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An emotional balancing act of Herculean proportions, Will Ferguson's debut novel is somehow both caustically cynical and touchingly humane. Its message: there is no happiness without sadness. The
pursuit of happiness is all--actually attaining it, if that were even possible, would be death. When Edwin de Valu, an editor at Panderic Press, finds
What I Learned on the Mountain, a self-help book by an unknown author, Tupak Soiree, on his slush pile and publishes it, suddenly millions of people believe that pursuit is over. "Apocalypse Nice" has arrived, and Edwin's cynical side goes into high gear trying to save the world from itself. On this hysterical (in every sense of the word) quest, Edwin receives little help from his credulous wife, his plump co-worker (and sometime lover) May, or his ponytailed baby-boomer boss, Mr. Mead.
This wacky, lightweight novel mixes elements from Dilbert, Woody Allen, grainy art films, and P.J. O'Rourke. While Ferguson lines up a number of easy targets and can be way too obvious ("The Name of the Tulip" echoes a certain highbrow mystery), he can also write with flair, as in describing Edwin's city: "Here, in a miasma of fumes, trains rattle-bang on an endless Möbius strip of work, sweat, salt and grubby lucre. A merry-go-round where the horses have emphysema." --Mark Frutkin
--This text refers to an out of print or unavailable edition of this title.
GENERICA, by Canadian author Will Ferguson, is a saitrical novel in the tradition of Carl Hiaasen. Edwin de Valu is an editor at a midsized house that decides to publish the most comprehensive self-help book of all time. It sells millions and launches a revolution of what appears to be happiness, but is actually unthinking complacency. While the novel can be genuinely funny, it's peopled by caricatures rather than characters, and this flaw is magnified by Ron Halder's narration. He ascribes throaty, whiny, or otherwise irritating voices to all of them, and he struggles so hard to keep them all straight that he's insensitive to what little nuance there is in the dialogue. D.B. © AudioFile 2002, Portland, Maine--
Copyright © AudioFile, Portland, Maine