Vous voulez voir cette page en français ? Cliquez ici.


or
Sign in to turn on 1-Click ordering.
More Buying Choices
Have one to sell? Sell yours here
Free Culture: The Nature and Future of Creativity
 
 

Free Culture: The Nature and Future of Creativity [Paperback]

Lawrence Lessig
4.2 out of 5 stars  See all reviews (12 customer reviews)
List Price: CDN$ 17.50
Price: CDN$ 12.64 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
You Save: CDN$ 4.86 (28%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Usually ships within 1 to 2 months.
Ships from and sold by Amazon.ca. Gift-wrap available.

Formats

Amazon Price New from Used from
Hardcover --  
Paperback CDN $12.64  

Frequently Bought Together

Customers buy this book with Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future CDN$ 12.24

Free Culture: The Nature and Future of Creativity + Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future
Price For Both: CDN$ 24.88

One of these items ships sooner than the other. Show details


Customers Who Bought This Item Also Bought


Product Details


Product Description

From Publishers Weekly

From Stanford law professor Lessig (Code; The Future of Ideas) comes this expertly argued, alarming and surprisingly entertaining look at the current copyright wars. Copyright law in the digital age has become a hot topic, thanks to millions of music downloaders and the controversial, high-profile legal efforts of the music industry to stop them. Here Lessig argues that copyright as designed by the Framers has become dangerously unbalanced, favoring the interests of corporate giants over the interests of citizens and would-be innovators. In clear, well-paced prose, Lessig illustrates how corporations attempt to stifle innovations, from FM radio and the instant camera to peer-to-peer technology. He debunks the myth that draconian new copyright enforcement is needed to combat the entertainment industry's expanded definition of piracy, and chillingly assesses the direct and collateral damage of the copyright war. Information technology student Jesse Jordan, for example, was forced to hand over his life savings to settle a lawsuit brought by the music industry—for merely fixing a glitch in an Internet search engine. Lessig also offers a very personal look into his failed Supreme Court bid to overturn the Copyright Term Extension Act, a law that added 20 years to copyright protections largely to protect Mickey Mouse from the public domain. In addition to offering a brilliant argument, Lessig also suggests a few solutions, including the Creative Commons licensing venture (an online licensing venture that streamlines the rights process for creators), as well as legislative solutions. This is an important book. "Free Cultures are cultures that leave a great deal open for others to build upon," he writes. "Ours was a free culture. It is becoming less so."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Lessig looks at the disturbing legal and commercial trends that threaten to curb the incredible creative potential of the Internet. All innovations are derived from a certain amount of "piracy" of preceding innovations, Lessig argues, and he presents a catalog of technological breakthroughs in film, music, and television as illustrations. Drawing on distinctions between piracy that benefits a single user and harms the owner and piracy that is useful in advancing new content or new ways of doing business, Lessig strongly argues for a balance between the interests of the owner and broader society so that we can continue a "free culture" that encourages innovation rather than a "permission culture" that does not. He reviews an array of legal actions, including the restrictions on peer-to-peer sharing made famous by Napster, and the threat they represent to the kind of openness the law has traditionally allowed and from which the marketplace has benefited. This is a highly accessible and enlightening look at the intersection of commerce, the law, and cyberspace. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Inside This Book (Learn More)
First Sentence
Since the inception of the law regulating creative property, there has been a war against "piracy." Read the first page
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Search inside this book:

Tag this product

 (What's this?)
Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items.
Your tags: Add your first tag
 

What Other Items Do Customers Buy After Viewing This Item?


 

Customer Reviews

12 Reviews
5 star:
 (9)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (12 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most helpful customer reviews

2 of 2 people found the following review helpful
5.0 out of 5 stars Feudalism depended on maximum control and concentration, Jun 16 2004
By 
Mary E. Sibley (Carneys Point, NJ USA) - See all my reviews
This review is from: Free Culture (Hardcover)
A free culture supports and protects creators. The internet has established the ability for thousands to participate in the building and cultivation of culture. Laws regulating intellectual property have been laws against piracy. Copyright law regulates both republishing and transforming the work of another.

Disney's great creativity was built on the work of others. In 1928 the average term of copyright was thirty years. Today public domain is presumptive only for work created before the Great Depression. In the world free culture has been broadly exploited. Japan has a huge market of knock off comics and does not have many lawyers.

We celebrate property but there is plenty of value not subject to the strictures of property law. George Eastman created roll film and the upshot was the era of mass photography. The real significance was not economic but social. Now the internet allows creations to be shared, web logs, blogs, have grown dramatically. Blogs are a virtual public meeting. They are unchoreographed public discourse. Bloggers are amateur journalists.

John Seely Brown of Xerox believes we learn by tinkering. Recording music, radio, cable TV all were technologies involving forms of piracy. The piracy problems were solved by legislation. Peer to peer sharing was made famous by Napster. It is not clear that the file sharing has caused the decline in the sale of CDs.

In 1710 the British parliament adopted the first copyright act. In the last three hundred years the concept of copyright has been applied ever more broadly. The copyright law was a limitation on the power of book sellers. A decision in 1774 in the House of Lords held the limitation in the Copyright Act set forth the notion of a Public Domain. The common laws right of a publisher's monopoly was broken.

A documentary film maker could not rely on the fair use doctrine in showing a short glimpse of THE SIMPSONS in an employee break room. The author claims that Jack Valenti analyzes intellectual property improperly. In 1790 Congress enacted the first copyright law. In 1976 the law changed the scheme and for all works created after 1978 there was only one copyright term, the author's life plus fifty years. For corporations the term was seventy-five years. An amendment to the law extended the term for an individual to ninety five years. Copyright protects derivative uses also.

Technology researchers have been warned they may be in violation of the Digital Millennium Copyright Act. Technologies of the internet are open to snoops as well as sharers. The change in concentration and integration of the media is cause for concern. There should be an evaluation of the loss of independence. The author cautions that in the case of internet technology a land grab is taking place. Currently there is a widely punitive system tending to stifle creativity. The author believes that a reasonable balance between opposing interests in the area of intellectual property has been lost.

Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


1 of 1 people found the following review helpful
5.0 out of 5 stars The single most important boook you will read this year, Jan 8 2008
By 
Lorne Kelly (Ontario Canada) - See all my reviews
(REAL NAME)   
This review is from: Free Culture: The Nature and Future of Creativity (Paperback)
This book details the implementation of "one of the most regressive pieces of legislation ever enacted by the U.S. government" (Moncton Times and Transcript). It takes you on a spellbinding journey of deception, misdirection, and corruption, while at the same time maintaining a balance between the views of the corporations and the anarchists.

If you care about the future of creativity on this planet you must read this book!
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


1 of 1 people found the following review helpful
5.0 out of 5 stars A Very Important Book, Jun 22 2004
By 
Stephen Kraisler (philadelphia, pa USA) - See all my reviews
(REAL NAME)   
This review is from: Free Culture (Hardcover)
If you care that your rights as creators and comsumers of art are being taken away by multinational corporations this is the book to read
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
Want to see more reviews on this item?
 Go to Amazon.com to see all 45 reviews  4.3 out of 5 stars 
 
 
Most recent customer reviews










Only search this product's reviews



Listmania!


Look for similar items by category


Look for similar items by subject


Feedback


Amazon.ca Privacy Statement Amazon.ca Shipping Information Amazon.ca Returns & Exchanges