- Paperback: 120 pages
- Publisher: University of California Press; 1 edition (Mar 31 1998)
- Language: English
- ISBN-10: 0520215397
- ISBN-13: 978-0520215399
- Product Dimensions: 28.2 x 22.9 x 0.8 cm
- Shipping Weight: 703 g
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Amazon Bestsellers Rank:
#1,826,150 in Books (See Top 100 in Books)
- #46 in Books > Arts & Photography > Artists, A-Z > ( A-C ) > Bacon, Francis
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Product Details |
Product Description
Product Description
Francis Bacon (1909-1992) is widely acknowledged as one of the greatest British artists of this century. For over fifty years the intense emotions conveyed in his works have shocked and enthralled an ever-growing audience. David Sylvester, a leading Bacon scholar, brings together many of the artist's best paintings involving the human figure, the central subject of his work. Bacon's diverse body imagery can be seen in his self-portraits; nude studies; portraits of friends such as Henrietta Moraes, George Dyer, and Lucian Freud; and his series of Popes. Many of Bacon's prototypes were "found" images: reproductions of Michelangelo, Velásquez, Degas, Muybridge's photographs of the human figure in motion, film stills from Eisenstein's Battleship Potemkin, magazine photos of politicians and boxers.
Bacon disliked working directly from a model and therefore often commissioned photographs, especially from John Deakin. A prolific creator of self-portraits, Bacon painted dozens, mostly small canvases of his head. Usually three are put together to form a triptych; sometimes one appears as a solo canvas or as a unit in a triptych along with other people's heads. One of the most powerful is a full-length portrait, the Sleeping Figure of 1974, painted from a photograph of him stretched out on a hospital bed. Other paintings portray bodies wracked by violence--a wailing mouth, a cry of despair. Sylvester's observations show how certain images were linked to incidents in Bacon's life, such as childhood fear of his father and his lifelong devotion to his nanny. The catalog includes paintings that date from 1945 to the mid-1980s, including single canvases and triptychs from collections around the world.
Bacon disliked working directly from a model and therefore often commissioned photographs, especially from John Deakin. A prolific creator of self-portraits, Bacon painted dozens, mostly small canvases of his head. Usually three are put together to form a triptych; sometimes one appears as a solo canvas or as a unit in a triptych along with other people's heads. One of the most powerful is a full-length portrait, the Sleeping Figure of 1974, painted from a photograph of him stretched out on a hospital bed. Other paintings portray bodies wracked by violence--a wailing mouth, a cry of despair. Sylvester's observations show how certain images were linked to incidents in Bacon's life, such as childhood fear of his father and his lifelong devotion to his nanny. The catalog includes paintings that date from 1945 to the mid-1980s, including single canvases and triptychs from collections around the world.
Ingram
Widely acknowledged as one of the greatest British artists of this century, Francis Bacon (1909-1992) used a diverse body imagery that can be seen in his self-portraits, nude studies, portraits of friends, and his series of Popes. This catalog, published to accompany the first exhibition of Bacon's works in more than a decade, includes single canvases and triptychs from collections from around the world. 47 illustrations, 32 in color. 5 gatefolds.
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4.2 out of 5 stars (4 customer reviews)
10 of 10 people found the following review helpful
5.0 out of 5 stars
A marriage of words and paintings, Jun 12 2001
By Grady Harp - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Francis Bacon: The Human Body (Paperback)
David Sylvester is one of the finest biographers of contemporary painters on the shelves today. His insights into such obtuse minds as Giocomettti and de Kooning and Francis Bacon have brought us, the viewer and thinker, closer to the real synapses at work. In this lavishly illustrated catalogue the emphasis is on the whole human body - alone, in confined spaces, distorted and reassembled in triptychs. Sylvester opens this format with terse discussions about particular paintings, using only black and white details of the works he is discussing. Then, once we have the groundwork established, the last half of the book is simply the paintings, printed on the finest peper, with foldouts that do justice to the triptychs and color separations that are as near to the originals as is possible. A feast for the eyes and mind....and imagination.
5.0 out of 5 stars
Documents his evolving style using the body as example, July 25 2011
By C. B Collins Jr. - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Francis Bacon: The Human Body (Paperback)
This monograph includes an essay by art critic David Sylvester and a selection of the paintings of Francis Bacon that illustrate the concepts that Sylvester explores. There is a brief but concise biography of Bacon at the end of the monograph that I found insightful and meaningful in interpretation of the work of this renowned artist. Bacon's early work in 1943 is often linked to Picasso but the painting Figure Study II from 1945 would reveal a unique visual sensibility that demonstrates formalistic structures in the composition and yet expressionistic central content, a screaming head, and bold color mastery.George Dyer, a burglar, was Bacon's lover during significant middle period in his career and Dyer often is the subject of the paintings. The paintings, particularly a triptych, of the night Dyer died in a Paris hotel room are very powerful. Dyer is shown vomiting into a sink and then dying on the toilet. There are few paintings with this degree of pain and honesty and mastery. I say mastery for the subject was extremely close to Bacon and the more personal the subject matter, the more difficult to control the imagery, and the larger the struggle as to what is revealed and what is hidden. There is a fine fold out reproduction of this triptych.
The Sylvester essay refers to the influence of both Bonnard and Degas on Bacon. Bacon admired the application of the paint in the work of Bonnard. Bonnard's approach to paint is minimal as he scruffs paint into the canvas, leaving areas blank and almost unfinished, with the uneven application evoking the cast of light on surface. The type of paint application is seen in Study from the Human Body, 1949; Painting, 1950; Study for a Nude, 1951; and Study of a Nude, 1952-53. However, Bacon is also a colorist in the tradition of Degas as many of these illustrations convey, even though some may not recognize Degas as a colorist. Figure in Movement, 1978 in black, burnt orange, acidic lime green, soft lilac, and yellowed flesh; is a symphony of Fauvist colors.
The essay is a perfect compliment to the paintings. The biography at the end of the monograph was highly informative for you see that his paintings were of his closest associates, possibly a strategy by which emotional charge is conveyed to the canvas for these models have meaning for the artist. The book is recommended.
5.0 out of 5 stars
For inspiration, July 4 2008
By Intars - Published on Amazon.com
This review is from: Francis Bacon: The Human Body (Paperback)
Not so long before I had no idea of who Bacon was and what he painted. Remember how I once skipped lectures in university and played PSX game Silent Hill all day along. In Making OF of this game I first time heard that some art inspiration for game was taken from Bacon paintings. And so I came to Bacon and his art :)Personally for me, and again just for me, I gave this book 5 stars because pictures here catch my eye like none art before. Bacons pictures by some reason looks stunning and scary at the same time. This book contains his pictures of human body theme only, as a cover says. I liked the way author gone - less text, more pictures. Second half of the book is containing just paintings with minimum comments below, mainly one paint picture on whole page. There are also few "three page rollout" inserts, showing few Bacon's triptych paintings which I liked. Pictures of second half is fully colourfull, first half of the book contains one page for text and other page for black and white, zoomed in picture of Bacon, that gives kinda cool look.
This book will gave it's best to filmmakers, animators, concept artists, scriptwriters, Bacon enthusiasts who seek to take inspiration for horror art, movies, animations, whatever.
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