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The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch. Billed as "Recut, Extended, Unrated," with "over 20 minutes" of new footage, the new set's four separate stories are extended by only about 6.5 total minutes of movie action (see details below in "What's New"); the rest of the added running time is the splashy new title shots (named by the title of the story or book) and the four minutes of credits that run at the end of each segment. Each addition makes the movie even closer to the comic books, and these extended segments are generally preferable to the theatrical equivalents (unfortunately, there's no Play All option), but don't expect the same impact as Peter Jackson's Lord of the Rings extended editions. And although this version is unrated, the only risqué addition is a bit of violence from Miho that's no worse than the rest of the crazy violence in the film.
How Are the Bonus Features?
Robert Rodriguez has always loved DVDs, so the bonus features are extensive. On the first disc, there is somehow room for the theatrical cut of the film with its DTS track (the extended versions have only Dolby 5.1), two commentary tracks, an alternate audio track with a live audience in Austin, Texas, an interactive map of characters and locations, and 47 minutes of featurettes covering Frank Miller, Quentin Tarantino, cars, costumes, props, and special effects. The first commentary is Rodriguez and Miller discussing the concepts and the cast. The second commentary is mostly by Rodriguez, but Tarantino drops in briefly for the scene he directed (with Clive Owen and Benicio Del Toro in the car), as does an enthusiastic Bruce Willis for his segment.
The Tarantino scene gets a lot of attention on the second disc as well, in a 14-minute take in which he can be heard coaching the actors. Also on the disc are Rodriguez's usual "flic school (among the topics is how scenes were created by merging footage of actors who never actually met), footage of Bruce Willis's band performing in Austin at the time of the shooting, and another Rodriguez cooking school (this time it's breakfast tacos). But the most interesting feature is the "green screen version" of the film: the entire film as it was shot in front of the green screen, sped up to play in only 12 minutes. You can see the actors (in color!) interacting only with the props and each other. Last, there's a DVD-sized complete comic book of The Hard Goodbye.
What's New in the Extended Version?
"The Customer Is Always Right" (the opening sequence with Josh Hartnett and Marley Shelton) has no new footage, but now goes straight into the one-minute epilogue with Hartnett and Alexis Bledel that closed the theatrical cut. "The Hard Goodbye" (with Mickey Rourke as "Marv" ) has two new sequences totaling about two minutes: Marv encounters his mother and finds his gun, and talks to Weevil in the club. In "The Big Fat Kill" (with Clive Owen and Benicio Del Toro), some short dialogue is restored, along with another wicked slice by Miho (Devon Aoki)--about a minute total. "That Yellow Bastard" (with Bruce Willis and Jessica Alba) has about 3.5 new minutes: there are more visitors to Hartigan's hospital bed, including his wife and a nurse; Carla Gugino's Lucille character comes to assist Hartigan when he wants to get out of jail (probably the best addition); and Mr. Shlubb and Mr. Klump have some more lines. --David Horiuchi
DVD Features
Available Audio Tracks: English (Dolby Digital 5.1), English (DTS 5.1)
Commentary by Robert Rodriguez & Frank Miller
Commentary by Robert Rodriguez & Quentin Tarantino
Commentary by Austin premiere audience reaction
Recut and extended theatrical release - separated into four stories
Original theatrical release including:
All-new feature commentary with Robert Rodriguez & Frank Miller
All-new feature commentary with Robert Rodriguez & Quentin Tarantino
All-new feature commentary of Austin premiere audience reaction
Exclusive never-before-seen extras:
15-minute film school with Robert Rodriguez
The movie in high-speed green screen
The Long Take: 17 uninterrupted minutes of Tarantino's segment
Sin City Night at Antones -- filmmakers, cast and crew party
10-minute cooking school with Robert Rodriguez
Bloopers
Teaser & theatrical trailers
A Hard Top With a Decent Engine: The cars of Sin City
Making the Monsters: Special effects make-up
Trench Coats & Fishnets: The costumes of Sin City
Booze, Broads & Guns: The props of Sin City
How it Went Down: Convincing Frank Miller to make the film
Giving the Characters Life: Casting the film
Special guest director: Quentin Tarantino
Sin-Chroni-City interactive game
Complete Sin City Graphic Novel - The Hard Goodbye
Number of discs: 2
Commentary by Robert Rodriguez & Frank Miller
Commentary by Robert Rodriguez & Quentin Tarantino
Commentary by Austin premiere audience reaction
Recut and extended theatrical release - separated into four stories
Original theatrical release including:
All-new feature commentary with Robert Rodriguez & Frank Miller
All-new feature commentary with Robert Rodriguez & Quentin Tarantino
All-new feature commentary of Austin premiere audience reaction
Exclusive never-before-seen extras:
15-minute film school with Robert Rodriguez
The movie in high-speed green screen
The Long Take: 17 uninterrupted minutes of Tarantino's segment
Sin City Night at Antones -- filmmakers, cast and crew party
10-minute cooking school with Robert Rodriguez
Bloopers
Teaser & theatrical trailers
A Hard Top With a Decent Engine: The cars of Sin City
Making the Monsters: Special effects make-up
Trench Coats & Fishnets: The costumes of Sin City
Booze, Broads & Guns: The props of Sin City
How it Went Down: Convincing Frank Miller to make the film
Giving the Characters Life: Casting the film
Special guest director: Quentin Tarantino
Sin-Chroni-City interactive game
Complete Sin City Graphic Novel - The Hard Goodbye
Number of discs: 2
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Most helpful customer reviews
66 of 68 people found the following review helpful
4.0 out of 5 stars
the technical details,
By
This review is from: Sin City [Blu-ray] (Blu-ray)
Since most of us are very familiar with this film I figure we are just interested in the technical specifications to make sure it's worth spending the cash on. This is a bare bones release no extras and not the directors cut. The packaging and amazon description says the audio is just DTS but in actuality it is DTS-HD MA!I live in the USA shipping just took 6 days with the cheapest shipping method. Very impressed with amazon.ca . Region Free?: Yup Disc Title: SIN_CITY Disc Size: 23,855,581,236 bytes BD-Java: No Movie Length: 2:04:02 Movie Size: 23,772,352,512 Total Bitrate: 25.55 Video: AVC / 14.45Mbps / 1080p / 23.976fps / 16:9 / High Profile 4.1 Audio: English / DTS-HD Master 5.1 / 4134Kbps / 48kHz / 24-bit Audio: French / DTS-HD Master 5.1 / 4253Kbps / 48kHz / 24-bit Audio: English / DD AC3 5.1 / 448Kbps Audio: French / DD AC3 5.1 / 448Kbps Subtitle: English / 47.066Kbps Subtitle: French / 143.075Kbps Subtitle: French / 0.318Kbps [Forced Signs/Subs]
18 of 19 people found the following review helpful
4.0 out of 5 stars
WAIT for it.....,
By Jeff (Ottawa, Canada) - See all my reviews
This review is from: NEW Sin City (DVD) (DVD)
WOW! What an awesome film. It is based on 3 out of 7 Frank Miller books: #1, The Hard Goodbye, #3, The Big Fat Kill and #4 That Yellow Bastard. Also, fans will recognize the opening scene, as its the short story "The customer is always right". This film is amazing beyond description. The msot faithful comic book adaptation EVER. Why the four stars? Because the DVD will have nothing on it! I'd give the film 5, but this DVD itself is as naked as the girls of Sin City! So fans of Special Editions, and of course of Sin City: save your cash. Robert Rodriguez himself stated that there WILL be A Special Edition coming later. Just a warning....
1 of 1 people found the following review helpful
5.0 out of 5 stars
Sinful read,
By E. A Solinas "ea_solinas" (MD USA) - See all my reviews (HALL OF FAME) (TOP 10 REVIEWER) (REAL NAME)
This review is from: Sin City (DVD)
The nights are cloudy, the alleys are dark, the men are dangerous, bars are smoky and femmes are fatale. "Sin City" is a thing of dark, bloody beauty.It certainly says something if a graphic novel author helps out with a movie... especially if that creator swore he'd never let it be adapted. That is only one of the things that makes "Sin City," the adaptation of Frank Miller's comic, such a fascinating film. "Sin City" is actually made up of three stories: In the depths of Basin (Sin) City, scarred hulk Marv (Mickey Rourke) sleeps with a beautiful prostitute, Goldie (Jaime King), only to find her dead beside him the next morning. Enraged, he goes on a killing spree to find her murderer, and learns that sinister cannibal Kevin (Elijah Wood) is responsible. But there's a powerful figure behind Kevin, who calls the shots. Elsewhere in Sin City, Dwight (Clive Owen) does his best to defend Gail (Rosario Dawson) and the other Old Town prostitutes. But when Dwight kills a crooked cop, he has to somehow cover up the crime. And Hartigan (Bruce Willis), a cop with a failing heart, goes out of his job with a bang: He rescues little Nancy Callahan from a child molester who happens to be a senator's son. Hartigan is jailed, and when he gets out, he finds that Nancy (Jessica Alba) has grown into a lasso-twirling stripper. But the senator's son -- nicknamed Yellow Bastard -- is still after her. "Sin City" is one of those few comic book adaptations that doesn't seem... well, cartoonish. Sure, it's the very image of noir, but the grim tone and grey characters are very real. It's not a movie for the fainthearted, but whoever enjoys the films of Quentin Tarantino (who directed one scene here) will surely be blown away. Like "Sky Captain and the World of Tomorrow," this film is done almost entirely digitally. But unlike "Sky Captain," it has substance as well as style. All the sets and props are done with computers, and nearly everything is in black and white. Here and there we get a splash of colour -- red lipstick and matching dress, Yellow Bastard's face, green eyes. The contents of three "Sin City" comic books are interwoven here, and Rodriguez is constantly faithful: A lot of these shots could have been lifted straight from the comic's pages. He also preserves the stark, black-and-white style that the graphic novels are known for. You can't get much more faithful than that. "Sin City" is not quite a "Kill Bill" bloodfest, though -- surprisingly, this brutal movie has a dark sense of chivalry. Each story is about an outcast man defending a woman's honor, safety, or memory, even if he sacrifices himself in the process. "Sin City" wears its heart on its sleeve, even if that sleeve is bloodstained and torn. Most of the actors do wonderful jobs -- Owen's dark photographer, Rourke's scarred strongman, Stahl's revolting Yellow Bastard, and Alba's surprisingly sweet stripper. Only a few, like Brittany Murphy, have lackluster performances. But perhaps the most memorable performances come from Bruce Willis and Elijah Wood. Willis plays his aging cop role with unusual grace, even when shooting the genitals off Yellow Bastard. And Wood plays Kevin with both creepy evil and spiritual ecstacy. All without saying a word. "Sin City" is a remarkable, bleak, intense movie -- a halfway point between Tarantino and Raymond Chandler. An outstanding piece of work.
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