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General Idi Amin Dada (A Self Portrait) (Full Screen)
 
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General Idi Amin Dada (A Self Portrait) (Full Screen)

Idi Amin , Fidel Castro , Barbet Schroeder    NR (Not Rated)   DVD
3.7 out of 5 stars  See all reviews (6 customer reviews)
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When Barbet Schroeder released his documentary General Idi Amin Dada in 1974, it must have been quite a sensation. Amin gave full cooperation to Schroeder (the documentary carries the subtitle "Self Portrait"), sitting for numerous interviews, stage-managing a series of public appearances in front of adoring crowds, and even scoring the film with his accordion music. Is this joking, amiable "man of the people" the same dictator who put 300,000 people to death between 1971 and 1979? Perhaps it's his anti-Semitic ravings, or his fetish for artillery and military finery, or the aggression that drifts through almost every speech, but there's a schism between the media-managed image and the weirdness and violence churning under his wide smile. Periodic narration strips the façade off a few staged scenes and underscores others with historical background. But apart from the opening footage of a chilling state-sanctioned execution, Schroeder lets the schizophrenic portrait stand on its own: a preening, vain, psychotic clown as aspiring Hitler. It's a curious document, one Amin first embraced, then denounced, but almost 30 years later it isn't enough to answer the questions surrounding this brutal despot. --Sean Axmaker

Video Details

In 1971, the small African nation of Uganda was taken over by self-styled dictator General Idi Amin Dada, beginning an eight-year reign of terror that would result in the deaths of hundreds of thousands. In this chilling yet darkly comic documentary, director Barbet Schroeder turns his cameras on the infamous tyrant, revealing the dynamic, charming, and appallingly dangerous man whose fanatical neuroses held an entire nation in their grip. Made with the full support and participation of the infamous dictator, General Idi Amin Dada provides a candid and disturbing portrait of one of the 20th century's most notorious figures.

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6 Reviews
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4 star:
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Average Customer Review
3.7 out of 5 stars (6 customer reviews)
 
 
 
 
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2.0 out of 5 stars sure makes you appreciate George W. Bush..., July 13 2004
This review is from: General Idi Amin Dada (A Self Portrait) (Full Screen) (DVD)
...and also Michael Moore, who would've done a million times better with this material, considering what he's recently done with our own American Leader of the Absurd. Of course, Idi Amin is the one person who could make GW Bush look as compassionate as Jesus Christ and as brilliant as Albert Einstein.

Instead, this documentary is painfully slow and repetitive, leaving the viewer to mutter in exasperation: "My kingdom for a decent film editor/producer!" throughout. It doesn't take much to show that Amin was a psychotic and sociopathic buffoon, yet director Barbet Shroeder just drags out scene after scene, taking three times as long to explicate a scene as necessary. The interminable Cabinet meeting, where Amin rambles on and on to a roomful of terrified and uncomprehending (the Cabinet members probably didn't understand a word of Amin's English) stooges. There is no sense of pacing, economy, or focus---it's as if Amin just allowed the director to tag along with a camera for a few days under the condition that Shroeder never ever edits or cuts anything he shoots.

Best viewed after a cup or two of very strong coffee.

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5.0 out of 5 stars Send In The Clowns, July 20 2003
By 
Jeffrey Leach (Omaha, NE USA) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: General Idi Amin Dada (A Self Portrait) (Full Screen) (DVD)
The first thing you may notice about Barbet Schroeder's 1974 documentary on former Ugandan head of state Idi Amin Dada is that song the general plays on the accordion. Darned if that song doesn't lodge in your brain like a malevolent seed. I've been humming those notes for hours with no indication that it will leave me anytime soon. Dada insisted on scoring Schroeder's documentary with his own quirky brand of music. A head of state cranking out the tunes on an accordion is only one of the many bizarre revelations contained in this intriguing study of a dictator and his unlimited power over a central African nation. The DVD tells us that Dada, a former boxing heavyweight champion of Uganda and head of its armed forces, seized power from President Milton Obote in a coup d'etat in 1971. For the next eight years several million Africans experienced what can only be described as a nightmare inflicted by an overweight bully who spoke English with a bad accent, and who killed anywhere from 300,000 to 500,000 native Ugandans before his ouster by a combined force of Tanzanian regular army and Ugandan rebels. Dada fled to Libya and then Saudi Arabia, where he resides today with his wife (one of four) and twenty-five of his fifty children. He still thinks he will return to Uganda one day.

DADA THE STATESMAN: Schroeder became interested in documenting Dada's reign when he read about the numerous telegrams the general sent to various world leaders. For example, Richard Nixon received a message from Dada consoling him on the Watergate tragedy. Kurt Waldheim got one discussing the role of Germany in the Jewish holocaust, stating that the Jews are not a "good influence" and remarking on German complicity in the Munich terrorist attack at the 1972 Olympics. When Dada heard about economic difficulties in England, he sent a message offering three tons of vegetables in order to help feed the starving masses of London. Despite tensions with neighboring President Julius Nyerere of Tanzania, General Dada dropped a line telling the man that he loved him and would marry him if Nyerere was a young woman, but since he was a man he wouldn't think of doing so. The world hasn't seen a statesman like Dada since the reign of Caligula.

DADA THE POLITICIAN: Schroeder got General Dada to call a cabinet meeting so the filmmakers could observe the fearless leader in action. After some initial hesitation, Dada complied. The proceedings of this meeting would be humorous if everyone in the room didn't look as though they were afraid for their lives. The general's agenda for the day included such instrumental directives as getting the people to love their leaders, an attendance policy for all cabinet meetings (three absences and you're out of government), and how the foreign minister does a lousy job. The filmmakers break in at this point to announce that two weeks after this meeting occurred, the foreign minister died "suddenly." A personal appearance by the general in a local village looks like a genuine outpouring of love and admiration until we learn that officials planned the whole thing before the chopper carrying Dada even arrived.

DADA THE MILITARY GENIUS: Alexander the Great and Julius Caesar cannot compare with this esteemed tactician. General Dada takes the film crew on a tour of a mock invasion of the Golan Heights, which Idi wants to reclaim for his Arab allies. In a show of force that certainly caused Moshe Dayan and Golda Meir to call an emergency meeting of the Knesset, Dada marshals his forces: one tank, one helicopter, a plane or two, and about twenty troops armed with assault weapons. A single flare marks the end of the exercise, which the general declares an overwhelming success. We do discover later that Uganda possesses several more jet fighters that perform admirably as air cover for a military parade. It's lucky for the world that Dada's regime ended in 1978 because the combined might of the world's armed services could never withstand such a powerful foe. When siding with the Arabs against Israel, Dada cites such authoritative texts as "The Protocols of the Learned Elders of Zion" as proof of the treachery of the Jews. That this pamphlet is a proven forgery cooked up by the Russian secret police at the turn of the twentieth century makes no impression on this lovable leader.

DADA AS ECONOMIC POLICYMAKER: Dada had a dream one day about Uganda's economy, so after finishing breakfast he promptly issued a decree expelling all Israelis and Asians from the country. Since Asians ran 80% of the economy, inflation and other economic woes soared. When discussing capitalism and communism, Dada claims that Uganda is revolutionary, but subscribes to neither of these economic systems. He states that Uganda has "no policy at all." Do I need to go on?

Dada often comes off as quite likeable, smiling and laughing heartily along with the film crew over reminiscences and jokes. He takes the filmmakers on a tour of the Nile that is interesting and appears to be fun. We see Dada's family, see him dancing and joking with the people, and jamming with a local band. It is difficult to see the monster behind the laughter, but the evil is there even if it seems as banal as Herr Eichmann. "General Idi Amin Dada" is a fascinating look into one of the twentieth century's most important political phenomena, the power mad dictator. Thanks to Schroeder for making this important film, and thanks to Criterion for bringing it to DVD with a gorgeous picture and excellent sound.

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4.0 out of 5 stars Kind of surreal..., Oct 28 2002
This review is from: General Idi Amin Dada (A Self Portrait) (Full Screen) (DVD)
Over the course of 90 minutes, we see Uganda's army run a faux invasion of the "Golan Heights", Amin Dada lecture physicians about drunkeness and a meeting of Amin's cabinet where he blasts his foreign minister (who was executed soon after filming) for the negative portrayal of his regime in the world press. It's hard not to laugh at Amin when he claims that he can command crocodiles or tells a large group of educated doctors that the people of Uganda won't respect them if they are drunks. Then you remember this same man killed 350,000 of his own people, and some of the laughs get a little uneasier. I think what fascinates people about Amin is how he could simultaneously be so ruthless and yet, so buffonish. Certainly this documantary (in which some of the shots admittedly were set up by Amin himself) is a good demonstration of the latter and hints towards the former. By the way, this is a great print of the film and Criterion even includes a 25 minute plus interview with Schroder recalling anecdotes about the making of it.
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