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Galveston [Mass Market Paperback]

Sean Stewart
3.9 out of 5 stars  See all reviews (21 customer reviews)

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Book Description

March 29 2002
Sean Stewart's previous novel, Mockingbird, was selected as a Notable Book of the Year by the New York Times and San Francisco Chronicle, and one of the Best Fantasy Novels of the Year by Locus. Now in his most stunning novel yet, one of the most critically acclaimed fantasy writers of our time takes readers to Galveston--an island uprooted, and uplifted, by magic...

Galveston had been baptized twice. Once by water in the fall of 1900. Again by magic during Mardi Gras, 2004. Creatures were born of survivors' joy and sufferers' pain: scorpions the size of dogs, the Crying Clown, the Widow who ate her victims. And the Island of Galveston would forever be divided--between the real city and a city locked in a sort of constant Carnival, an endless Mardi Gras...

Praise for the award-winning novels of Sean Stewart:

"Stewart writes about magic as if it were an everyday occurrence, with its own rules and reasons."-- New York Times Book Review

"A wonderfully vivid and unexpected blend of magic realism and finely-observed contemporary experience."-- William Gibson

"Stewart's prose is vivid and precise...startling and moving."-- Washington Post Book World

--This text refers to an out of print or unavailable edition of this title.

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Product Description

From Amazon

Novels from fantasist Sean Stewart resemble icebergs: four-fifths of their content is hidden, adding psychological mass that is felt, even if not seen. His seventh novel is his best yet.

Galveston, Texas, is an island already rich in history and eccentric characters when, during Mardi Gras in the year 2004, sudden magic floods the streets. The world is changed--divided between the real city, where technology and its products become unreliable and scarce, and the city doomed to endless carnival, where it is always 2004 and there are still such wonders as cigarettes, cold beer, and aspirin. Twenty years later, three major figures hold the city in precarious balance: Momus, the king of carnival and god of magic; Jane Gardner, ex-lawyer and unofficial mayor, fighting to maintain essential services in the real city; and Odessa, angel and arbiter. When Gardner develops Lou Gehrig's disease, her daughter, Sloane, strikes a desperate bargain with Momus, and the delicate balance is destroyed; cataclysmic change ensues.

Stewart is at his considerable best when he focuses on character. He is able to make metaphor concrete using symbols that, in lesser hands, might be considered simplistic and clichéd. The author is less sure, however, when he attempts to paint a grander canvas: the hurricane towards the end of the book is not strictly necessary, and it flings the novel around a curve that it was perhaps not meant to follow. Despite this, the book has much to offer, with tips on poker, herbal medicine, and island survival to augment the powerful themes of loyalty and luck gliding beneath the surface. --Luc Duplessis --This text refers to an out of print or unavailable edition of this title.

From Library Journal

The return of magic to the world at the dawn of the 21st century split the city of Galveston into two parallel worlds--a "normal" city of survivors and a perpetual Carnival town of magic-touched creatures. When Sloane Gardner discovers how to cross between the two Galvestons, she becomes a link between a father and son whose destinies hold the key to the survival of both worlds. Stewart's (Mockingbird) brand of magical realism combines psychological drama with otherworldly images to create a rich tapestry that lingers long after the end of the tale. For most fantasy or modern fiction collections.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Most helpful customer reviews
1 of 1 people found the following review helpful
Format:Mass Market Paperback
When I saw this book, I'd never heard of Sean Stewart. I was just wandering around an SF bookstore when I saw this with its various awards noted beneath. Tim Powers is awfully good competition for the mythopoeic award, and the World Fantasy Award usually picks something good, so I decided a paperback was well worth the risk. After approaching the beginning with more curiosity than comprehension, I found myself engrossed in this magic-ridden world, and the characters (more fleshed out than many real people seem to be!) kept my eyes locked on the pages. One warning: this book will depress ... you in a lot of parts, but that's part of what makes it so bleedin' good.
I read this book in an absolute frenzy, even a feverish one. However, as the last 40 pages came up, I began more and more to fear an unsatisfying ending. There were simply too many threads in the air to tie them up right. As those pages dwindled, a whirlwind of events bring things closer to satisfaction, but not enough to begin the stirrings of anger when 10 remained. By the last line, however, he had managed to bring the tale to an understandable close, if not a beautiful finale. I was mad enough that I tossed the book down in disgust, but captivated enough to run back through the pages for minute upon minute after I completed it. I still don't know whether it was the best way to go, but I know that the book as a whole was brilliant, it seriously deserved the WFA, and I just can't stop thinking about it. Please read it, but not if you're looking for the feel-good book of the year.
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4.0 out of 5 stars Wind-up is better than the pitch. Jan. 30 2003
Format:Mass Market Paperback
I like what one of the other reviewers here said when he remarked that this book doesn't end, it just stops. What occurs to me most, as I sit down to write this review, is that I don't really remember the ending. I remember parts of it-- I remember how the romantic tension between the two leads worked out. I remember what the characters learned about themselves, but I have to say that I don't really remember what exactly happened once we got past the hurricane. It's a shame, also, because I remember the opening so vividly.
Still, a remarkable book all told. I was interested to read that this is the third book that Stewart set in this world. I may well go looking for one of the earlier ones.
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5.0 out of 5 stars A dark and gritty magic-realism romp. July 16 2002
By A Customer
In a not-so-distant future, on the island of Galveston, Texas, civilization is slowly slipping away and decaying, and no amount of plaster can fix the crumbling marble walls. While the rich, high-class citiens enjoy drinking the last dregs of what life was before the Flood, all others are left to suffer, to live as best they can, as the medicine runs out and the civilization runs out and all the miracles, the nightmares, the horrifying shamanistic dreams and realities of magic run in.
I'm a great fan of Stewart and his previous works, having been lured into the fold, as it were, by Nobody's Son, and falling in love with his realistic, yet fantastical style of writing. From pure fantasy in Cloud's End and Nobody's Son, to sci fi futures in Passion Play and The Night Watch, to my favorites, these real worlds sick with magic, he's held my imagination and attention.
Galveston, stylistically, is one of the best he's ever written. I cringe as Josh and Ham are stranded on the peninsula, surviving heat and bugs and snake bites, and can almost feel the decaying artificial cool of Sloane's big mansion. The story, like most of his works, is very dense, and will take you a while to read, but is VERY worth it.
Galveston is my second favorite of Stewart's works, right underneath Ressurection Man, and I advise any fan of fantasy or magic-realism to pick it up. It's worth it.
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4.0 out of 5 stars Galveston July 12 2002
Format:Mass Market Paperback
This is an immensely enjoyable fantasy novel.
The unpredictable, nonlinear plot kept catching me by surprise. And Stewart's style emphasizes the unpredictability all the more by having crucial, often tragic, events take place in an instant, with little or no warning that a turning-point has arrived. There is no such thing as foreshadowing in this book, or forewarning.
But by giving up foreshadowing--admittedly a powerful literary tool to sacrifice (I'm not sure Stephen King could ever do it!)--Stewart instead creates an odd realism. The reader is always in the moment with all the wonderful characters and their strange environs: various gods, angels, revellers, living dolls, apothecaries, ghosts, prawn men, cannibals,and human citydwellers spread out amongst two versions of all too real and steeped in disaster, and one a place of pent-up fantasy. Sloane and Josh, the two main characters, give the book its human side; most of the rest is intriguingly dangerous or magical, or both.
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5.0 out of 5 stars Southern Gothic Fantasmagoria June 18 2002
Format:Mass Market Paperback
I'll be brief...This book is a sublime experience for any fan of fine dark fantasy. This book is not, however, for the faint of heart. Stewart tackles some tough ideas, and shows the situations to you in vivid, sometimes graphic detail. But I would not miss a word of this book; I would not change one, either...The characters are well crafted, complete humans, even the "monsters". The plotting is well paced, and builds to a fine ending. There is no good or evil in Galveston, no black and white in Mardis Gras, just an amazing array of shades af grey, with the occasional fabulous splash of color. Do yourself a favor & read this book. Now.
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Most recent customer reviews
5.0 out of 5 stars dark Southern fantasy
What I loved about this book was the fact that even though there's a certain Southern Gothic feel to this fantasy, it still didn't leave me feeling sad & depressed, like some of... Read more
Published on March 15 2002 by Kimberly Wells
5.0 out of 5 stars Each snowflake is different....
Sean Stewart came to my attention with Nobody's Son, and the fresh, adult look that it offered at Fantasy (Hey, I just found a magic sword.... Read more
Published on June 13 2001 by Warren R. Printz, Jr.
5.0 out of 5 stars Brilliant! Brilliant!
Stewart is one of the greats and this is his best book to date. Forget all those hobbit clones. Like Carroll, Gallagher, Mieville and a few others, he is bootstrapping his... Read more
Published on May 1 2001 by "jugadora"
4.0 out of 5 stars Great Characters . . . Good Plot
A fantasy vision of a not-so-future apocalypse with a cast I really cared about. Magic clings to everything in Galveston, almost like the humidity in the air. Read more
Published on April 10 2001 by Craig Pulliam
3.0 out of 5 stars Doesn't quite gel
I've liked all of Sean Stewart's other books, but this one disappointed me. All the usual elements were there, but somehow they didn't fit together right. Read more
Published on Jan. 23 2001
1.0 out of 5 stars So what?
So magic has leaked out into the real world and must be held at bay by a few unlikely heroes: So what? Read more
Published on Jan. 17 2001 by Penner
4.0 out of 5 stars Magical, absorbing, honest
_Galveston_ is set in the same world as two of Sean Stewart's earlier novels, _Resurrection Man_ and _The Night Watch_, though all three books are set at different times, and... Read more
Published on Oct. 26 2000 by Richard R. Horton
3.0 out of 5 stars great premise
After the Magic Flood of 2004, there are two Galvestons in Texas, one the "real" world, one the bizarre, twisted world of Mardi Gras. Read more
Published on Aug. 12 2000 by Darjeeling
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