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Frolic of His Own
 
 

Frolic of His Own [Paperback]

William Gaddis
4.1 out of 5 stars  See all reviews (33 customer reviews)
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Perhaps William Gaddis' most accessible novel--though a dense and imposing book--A Frolic of His Own is a masterful work that mocks the folly of a litigious society. The story centers around Oscar Crease, the grandson of a Confederate soldier who avoided a deadly battle by invoking a legal clause that allowed him to hire a substitute and who later became a Supreme Court judge. Oscar writes a play about his grandfather that goes unproduced yet appears as the story behind a big-budget Hollywood film. Oscar sues and is tossed into the vortex of litigation. Meanwhile, almost 20 other lawsuits of varying frivolity swirl about, adding to this satirical and philosophical treat, which won the National Book Award for 1994.

From Publishers Weekly

The author of Carpenter's Gothic (and winner of a 1993 Lannan Award) takes a brash, entertaining swipe at the legal profession in his fourth novel. Oscar Crease is a quiet, middle-aged history professor whose father and grandfather were both high-ranking judges. The story begins as Oscar contemplates two lawsuits: one against the Japanese manufacturer of the car that ran over him; the other against a filmmaker Oscar claims stole his play, Once at Antietam , and turned it into a gory, lavish movie. Before long, the legal wranglings, strategic maneuvering and--of course--the whopping bills dominate Oscar's life and wreak havoc on his relationships. There is no description or third-person narrative. Like Carpenter's Gothic , which is rendered wholly in dialogue, this narrative is a cacophony of heard and found voices: Oscar's conversations with his myriad lawyers, his flighty girlfriend, his patient sister and her lawyer husband are all spliced with phone calls, readings from Oscar's play and various legal documents. Rather than slow the action down, these documents add to the grim melee. This is a wonderful novel, aswirl with the everyday inanity of life; it may also be the most scathing attack ever published on our society's litigious ways.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

33 Reviews
5 star:
 (16)
4 star:
 (9)
3 star:
 (4)
2 star:
 (2)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (33 customer reviews)
 
 
 
 
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4.0 out of 5 stars Legal Tender, July 16 2004
By 
Wordsworth (Greenwich, CT) - See all my reviews
This review is from: Frolic of His Own (Paperback)
I read Frolic after JR and The Recognitions of which I was more impressed than Frolic. It's amusing to watch Gaddis skewer the legal profession -- I can think of few professions more worthy of it -- but while he addresses the national feeding frenzy of greed associated with litigation his characters fail to capture much empathy as they were more hideous in many cases than their legal representatives. Consequently, I found myself detached from main characters and unsymapthetic to their sordid fates. In JR and The Recognitions I found characters whose destinies in the story lines mattered to me -- not so in Frolic. Gaddis has his finger on the pulse of a national disgrace in the need for tort reform but, since the reformers are self-regulating lawyers, it isn't likely to happen anytime soon. This novel is very finely written with powerful, pithy observations expressed in breathtaking jabs and poetic riffs. Frolic isn't as densely packed with intellect as JR or The Recognitions but is more accessible than either as his style is more accommodating in Frolic. This novel is just shy of great compared to the high standards set by his other works, which are among the best brace of American novels of the late 20th century. The great novels of Gaddis are destined to be discovered by wider readerships, to radiate brilliantly on America's literary landscape and to endure.
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4.0 out of 5 stars Good, but not THAT good..., Dec 9 2002
By 
This review is from: Frolic of His Own (Paperback)
Having read the reviews posted here, I felt pretty certain that I would enjoy Gaddis' books. His emphasis on dialogue (as opposed to description and narration) adds a pleasantly kinetic feel to the book, not unlike reading a Mamet play.

The problem I'm having, however, is that the book doesn't actually SAY very much. As fun as it is to see Gaddis play games with legal talk, 500 pages of satire seems a bit excessive. All of the characters are parodies of people, rather than people, and there's nothing to really grab onto and care about in this book. Is it fun? Sure... for a while. Is Gaddis a talented writer? Absolutely. But is this book something you need to rush out and get? Not really.

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5.0 out of 5 stars A Masterpiece of His Own, Oct 9 2002
By 
"royhaygood" (Monterrey, Mexico) - See all my reviews
This review is from: Frolic of His Own (Paperback)
I made the "mistake" of familiarizing myself with Gaddis' work by first reading The Recognitions about six months ago. Make no mistake - The Recognitions is well worth the effort, once you understand how to read it (i.e. the dialogue and conversational effect and how to interpret who is talking and when, and what is narrative as opposed to dialogue), although toward the end, when Wyatt loses his mind in the monastery, the imagery gets a bit muddled. In any event, as I began reading A Frolic of His Own, I found myself thinking, wow, I should have started with this one, because this is much more accessible than The Recognitions. Of course, I now realize that it is more accessible simply because I had been through the wringer with The Recognitions and not because the style is so much different. Indeed, it is more structured and more coherent, but the same Gaddis black, stinging satire is there in its glory.

An amazing book. Gaddis truly listened to how we speak and interact with each other, because his dialogue is absolutely spot on with how we humans/Americans speak to each other in a familiar manner. While there are no truly sympathetic characters (all are pretentious and selfish in a way we all know far too well), one can't help but feel empathy towards each of them in some sordid way. The plot has been outlined in other reviews, so I won't go there, other than to say that just when you think Gaddis is off on some tangent and you feel a lack of cleverness in having not "got it", he brings it right back around, front and center, although it may not be where you thought it was going to be.

Unlike criticisms of The Recognitions, and even JR, which suggest too much plot, too many charachters, and many loose ends (not necessarily true), this is a tightly, albeit densely, plotted book that is at times laugh out loud funny and other times head in the oven sad. But at all times it challenges and is truly entertaining and wonderful. Maybe the best book I've ever read.

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