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2.0 out of 5 stars
I guess someone has to disagree...., Oct 6 2000
I bought the first three issues of this series years ago. I bought the paperback on a whim...and God, how I wish I could get my money back. Simply put, Alan Moore is pretentious. More so than any comics writer that comes to mind. I had some interest in the Ripper murders while in high school and devoured any book I could find about them. Moore's theories (borrowed for the most part, like the plot of WATCHMEN, from other sources) are ludicrous. William Withey Gull's misogynist dialogue is unintentionally hilarious. All the research in the world doesn't make for a compelling read, and FROM HELL is boring. If I were less familiar with some of the books Moore had drawn from, perhaps I would have liked it better, but I think Moore is trying for the umpteenth time to be seen as some literary figure for a work that was lifted from what someone else wrote. I must say that Eddie Campbell's art is fantastic. Worth an extra star in the rating by itself. He deserved a better writer. Do yourself a favor: don't waste $30 on this bloated piece of recycled tripe. Go buy Grant Morrison's 2 issues of Doom Patrol with Red Jack (Jack the Ripper) as the villian...it's cheaper, it's funnier,it's more original and in the end you'll thank me. In short: this is an overwrought rehash of subject matter that has already been fully explored by more original writers. We know that the Royal theory is trash, but more importantly so is this book. What happened to the Alan Moore that wrote SWAMP THING?
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5.0 out of 5 stars
Absolutely amazing, April 26 2004
I was absolutely amazed by the depth and quality of Alan Moore's FROM HELL. I've been reading graphic novels for a little over a year now, and in terms of subtlety, nuance, and overall storytelling, FROM HELL is head and shoulders above anything else I've read. I'm currently reading Moore's WATCHMEN, which also seems to be of equal quality. I've never experienced anything close to what FROM HELL delivers in the admittedly short time that I've been reading comics. Alan Moore writes with the ear of a novelist and the eye of a portraitist. He packs this well-researched story of the Jack the Ripper murders with a wide and observant representation of life. This graphic novel isn't just a retelling of the facts of the Jack the Ripper case (though it does an extraordinary job of that). It takes it all to the next level, and examines the reasons for examining such things. It's not so much a suspense story (you know who the killer is right from the beginning) but rather one of internal discovery. A fascinating work of art and work of literature that should be read by anyone who wants to see just what comics are capable of.
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4.0 out of 5 stars
Stellar, April 2 2004
The pages can get quite ugly; ink splotches, grotesque dissections et al. All this was very necessary, but the story, however, was homogenous- it was a dark and intelligent epic, and one that has numerous elements of realism, so this doesn't step in that "fantasy" category with truculent elves and other Dei ex Machina. In short, I loved the book. Here was a story which dared to stick it's thumb up at the comics establishment (published in the '80s, wot.) and it did it remarkably well. Truly, this book told its tale like a movie, and the numerous mises-en-scene were deftly handled, and the royal chaps were masterfully portrayed. It had a fine start, and good closure too, quite unlike many money-churning comics you see on the shelf today with issues running into the hundreds. Definite start, definite end, definite masterpiece. 'Tis a shame pop culture so mangled the movie, and if you hated the film (as I did) and want to read the book nonetheless, please do.
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