Forgotten Silver

The film is the creation of Peter Jackson, best known today as director of The Lord of the Rings, and actor Costa Botes. Jackson, playing himself in the movie, claims to have discovered a collection of old films in a neighbor's shed, revealing that New Zealander Colin McKenzie (Botes) invented motion picture cameras, color film, sound technology and other landmarks of cinema in complete obscurity before others who are regularly credited for doing so. His ultimate achievement, a biblical epic called Salome, is the lost treasure of film history.

Jackson enlists the aid of other well-known film personas, including critic Leonard Maltin, to explore the life of Colin McKenzie and reveal just how sensational this discovery is. Most of the humor is subtle and tongue-in-cheek, as it is in Peter Jackson's other films. However, the subject matter is treated with the utmost seriousness and therefore hard to discern from fact. Similar to the effects created by Woody Allen in Zelig, Jackson creates extremely authentic-looking black-and-white nitrate footage in which Colin's achievements are well documented. A sequence in which the filmmaker sets out in search of the ruins of the Salome set feels like an episode of "National Geographic Explorer." In fact, the overall film is so utterly believable that it caused a minor scandal in its native land upon its original airing. The populace of New Zealand demanded to know why one of its native sons had never received the recognition he so clearly deserved.

The DVD's special features serve to enhance the already-convincing documentary aspects, even though they open up the whole bag of tricks like magicians revealing their secrets. In addition to a commentary audio track by Jackson and Botes, the DVD includes interviews detailing the production of the film and the controversy Jackson and Botes created by doing their jobs so well. What truly enhance the overall viewing experience are the inclusion of footage outtakes and a demonstration of the special-effects test shots. The outtakes invigorate the film's impressive mystique, and the test shots are illuminating inside looks at the tools of the film trade and the progress that has been made.

How dry is the wit? Well, when "Forgotten Silver" aired on New Zealand television it convinced quite a few Kiwi that they had a new national hero in Colin McKenzie, the lost film director who is the topic of this effort. This happened even though McKenzie is played by Thomas Robins, a New Zealand actor who was the original Host of the New Zealand, Saturday morning Breakfast show, "Squirt" (his only other film role has been as Deagol in "The Return of the King").

There is fun to be had in showing "Forgotten Silver" to unsuspecting friends, family and people dragged in off of the street, to see at what point they catch on that there is something amiss here. The idea is that Collin McKenzie was a cinematic innovator who came up with the first mechanized camera, the first full-length feature film with sound, and the first color film. Unfortunately while doing these things he forgot to invent subtitles and accidentally invented the porn film. Hopefully these people will be amused by what happened and not end up being outraged like the New Zealand viewers who bit hard on the proceedings and complained bitterly to the network and the press afterwards (excerpts are provided on the DVD's feature). But then I recall having to inform my oldest daughter that "The Blair Witch Project" was not "real," so I know you how dicey these things can be.

The hoax works for several reasons. First, nobody ever winks at the camera, including talking heads Sam Neill, Leonard Maltin, Harvey Weinstein. Their remarks are skewed only slightly and if you are not in on the gag you might not get it (How many of you got the joke of the Russian woman named Alexandra Nevsky?). Second, the documentary weaves in real history and historical footage from the start of the 20th century. Talking about the Battle of Gallipoli is always going to resonate down under. Third, all of the footage for "Salome," Colin McKenzie's lost silent classic, is done "straight" (an idea that has to be taken with a grain of salt when you are talking about acting in silent movies). Finally, Jackson and Bostas do the entire production from start to finish in true documentary fashion. If it looks like a documentary and it sounds like a documentary then chances are you have the audience hook, line and forgotten silver.