Freedom and Necessity [Paperback]

Espistlatory novels, works written in the form of a series of letters and diary entries, are rather old-fashioned. They were very popular back in Victorian times but rather less so nowadays. To many they seem contrived. But consider this: this is a novel set in the Victorian Age. What better way to pay homage to the time then to attempt to copy the style and the verbage of that time? This is one of the many glories, great and small, of this novel and I raise my glass to Brust and Bull for it.

The cast of the novel is fairly large by modern standards but much curtailed for Dickens and his ilk; there are essentially four main characters (James Cobham, a ex-Chartist part-time anarchist, Kitty Holbourn, devoutee of the arcane, Richard Cobham, James' cousin and erstwhile lover of Kitty, and Susan Voight, 'an houri in practical shoes and sensible stays'). The plot revolves around several points, but primarily it is a mystery -- James falls from a boat, is assumed drowned, and yet finds himself very much alive and working in an inn as a stablehand several months after the event.

Working in and out from here are possible faery sightings, would-be Satanists, or at least individuals bent on human sacrifice, a possible government conspiracy, a traitor in the Chartist movement that may have led to the unravelling of the abortive revolutions of 1848, and even a wonderfully drawn appearance by Friedrich Engels. The characterizations are sharp, the descriptions clear, the manners superb; I never heard a false note in the cadences of voice and manner through the book, no sense of the 20th century imposing itself on the 19th. I ended up truly caring what happened to the characters and wondering what had happened to force them into their current horrible predicaments.

I can recommend this novel as a great fun read, a wild ride, and not a half-bad intro into certain aspect of the mid-19th century, at least as far as England is concerned.

If you can get past these potential problems, however, you will find a brilliant piece of literature. The plot is very complex, the characters are all interesting, and the style is fascinating. The epistolary style forces the reader to read between the lines much more than in a normal narritive, since you have to realize that there are some things that the writer may not be saying, or may be saying that are not completely honest. Brust and Bull pull this off extremely well, and are further able to create distinct writing styles for each of the four main characters.

I would also mention that one should not expect the usual from Brust and Bull. This is a very different book from their other works, especially in style. Also, note that this is NOT a fantasy novel.