From Library Journal
At the turn of the century, Edward Sherriff Curtis photographed Native Americans with his oversized, glass-negative camera and published 1400 gravures, later collected in his North American Indian volumes (LJ 1/90). In 1906, he personally selected 108 negatives, printed them with the platinum process he loved (which gives a dreamy, sepia glow to his subjects), signed them, and mounted them in an exhibition at the Waldorf-Astoria. Photographers hailed him as a genius; anthropologists derided him because he romanticized his subjects. His books were expensive and did not sell well. In time, his plates were lost via a nasty divorce, many of the books were dismantled and sold for prints, and he died in obscurity. Then in 1977, Clark Worswick of the Peabody Essex Museum was shown the Waldorf exhibition set of prints in a forgotten cabinet. The 108 prints are currently on exhibit again, and this handsome book is not only the catalog for that show but a tribute to Curtis's talent. Worswick's introduction offers a well-balanced discussion of the conflict between art photography and anthropology in Curtis's work. A beautiful addition to any library. Gay Neale, Meredithville, VA
Copyright 2001 Reed Business Information, Inc.
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Book Description
Edward S. Curtis was the greatest photographer of Native Americans that this country has ever produced. Curtis photographed more than eighty Native American tribes at what for many was the penultimate moment of their existence in a period spanning more than three decades. Seen in Curtis's photographs, these are peoples of free-reining spirit set in the vastness of a primal continent. Included are a selection of Curtis's master prints, which have never been seen before, and other prints that comprised Curtis's last great exhibition, mounted in 1906 at the Waldorf Astoria Hotel in New York. Donated to the Peabody Essex Museum in 1906, these prints have never been exhibited since. This selection of photographs, which survive intact from almost one hundred years ago, proves that Curtis was not only a great photographer but also one of the most important artists ever produced in America. With this book, accompanied by a radical reappraisal of Curtis's work and place in American art by photographic historian Clark Worswick, Edward Curtis joins the ranks of John James Audubon, whose works on a uniquely American natural history subject admit no contemporary comparison.
--This text refers to an out of print or unavailable edition of this title.