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From Hell
 
 

From Hell [Paperback]

Alan Moore , Eddie Campbell
4.5 out of 5 stars  See all reviews (70 customer reviews)

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"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta . Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. --Danny Graydon

Book Description

Legendary comics writer Alan Moore and artist Eddie Campbell have created a gripping, hallucinatory piece of crime fiction about Jack the Ripper. Detailing the events that led up to the Whitechapel murders and the cover-up that followed, From Hell has become a modern masterpiece of crime noir and historical fiction. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

70 Reviews
5 star:
 (49)
4 star:
 (13)
3 star:
 (2)
2 star:
 (4)
1 star:
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Average Customer Review
4.5 out of 5 stars (70 customer reviews)
 
 
 
 
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2.0 out of 5 stars I guess someone has to disagree...., Oct 6 2000
By 
Charles B. (Long Beach, CA USA) - See all my reviews
I bought the first three issues of this series years ago. I bought the paperback on a whim...and God, how I wish I could get my money back. Simply put, Alan Moore is pretentious. More so than any comics writer that comes to mind. I had some interest in the Ripper murders while in high school and devoured any book I could find about them. Moore's theories (borrowed for the most part, like the plot of WATCHMEN, from other sources) are ludicrous. William Withey Gull's misogynist dialogue is unintentionally hilarious. All the research in the world doesn't make for a compelling read, and FROM HELL is boring. If I were less familiar with some of the books Moore had drawn from, perhaps I would have liked it better, but I think Moore is trying for the umpteenth time to be seen as some literary figure for a work that was lifted from what someone else wrote.

I must say that Eddie Campbell's art is fantastic. Worth an extra star in the rating by itself. He deserved a better writer. Do yourself a favor: don't waste $30 on this bloated piece of recycled tripe. Go buy Grant Morrison's 2 issues of Doom Patrol with Red Jack (Jack the Ripper) as the villian...it's cheaper, it's funnier,it's more original and in the end you'll thank me.

In short: this is an overwrought rehash of subject matter that has already been fully explored by more original writers. We know that the Royal theory is trash, but more importantly so is this book. What happened to the Alan Moore that wrote SWAMP THING?

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5.0 out of 5 stars Absolutely amazing, April 26 2004
By 
C. Fletcher (California) - See all my reviews
(REAL NAME)   
I was absolutely amazed by the depth and quality of Alan Moore's FROM HELL. I've been reading graphic novels for a little over a year now, and in terms of subtlety, nuance, and overall storytelling, FROM HELL is head and shoulders above anything else I've read. I'm currently reading Moore's WATCHMEN, which also seems to be of equal quality.

I've never experienced anything close to what FROM HELL delivers in the admittedly short time that I've been reading comics. Alan Moore writes with the ear of a novelist and the eye of a portraitist. He packs this well-researched story of the Jack the Ripper murders with a wide and observant representation of life.

This graphic novel isn't just a retelling of the facts of the Jack the Ripper case (though it does an extraordinary job of that). It takes it all to the next level, and examines the reasons for examining such things.

It's not so much a suspense story (you know who the killer is right from the beginning) but rather one of internal discovery. A fascinating work of art and work of literature that should be read by anyone who wants to see just what comics are capable of.
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4.0 out of 5 stars Stellar, April 2 2004
The pages can get quite ugly; ink splotches, grotesque dissections et al. All this was very necessary, but the story, however, was homogenous- it was a dark and intelligent epic, and one that has numerous elements of realism, so this doesn't step in that "fantasy" category with truculent elves and other Dei ex Machina. In short, I loved the book. Here was a story which dared to stick it's thumb up at the comics establishment (published in the '80s, wot.) and it did it remarkably well.

Truly, this book told its tale like a movie, and the numerous mises-en-scene were deftly handled, and the royal chaps were masterfully portrayed. It had a fine start, and good closure too, quite unlike many money-churning comics you see on the shelf today with issues running into the hundreds. Definite start, definite end, definite masterpiece.

'Tis a shame pop culture so mangled the movie, and if you hated the film (as I did) and want to read the book nonetheless, please do.

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