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Four Feathers, the [Import]

John Clements , Ralph Richardson , Zoltan Korda    NR (Not Rated)   DVD
4.5 out of 5 stars  See all reviews (6 customer reviews)
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Far too many film versions of the The Four Feathers have been made over the years, which is especially surprising considering that this 1939 Korda brothers production is surely definitive. The film simultaneously celebrates and pokes fun at British imperialism, showing the kind of dogged stiff-upper-lippery that forged an Empire, but also the blinkered attitudes and crass snobbishness of the ruling classes (and those accents--did people ever really talk like that?). Whatever political subtext may or may not be read into it, though, the film is best celebrated for its magnificent vistas: partially made on location in the Sudan, as well as at the famous Denham Studios, this is British cinema from the days when it thought to rival Hollywood for sheer spectacle. Vincent Korda's production design and the glorious early color cinematography are helped greatly by fellow Hungarian émigré Miklos Rozsa's epic score.

John Clements is the notional hero, the man who determines to show the world that he is not a coward after resigning his commission (even though it would surely have saved everyone a lot of bother if he had just stuck with it) but the film is stolen by Ralph Richardson, magnificent as an officer struck blind and led to safety by Clements' Harry Faversham. The later scenes when Richardson's Capt. Durrance realizes the truth and its implications are the most poignant and emotionally truthful in the film. C. Aubrey Smith is delightful as the old buffer who relives his battles on the dinner table; to a modern audience, however, the "blackface" casting of John Laurie as the Khalifa strikes a discordant note. But adjusting some expectations for its vintage, this is a triumph of derring-do and far and away the most gripping version of this oft-told story on film. --Mark Walker


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6 of 7 people found the following review helpful
5.0 out of 5 stars four feathers on DVD Feb 18 2004
Format:VHS Tape
Film Buffs look to your neighbors across the Pond. I ordered "A Matter of Life or Death in VHS/Pal and converted it to DVD.The Brits have it in DVD/PAL The locals (USA) dont seem to want to budge (people who could get this on DVD). I'd suggest the same with this wonderful movie. I wrote to Carlton Films/e-mail to check on titles. Film Buffs of the Classics of Korda - there is a wealth of film sitting on the shelf. To serve the many the few are forgotten. Thanks.
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9 of 9 people found the following review helpful
5.0 out of 5 stars A timeless classic! May 21 2004
By flask
Format:VHS Tape
Alexander Korda's "The Four Feathers" (1939) is perhaps one of the greatest triumphs of British filmmaking -- a crowning achievement in Imperialistic propaganda and a nostalgic testimony to the societal traditions which once inhibited us as individuals. Simply put, "The Four Feathers" is a cinematic masterpiece in the vein of "The Drum" (1938), "Kim" (1950"), "The Jungle Book" (1942) and "Gunga Din" (1939). It also represents a rare instance in which a film is far superior to the original novel.

The original novel upon which the film is loosely based was penned by A.E.W. Mason and has an actual excuse for being somewhat flimsy: Following the bloody outbreak of World War I, Mason wrote the story as a mere identity cover while doing espionage work for the British government. He was able to scout northern Africa under this guise of an accomplished author gleaning material for the plot of the novel.

The plot of "Four Feathers" is simple yet engrossing: A young man, Harry Faversham (the dashing John Clements), is brought up by his distant father (Allan Jeayes) in a lonely household steeped in Imperial tradition which values courage and honor above happiness or life itself. His natural human instinct of self-preservation is accentuated into possible cowardice by the horrifying war stories told around the dinner table by old veterans. As he matures, Faversham falls deeply in love with Ethne Burroughs (the radiantly beautiful June Dupréz) and decides that he would rather spend his life in his own way than be trapped in the futile repetitiveness that is a soldier family. On the eve of his unit sailing for Africa, he resigns his commission and is branded a coward -- one of the worst labels in Victorian England -- by both his friends and his betrothed. To reclaim his honor and prove both to himself and others that he is not a coward, Faversham sails to darkest Africa.

In Africa, our dauntless hero is embroiled in unfolding military history as General/Lord Horatio Kitchner ventures into the blistering Sudan with 20,000 British personnel against the varied 50,000 warriors of the Khalifa (John Laurie). The film terrifically climaxes in the breathtaking Battle of Omdurman, a historical engagement which a young Winston S. Churchill witnessed and, in one of his most famous literary pieces, fittingly described as a "victory snatched from the jaws of peril!"

When I was very young, my parents would show me this particular film as an example of a forgotten way of life: of lavish ballrooms where uniformed officers and young ladies in ornate Victorian gowns danced the night away on the eve of war amidst whispered pledges of love and marriage. The film taught me that a true gentleman never insults another in public; a leader must be able to command his own self before he can command others; to honor your word even if it may kill you in the process and to be unafraid of whatever befalls you as long as you are true to yourself.

Film Rating: ***** (five) out of ***** (five) stars.
A mesmerizing period piece.

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5.0 out of 5 stars Top Notch for the Senior Crowd May 23 2013
Format:DVD|Amazon Verified Purchase
I'm from English descent and from Military heritage, my Grandfather being in the Anglo Boer War and Family members in WW 1 & WW 2, with friends serving in Korea. I have been a keen follower of the British Forces in the days of Empire building. I love the pomp and splendour and training of the beautifully uniformed troops. This is still prominent in my appreciation of such things as the Trooping of the Colour. C. Aubrey Smith was this films biggest asset, his absolute belief that there was no room for a coward in Britain. June Duprez was perfect in her role, but at first John Clements seemed rather weak for his role, but he gradually redeemed himself. I would recommend this fine film to anyone interested in this time in history, especially us oldsters. I'm sorry to say that this film would not be enjoyed by the younger generation. However, the latest version of this film would also not be accepted by most, young or old. I have this film and have only watched it twice.
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