- Hardcover: 191 pages
- Publisher: Rizzoli (Aug 15 1997)
- Language: English
- ISBN-10: 0847820629
- ISBN-13: 978-0847820627
- Product Dimensions: 25.1 x 3 x 29.2 cm
- Shipping Weight: 1.5 Kg
- Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
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Amazon Bestsellers Rank:
#1,054,841 in Books (See Top 100 in Books)
- #30 in Books > Arts & Photography > Architecture > Architects, A-Z > Gaudi, Antoni
- #30 in Books > Professional & Technical > Architecture > Architects, A-Z > Gaudi, Antoni
- See Complete Table of Contents
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Product Details |
Product Description
From Amazon.com
Since the late 1800s, Spanish architect Antonio Gaudí's (1852-1926) fanciful buildings have defined Barcelona's cityscape. His playful spires and towers, undulating tiled roofs, and writhing chimneys loom like Dr. Suess creatures atop commercial and apartment buildings alike, and his sculptures are an integral component of many of the city's parks and public spaces. As respected for his technical innovations as for his aesthetic boldness, Gaudí was able to achieve unique, organic, fluid--at times even bizarre--architectural forms that paralleled the stylistic development of art nouveau. The artist's greatest works are brought into dramatic relief against the background of the modern metropolis with 178 specially commissioned color photographs and 13 maps of Barcelona locating Gaudí's works and offering explanatory descriptions of the buildings.
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Most helpful customer reviews
4.0 out of 5 stars
A true original, with a vengeance.,
By
This review is from: Gaudi of Barcelona (Hardcover)
Antoni Gaudi stayed out of pigeonholes in a big way. His work defies analogy, let alone description. Let's see: Ice cream castles? No. Victorian/Edwardian psychedelia? Maybe, kinda sorta. A Beaux-Arts H. R. Giger? His work does have that certain sinuosity to it, though it contains nothing of the macabre. It's like he was plunked down in 19th century Barcelona from some future era. One can only imagine what he could have done with modern building materials.This book is a photodocumentary of his most notable work in Barcelona, although one building out in the countryside is included. The pictures are well composed and shot, and the text, an adaptation of a Spanish text, is interesting and clear. Architectural surprises and oxymorons abound in these pictures. A classical caryatid is made out of small gray stones. The frame of a stained glass window turns out to be made out of knitting needles. The double doors of a courtyard open into a room, the entrance to which is obstructed by twin pink and yellow columns. Chimneys and ventilators are turned into colorful cones that wouldn't be out of place in the Hall of the Elves in Rock City, Tennessee. And the gateway to a park looks like nothing so much as a taffy-puller in action. And to think that all this expressiveness was built just one generation before the plague of Glass Boxes spread from northern Europe. The appearance of Gaudi's buildings and decorative designs is striking enough for the casual viewer. But the details of how he came up with some of these designs is just as amazing. For one crypt, he dispensed with mathematical calculation altogether, instead working out the stress loads with a primitive, time-consuming system of ropes and sacks of buckshot. He was in fact so ferociously individualistic that it is amazing that he found enough patronage to keep him in work. Thanks to his open-minded patrons, most importantly Eusebi Guell, he was free to let his talents and imagination rip. Thanks also to his nationality--the English would have pegged him as an eccentric and consigned him to country houses. The French would have gone into ecstasies of theorizing, but would have been mindful of how little his work promoted "La Gloire". And as for Germany, who could imagine Bismarck and Kaiser Wilhelm living in ice cream palaces? But the Barcelona authorities were tractable enough to let him get away with flouting not only criticism but the very building codes. Perhaps they sensed that Gaudi was a manifestation of the revival the city was then enjoying. This is an attractive book about a lone genius who put his stamp on his city; who followed his own drummer, sometimes right over the cliff, but always without hesitation.
4.0 out of 5 stars
Very interesting and informative book,
By A Customer
This review is from: Gaudi of Barcelona (Hardcover)
A well presented book about one of the worlds most interesting architects. Great photos of his work - almost as good as seeing the real thing!!
Share your thoughts with other customers: Create your own review
Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.2 out of 5 stars (8 customer reviews) 35 of 38 people found the following review helpful:
4.0 out of 5 stars
A true original, with a vengeance.,
By The Sanity Inspector - Published on Amazon.com
This review is from: Gaudi of Barcelona (Hardcover)
Antoni Gaudi stayed out of pigeonholes in a big way. His work defies analogy, let alone description. Let's see: Ice cream castles? No. Victorian/Edwardian psychedelia? Maybe, kinda sorta. A Beaux-Arts H. R. Giger? His work does have that certain sinuosity to it, though it contains nothing of the macabre. It's like he was plunked down in 19th century Barcelona from some future era. One can only imagine what he could have done with modern building materials.This book is a photodocumentary of his most notable work in Barcelona, although one building out in the countryside is included. The pictures are well composed and shot, and the text, an adaptation of a Spanish text, is interesting and clear. Architectural surprises and oxymorons abound in these pictures. A classical caryatid is made out of small gray stones. The frame of a stained glass window turns out to be made out of knitting needles. The double doors of a courtyard open into a room, the entrance to which is obstructed by twin pink and yellow columns. Chimneys and ventilators are turned into colorful cones that wouldn't be out of place in the Hall of the Elves in Rock City, Tennessee. And the gateway to a park looks like nothing so much as a taffy-puller in action. And to think that all this expressiveness was built just one generation before the plague of Glass Boxes spread from northern Europe. The appearance of Gaudi's buildings and decorative designs is striking enough for the casual viewer. But the details of how he came up with some of these designs is just as amazing. For one crypt, he dispensed with mathematical calculation altogether, instead working out the stress loads with a primitive, time-consuming system of ropes and sacks of buckshot. He was in fact so ferociously individualistic that it is amazing that he found enough patronage to keep him in work. Thanks to his open-minded patrons, most importantly Eusebi Guell, he was free to let his talents and imagination rip. Thanks also to his nationality--the English would have pegged him as an eccentric and consigned him to country houses. The French would have gone into ecstasies of theorizing, but would have been mindful of how little his work promoted "La Gloire". And as for Germany, who could imagine Bismarck and Kaiser Wilhelm living in ice cream palaces? But the Barcelona authorities were tractable enough to let him get away with flouting not only criticism but the very building codes. Perhaps they sensed that Gaudi was a manifestation of the revival the city was then enjoying. This is an attractive book about a lone genius who put his stamp on his city; who followed his own drummer, sometimes right over the cliff, but always without hesitation. 18 of 21 people found the following review helpful:
4.0 out of 5 stars
Very interesting and informative book,
By A Customer - Published on Amazon.com
This review is from: Gaudi of Barcelona (Hardcover)
A well presented book about one of the worlds most interesting architects. Great photos of his work - almost as good as seeing the real thing!!
9 of 10 people found the following review helpful:
2.0 out of 5 stars
a disappointment,
By O. James - Published on Amazon.com
This review is from: Gaudi of Barcelona (Hardcover)
This book has some very nice photos, but on the whole it wasn't what I wanted. I intended this to be my first and only book on Gaudi, but it won't serve that purpose. The photos don't include any of the usual angles -- for example, there are far too few shots of the wonderful roof of Casa Battlo, and none that adequately show the sinuous serpent-back tiles. The text explains the symbolism of the roof features, but the photos fail to show the features described in the text. Some of the wide angle shots looking up at ceilings are hard to interpret. The book is best as a complement if one already has a book with shots taken from the standard angles. In that respect, it would be excellent. I won't buy a book like this again without looking at it first.
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