At this point I've basically quit buying rock albums since my musical tastes tend to be leading me futher into house, techno, and other realms of electronica, but Futureworld is proof positive the genre still has something to offer. What's especially interesting about this album in particular is that the tracks on here that incorporate the more rock elements are far more effective than the band's more purely electronic pieces. The album begins with an intense blast of saxaphone noise before sailing into the Giorgio Moroder-esque disco rock of "Television Eyes". The pulsing synths, vocoded vocals (yes, VOCALS), and terrific, monster sounding drums make a thrilling formula that gets even better on the title track. Taking a page from the Kraftwerk school of cheeky alienation ("Searching alone for my future love...") the band delivers a stunning paen to modern dislocation that practically explodes out of the speakers. Good stuff.
The thrills continue up until around the time you reach "Runners Standing Still" at which point the group begins to lose focus and amuse themselves with their drum machines and other gadgets at the expensive of solid song construction. Trans Am fans will be familiar with the band's tendency to noodle and while the results are pleasant, after the visceral genius we've been treated to, it's a little harder to truck with these meandering experiments. The band pulls it together at the end though with another one of their trademark "lighters aloft" style alterna-anthems ("Sad and Young") that has a truly lovely guitar melody.
So why four stars for a somewhat spotty album? Because on the first half of this release, Trans Am finally merge their rock and roll animal and their computer nerd personalities for something so wonderful it blows most other bands away. Radiohead operate on a similar plane but Trans Am is less introverted, more fun. Where Radiohead take Pink Floyd angst rock to new places, Trans Am is like Led Zepplin for techno-geeks. And I mean that as a compliment.