves historic and imagined characters together in a way that is completely believable.
1 of 1 people found the following review helpful
5.0 out of 5 stars Madame Delors has raised the bar of excellence! Nov 8 2010
By elena maria vidal - Published on Amazon.com
Format:Hardcover
There are few things I enjoy more than getting lost in a really good book. For those who enjoy such pursuits, a book I cannot recommend highly enough for getting lost in is Catherine Delors' new novel FOR THE KING. A soul-stirring epic, replete with authentic detail, FOR THE KING sets a new standard of excellence for historical fiction. Madame Delors has raised the bar. The flow of vivid descriptions and lively characterizations seamlessly spring forth. Opening with an act of terrorism that resembles the atrocities of our own time, the novel inspires horror without indulging in the grotesque. Similarly, the intimate encounter between the hero and his lady is intensely passionate without being voyeuristic. The writing combines power with beauty and realism with genuine pathos in order to capture the essence of an era of upheaval.

To quote from the book's website:

"The Reign of Terror has ended six years earlier, and Napoléon Bonaparte has seized power, but shifting political loyalties still tear apart families and lovers. On Christmas Eve 1800, a bomb explores along Bonaparte's route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again. Complicating Miquel's investigation are the maneuverings of his superior, the redoubtable Fouché, the indiscretions of his own father, a former Jacobin, and two intriguing women. For The King takes readers through the dark alleys and glittering salons of post-revolutionary Paris. It is a romantic thriller, a tale of love, betrayal and redemption."

Caught in a searing love affair with a lady who has much to hide, Roch Miquel has to learn the difference between love which endures and love which is mere escapism. As the reader accompanies Roch through the streets of post-Revolutionary Paris, with its colorful mix of sights and smells, both delicious and repulsive and everything in between, the city gradually surrenders its secrets. For as Roch seeks to unravel the plot to assassinate Napoleon, the mystery of his own life is slowly revealed. Roch is an appealing character, with a sense of honor and duty that come from his peasant Auvergnat upbringing, as well as the shrewdness to see behind the many façades of his world. Nevertheless, much remains hidden to him, such as the identity of the royalist agent with the code name of "For the King."

One of the most striking aspects of the book is the study of how devout, conservative people too often prove to be their own worst enemies. By descending to terrorism in order to murder Napoleon, the royalists not only destroy lives but bring shame upon their cause. While the royalist cause is not unsympathetic to me (I write all about it in Madame Royale) it is easy to become disgusted with the royalist plotters, who demonstrate yet another example of Catholics Behaving Badly. Redemption, however, is offered to all who open their hearts to truth and to personal conversion, one among many subtle threads in Madame Delors' political thriller.
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