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A Game of Thrones: A Song of Ice and Fire: Book One
 
 

A Game of Thrones: A Song of Ice and Fire: Book One [Mass Market Paperback]

George R.R. Martin
4.5 out of 5 stars  See all reviews (1,095 customer reviews)
Price: CDN$ 9.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Hardcover CDN $23.20  
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Mass Market Paperback, Aug 4 1997 CDN $9.99  
Audio, CD, Audiobook, Unabridged CDN $31.98  

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A Game of Thrones: A Song of Ice and Fire: Book One + A Clash of Kings: A Song of Ice and Fire: Book Two + A Storm of Swords: A Song of Ice and Fire: Book Three
Price For All Three: CDN$ 29.77

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Product Description

From Amazon.com

Readers of epic fantasy series are: (1) patient--they are left in suspense between each volume, (2) persistent--they reread or at least review the previous book(s) when a new installment comes out, (3) strong--these 700-page doorstoppers are heavy, and (4) mentally agile--they follow a host of characters through a myriad of subplots. In A Game of Thrones, the first book of a projected six, George R.R. Martin rewards readers with a vividly real world, well-drawn characters, complex but coherent plotting, and beautifully constructed prose, which Locus called "well above the norms of the genre."

Martin's Seven Kingdoms resemble England during the Wars of the Roses, with the Stark and Lannister families standing in for the Yorks and Lancasters. The story of these two families and their struggle to control the Iron Throne dominates the foreground; in the background is a huge, ancient wall marking the northern border, beyond which barbarians, ice vampires, and direwolves menace the south as years-long winter advances. Abroad, a dragon princess lives among horse nomads and dreams of fiery reconquest.

There is much bloodshed, cruelty, and death, but A Game of Thrones is nevertheless compelling; it garnered a Nebula nomination and won the 1996 Locus Award for Best Fantasy Novel. So, on to A Clash of Kings! --Nona Vero

From Publishers Weekly

In a world where the approaching winter will last four decades, kings and queens, knights and renegades struggle for control of a throne. Some fight with sword and mace, others with magic and poison. Beyond the Wall to the north, meanwhile, the Others are preparing their army of the dead to march south as the warmth of summer drains from the land. After more than a decade devoted primarily to TV and screen work, Martin (The Armageddon Rag, 1983) makes a triumphant return to high fantasy with this extraordinarily rich new novel, the first of a trilogy. Although conventional in form, the book stands out from similar work by Eddings, Brooks and others by virtue of its superbly developed characters, accomplished prose and sheer bloody-mindedness. Although the romance of chivalry is central to the culture of the Seven Kingdoms, and tournaments, derring-do and handsome knights abound, these trappings merely give cover to dangerous men and women who will stop at nothing to achieve their goals. When Lord Stark of Winterfell, an honest man, comes south to act as the King's chief councilor, no amount of heroism or good intentions can keep the realm under control. It is fascinating to watch Martin's characters mature and grow, particularly Stark's children, who stand at the center of the book. Martin's trophy case is already stuffed with major prizes, including Hugos, Nebulas, Locus Awards and a Bram Stoker. He's probably going to have to add another shelf, at least. Major ad/promo.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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76 of 80 people found the following review helpful:
5.0 out of 5 stars This is from amazon.com by http://www.amazon.com/gp/pdp/profile/A1AFXJ8U72MD6L/ref=cm_cr_auth/002-1238528-2322415, Jun 18 2007
By 
Ravnos (Ontario Canada) - See all my reviews
This review is from: A Game of Thrones: A Song of Ice and Fire: Book One (Mass Market Paperback)
First off, I'm a heavy duty fan of GRRM. I've read over a 100 different fantasy authors in my time (started at 12; I'm now 32). Took about 5 years off from the genre b/c I felt it was all getting too formulaic and cliched.

So, when I came back to fantasy at the end of 1999, I read the usual: Goodkind, Jordan, etc. and then someone told me about GRRM and man, that was the kicker!

Here are the reasons to choose GRRM. I've also listed the reasons not to choose him to make it fair b/c I know their are certain personalities who won't like this series:

WHY TO READ GRRM

(1) YOU ARE TIRED OF FORMULAIC FANTASY: good lad beats the dark lord against impossible odds; boy is the epitome of good; he and all his friends never die even though they go through great dangers . . . the good and noble king; the beautiful princess who falls in love with the commoner boy even though their stations are drastically different . . . you get the idea. After reading this over and over, it gets old.

(2) YOU ARE TIRED OF ALL THE HEROES STAYING ALIVE EVEN THOUGH THEY ARE UNDER CONSTANT DANGER: this gets even worse where the author kills a main hero off but that person comes back later in the story. Or, a hero does die but magic brings him back.

This sometimes carries to minor characters where even they may not die, but most fantasy authors like to kill them off to show that some risked the adventure and perished.

(3) YOU ARE A MEDIEVAL HISTORY BUFF: this story was influenced by the WARS OF THE ROSES and THE HUNDRED YEARS WAR.

(4) YOU LOVE SERIOUS INTRIGUE WITHOUT STUPID OPPONENTS: lots of layering; lots of intrigue; lots of clever players in the game of thrones. Unlike other fantasy novels, one side, usually the villain, is stupid or not too bright.

(5) YOU ARE INTERESTED IN BIASED OPINIONS AND DIFFERENT TRUTHS: GRRM has set this up where each chapter has the title of one character and the whole chapter is through their viewpoint. Interesting tidbit is that you get their perception of events or truths. But, if you pay attention, someone else will mention a different angle of truth in the story that we rarely see in other novels. Lastly and most importantly, GRRM doesn't try to tell us which person is right in their perception. He purposelly leaves it vague so that we are kept guessing.

(6) LEGENDS: some of the most interesting characters are those who are long gone or dead. We never get the entire story but only bits and pieces; something that other fantasy authors could learn from to heighten suspense. Additionally, b/c the points of views are not congruent, we sometimes get different opinions.

(7) WORDPLAY: if you're big on metaphors and description, GRRM is your guy. Almost flawless flow.

(8) LOTS OF CONFLICT: all types, too; not just fighting but between characters through threats and intrigue.

(9) MULTILAYERED PLOTTING; SUB PLOTS GALORE: each character has their own separate storyline; especially as the story continues and everyone gets scattered. This is one of the reasons why each novel is between 700-900 pages.

(10) SUPERLATIVE VARIED CHARACTERS: not the typical archetypes that we are used to in most fantasy; some are gritty; few are totally evil or good; GRRM does a great job of changing our opinions of characters as the series progress. This is especially true of Jaime in book three.

(11) REALISTIC MEDIEVAL DIALOGUE: not to the point that we can't understand it but well done.

(12) HEAPS OF SYMOBLISM AND PROPHECY: if you're big on that.

(13) EXCELLENT MYSTERIES: very hard to figure out the culprits; GRRM must have read a lot of mystery novels.

(14) RICHLY TEXTURED FEMALE CHARACTERS: best male author on female characters I have read; realistic on how women think, too.

(15) LOW MAGIC WORLD: magic is low key; not over the top so heroes can't get out of jams with it.

REASON TO NOT READ GRRM

(1) YOU LIKE YOUR MAIN CHARACTERS: GRRM does a good job of creating more likeable characters after a few die. But, if that isn't your style, you shouldn't be reading it. He kills off several, not just one, so be warned.

(2) DO NOT CARE FOR GRITTY GRAY CHARACTERS: if you like more white and gray characters, this may unsettle you. I suggest Feist or Goodkind or Dragonlance if you want a more straight forward story with strong archetypes.

(3) MULTIPLE POINTS OF VIEWS TURN YOU OFF: if you prefer that the POVS only go to a few characters, this might be confusing for you.

(4) SWEARING, SEX: there's a lot of it in this book just as there is in real life.

(5) YOU DEMAND CLOSURE AT THE END OF EVERY BOOK: this isn't the case for all stories in the series. Some are still going on; some have been resolved; others have been created and are moving on.

(6) IF YOU WANT A TARGET OR SOMEONE TO BLAME: this can be done to some extent but not as much. This is b/c he doesn't try to make anyone necessarily good or evil.

(7) ARCHETYPES: some readers like archetypal characters because it's comfortable; we like the good young hero (sort of like Pug in Feist's THE RIFTWAR SAGA); it's familiar and we sometimes like to pretend we're this upcoming, great hero. You wont' get much of this in GRRM with the exception of one or two characters.

(8) LENGTH: you don't want to get into a long fantasy epic series. In that case, look for shorters works as this is biiig.

(9) PATRIARCHY: men are most of the main characters with lots of power (one female exception). ....


I add

con #10

Don't read this book if you don't like authors who take over 3 years to write a book, then only release half of it claiming the other half would try to have half of it within a year. Then 2 years later still be saying that there is no end of the book within sight. Martin takes absurdly long to write a book, and this series probably won't be complete within the next 10 years.
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3.0 out of 5 stars A Dance With Dragons, Jan 30 2012
This review is from: A Game of Thrones: A Song of Ice and Fire: Book One (Mass Market Paperback)
I was a huge fan at first but am thoroughly disappointed now after reading all five books. The author has chosen to milk this Dragon for all its worth with endless chapters about characters that he whimsically kills 300 pages later. I found myself skipping entire pages and almost chapters as it became so apparent that they were just eye fodder to ensure future material remains for subsequent paycheques. The number of pages necessary to move this plot forward would make even Tolstoy blush, yet even he understood how to complete an epic in a single novel. It is sad that that todays authors can't recognize the genius of great trilogies such as Lord of the Rings and others, in their sense of purpose in each chapter and plot development, paying no regard for the final tally of dollars decades later. One must only hope that GRRM lives a very long and healthy life otherwise one will have invested hundreds of dollars and years of their life into a story that will be without end.

And as far as the story itself, I find it hard to imagine why the author chooses relentlessly to decimate the cast of characters that one has become so involved and invested in throughout thousands of pages, leaving mostly the unsavoury and vile to remain. It would appear that he takes great pleasure in purporting a fantasy without hero, without continuity and without hope.... I will invest no further time in this disappointment on the hope that something actually happens that doesn't involve the death of any character of interest. Maybe he needs to write an endless blog to supplement his income and final finality to the current story.
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5.0 out of 5 stars Read it before you watch the series, Jan 13 2012
This review is from: A Game of Thrones: A Song of Ice and Fire: Book One (Mass Market Paperback)
Yes, the HBO series is fantastic. But it wouldn't be without these books. This is the first. I haven't read fantasy in twenty years - not since I was a teenager. But this made me love it again. It's like reading Tolkien for the first time.
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