What can be said that has not already been noted? Hitchcocks penultimate film, FRENZY was a return to form after a rough period in the late 60's.
It has it all- the familiar, yet still exciting premise, the mix of suspense and black humor so prevalent in his classic films. Yes, it is violent at times, but the remarkable thing is that restraint and taste ARE still excercised here- it may have received an R rating, but do not expect FRENZY to have anywhere near the nudity and violence we see in today's films.
Hitch also chose to use a cast void of big names- he probably felt, after TORN CURTAIN, and considering the grisly subject matter, that having stars may hurt the credibility, and he was probably right. I don't know Jon Finch as anyone BUT his character, and that is a plus here.
What is most impressive is that, even in his 70's, the Master had lost none of his imagination- the film is well-paced, and there are several incredible camera shots (including the long camera pull away from our murderers' apartment, just as he's invited his next victim in).
Mildly underappreciated today, FRENZY is perhaps not in a league with NORTH BY NORTHWEST, but definitely deserves to be ranked with several of his best films: compared alongside FOREGIN CORRESPONDENT, ROPE, STRANGERS ON A TRAIN, DIAL M FOR MURDER, THE BIRDS, MARNIE, etc. FRENZY holds up admirably...a different film, but an excellent one all the same...