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Generation X should feel dated--its title is no longer a part of the zeitgeist, and the generation it defined has been irrevocably changed. Gen Xers--the post-boomers born in the 1960s and even the late '50s--are no longer the socially terrified twentysomethings that populate Douglas Coupland's first and finest novel. The economic boom of the late 1990s dragged them out of their McJobs and back into the corporate world, transforming them into younger versions of the yuppies that Coupland lampoons so well. Surprisingly, though, the culture that is described in Generation X has not changed all that much; it has simply been passed on, in an Internet-friendly form, to the latest crop of bright young things.
Those who missed Generation X when it first appeared may be surprised to find that most of the associations that have been tacked on to its catchphrase title are not present in the novel. Coupland's characters--Dag, Claire, and Andy, three young neurotics from "good" upper-middle-class homes--are not financially ambitious, but they are not slackers either. Rather than drearily complaining that there is nothing worth doing, they are trying very hard to make sense of their lives and their culture. They do this by telling stories to each other, desperately and sincerely. Andy likens his friends' need for storytelling to the proceedings of an Alcoholics Anonymous meeting:
"Never be afraid to cough up a bit of diseased lung for the spectators," said a man who sat next to me at a meeting once, a man with skin like a half-cooked pie crust and who had five grown children who would no longer return his phone calls: "How are people ever going to help themselves if they can't grab onto a fragment of your own horror? People want that little fragment, they need it. That little piece of lung makes their own fragments less scary." I'm still looking for a description of storytelling as vital as this.Storytelling is an ancient invention; Coupland simply restates its importance in a world of short attention spans and jump-cutting media. This side of Generation X hasn't aged at all and isn't likely to. And the other, better-known side of the novel--Coupland's razor-sharp cultural field guide--will remain relevant as long as university graduates still have to choose between economic uncertainty and corporate monoculture and still respond by refusing to grow up in conventional ways. Anyone who has avoided Generation X because of its unfortunate association with a few demographic buzzwords should consider giving Coupland a second look. --Jack Illingworth --This text refers to an alternate Paperback edition.
From Publishers Weekly
Newcomer Coupland sheds light on an often overlooked segment of the population: "Generation X," the post-baby boomers who must endure "legislated nostalgia (to force a body of people to have memories they do not actually own)" and who indulge in "knee-jerk irony (the tendency to make flippant ironic comments as a reflexive matter of course . . . )." These are just two of the many terse, bitterly on-target observations and cartoons that season the margins of the text. The plot frames a loose Decameron -style collection of "bedtime stories" told by three friends, Dag, Andy and Claire, who have fled society for the relative tranquility of Palm Springs. They fantasize about nuclear Armageddon and the mythical but drab Texlahoma, located on an asteroid, where it is forever 1974. The true stories they relate are no less strange: Dag tells a particularly haunting tale about a Japanese businessman whose most prized possession, tragically, is a photo of Marilyn Monroe flashing. These stories, alternatively touching and hilarious, reveal the pain beneath the kitschy veneer of 1940s mementos and taxidermied chickens.
Copyright 1991 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.
Copyright 1991 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.
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First Sentence
At meetings of Alcoholics Anonymous, fellow drinksters will get angry with you if you won't puke for the audience. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
At meetings of Alcoholics Anonymous, fellow drinksters will get angry with you if you won't puke for the audience. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most helpful customer reviews
2 of 2 people found the following review helpful
4.0 out of 5 stars
Generation A,
By E. A Solinas "ea_solinas" (MD USA) - See all my reviews (HALL OF FAME) (TOP 10 REVIEWER) (REAL NAME)
This review is from: Generation X: Tales for an Accelerated Culture (Paperback)
Douglas Coupland created the name of an entire generation in "Generation X," with his look at the lives of disaffected twentysomethings, in lives that lack an indefinable something. Witty, incisive and intelligent, Coupland's debut is still an outstanding read long after the original twentysomethings are twentysomething no more.Three twentysomethings -- Andy, Claire, and Dag -- first encounter each other in the California desert, far from their original homes. All three are "underemployed, overeducated, intensely private, and unpredictable," and they are adrift in life -- they want meaning in their lives, but they don't know what it is or how to find it. Disgruntled by the soulles pop culture, they've all left the world behind in favor of a non-rat-race life. They take up unrewarding minimum-wage "McJobs," and form a little Platonic circle that tells stories about themselves and the future, giving insights into what drove them to that place in the first place. "Generation X" is one of those rare books that takes on the problems of youth with genuine intelligence. No matter how many curmudgeons say that "kids today have it easy," each generation has its own problems and challenges, including ones of the soul. It's those problems that Coupland seeks to address here. That intelligent edge has gotten the book labelled pretentious, but if anything it lacks pretension. Coupland is frank and upfront, both about his "slacker" protagonists, and in the attitude he has toward the world. He tackles the insecurities and dissatisfactions of youth, and how the people who came of age in the early 1990s struggled with the concept of a society in flux. They were too old to be innocent, too young to be fully benumbed. Coupland's writing is rougher here than in his later novels like "Shampoo Nation" and "Girlfriend in a Coma." But it has his usual wry zing and offbeat style, stripped down to a mass of details and thoughts, and the ability to look at how the masses worry about things that don't really matter. He's cynical and dark in places, but has a certain downbeat optimism as well. Douglas Coupland's debut has a languid, downbeat beauty about it. And the insightful "Generation X" is still a modern classic, with something to say to any generation.
1 of 1 people found the following review helpful
1.0 out of 5 stars
Against Douglas Coupland,
By
This review is from: Generation X: Tales for an Accelerated Culture (Paperback)
Douglas Coupland's cynicism is convulted and shallow and while I can see what some people can get out of his writing I see far more potential in reading "fin-de-siecle'' existentialist writers like musil, gombrowicz, broch, whom are terribly more interesting than Coupland with his cheap irony, and his gimmicky pseudo-post-modernism. Chuck Paliniuk also falls under this category. So while i was first disturbed by the amount of people calling this book boring, dismissing it as the problem of the reader, I now fully sympathize with their inability to appreciate coupland's writing.There are too many terrific books to waste time on this overrated work.
5.0 out of 5 stars
The Gen-X manifesto,
By Susan (Montreal, Quebec Canada) - See all my reviews
This review is from: Generation X: Tales for an Accelerated Culture (Paperback)
Maybe because I am a Gen-Xer, I loved this book. It captures the drifting meaninglessness that was the hallmark of coming of age as in the 80s. So often misunderstood, painted as the "me generation", Gen-X had to bridge the grandiose expectations of the Boomers and the famine of possibilities that was leftover.
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