- Hardcover
- Publisher: Diane Pub Co
- Language: English
- ISBN-10: 0788192779
- ISBN-13: 978-0788192777
- Product Dimensions: 21.1 x 13.5 x 1.5 cm
- Shipping Weight: 227 g
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4.5 out of 5 stars (2 customer reviews)
11 of 11 people found the following review helpful
4.0 out of 5 stars
Sensitive Fiction Writer Critiques Bellows' Work, Mar 8 2001
By Renee Thorpe - Published on Amazon.com
This review is from: George Bellows: American Artist (Hardcover)
Most of us will know Bellows as the painter of Stag at Sharkey's, the fabulously active, almost abstract image of a boxing match. (collection of the Cleveland Museum of Art).Oates sees George Bellows as a true American artist: always on a quest of discovery, individualistic, heroic. While not intended as a well-rounded exploration of Bellows, this rather short but intense book is a deep and strongly-felt critique of about 18 of his paintings. The selection of work seems to be hers alone; she chooses paintings that elicit true passion and interesting insights. Several interesting juxtapositions of American literature are in here, as well; all Oates' selection. These help place Bellows in American history and culture.
Interesting for the American Art History buff; may not be of great interest to anyone else. Could be useful as a "how to write art criticism" guide for Art History students.
16 vivid, small color plates are in the middle of the book, not inserted in with the relevant text.
1 of 2 people found the following review helpful
5.0 out of 5 stars
A master of the American dynamic, Feb 27 2010
By Shalom Freedman "Shalom Freedman" - Published on Amazon.com
This review is from: George Bellows: American Artist (Writer's on Art) (Hardcover)
From 'Stag at Sharkey's' to 'Firpo and Dempsey' George Bellows was best known as a painter of 'boxing'. One of America's most well- known boxing fans, Joyce Carol Oates shows how Bellows was not only dynamic in his paintings, but dynamic in his development as an artist. He moved from subject to subject , from the lower- east side brutalities to Maine coast seascapes, from realistic almost still- life like portraits to larger- than - life boxing scenes. Oates a dynamic and restless figure herself uses her broad knowledge of American life and culture to read Bellows as kind of transcendalist in oil, a Whitman of the canvass. She finds in his restlessness and ambition a largeness of spirit and seeking. She too writes illuminatingly about individual works of art.While this work may seem to some hyped and exaggerated it bears within a certain mode of the American spirit, turbulent and dynamic.
The author seems to have found a subject which suits her soul. And she truly does justice and more to the artist whose work she describes and interprets.
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