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Get Back: The Unauthorized Chronicle of the Beatles' " Let It Be" Disaster
 
 

Get Back: The Unauthorized Chronicle of the Beatles' " Let It Be" Disaster [Paperback]

Doug Sulpy , Ray Schweighardt
4.1 out of 5 stars  See all reviews (31 customer reviews)

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From Library Journal

Beatles experts Sulpy and Schweighardt have written a detailed chronology of the Let It Be sessions. Studying hundreds of hours of tapes originally filmed for a television special and later released as a movie, the authors provide a minute-by-minute account of the events from January 2 to January 31, 1969. They divide the rehearsals into songs/improvisations by day: A take of "I Me Mine," for example, becomes 8:39 as the 39th Beatle activity of January 8. The authors find imbedded in the sessions familiar causes of the Beatles' breakup: John concentrating on Yoko Ono; George feeling a lack of respect from the others; Ringo bored and haggard; and an optimistic Paul seemingly the only Beatle interested in continuing the legacy of the group. Though meticulously researched, this compilation of Beatles minutiae sheds little light on the Fab Four, and its minute details will appeal to Beatles fanatics only.?David P. Szatmary, Univ. of Washington, Seattle
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Kirkus Reviews

In a rather extreme act of completist devotion, two Beatlemaniacs describe in bleak detail the woeful January 1969 recording sessions that were more selectively documented in the film Let It Be. The film presented the Beatles as bored, bickering, and bitter pop veterans whose creative energy had nose-dived in the year and a half since their Sgt. Pepper album; Sulpy and Schweighardt corroborate that impression in their moment-by-moment descriptions of the (bootleg) audiotapes of the sessions. They list every song performed, no matter how fragmentarily, and give fairly bloodless paraphrases of all the chatter picked up by the microphones. Besides endless repetitions of the mostly third-rate material that wound up on the Let It Be album and several other songs they would record a few months later for Abbey Road, the Beatles famously recorded a slew of rock-'n'-roll oldies, sometimes as warm-ups but more often as attempts to inject some fun into the grim proceedings. The documentary film of the rehearsals was supposed to serve as the introduction to a televised live concert, but the band's indifference and indecision reduced the concert plan to a handful of songs performed on the rooftop of Apple Records' London headquarters. George Harrison, frequently rebuffed or condescended to by John Lennon when he tried to introduce new songs, quit the band for a few days; the zoned-out Lennon allowed Yoko Ono to serve as his voice in band decisions; Ringo Starr scarcely spoke; only Paul McCartney seemed to care what songs the band should even bother finishing. But the only news here is confirmation that most of the oldies the band ``performed'' amounted to muddled, abbreviated japes, not full-out covers. The actual tapes would evidently make pretty dour listening; this description of them lacks even the personality that would be the tapes' only selling point. For diehards only. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

Inside This Book (Learn More)
First Sentence
The sessions begins on a large, open soundstage at Twickenham Film Studios, London. Read the first page
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Concordance
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Front Cover | Copyright | Excerpt | Index | Back Cover
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31 Reviews
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Average Customer Review
4.1 out of 5 stars (31 customer reviews)
 
 
 
 
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4.0 out of 5 stars Good Old Rock and Roll, May 25 2004
By 
R. DelParto "Rose2" (Virginia Beach, VA USA) - See all my reviews
(REAL NAME)   
Doug Sulpy and Ray Schwieghardt captured The Beatles during their demise. There appears no doubt that the group no longer shared the passion they shared in the beginning. Through hours of tapes, Suply and Schwieghardt dissected and attempted to get every nook and cranny of the Beatles'conversations. The authors show how the Beatles attempted to resusitate a musical entity that could no longer breath despite numerous attempts.

Indeed, Get Back: The Unauthorized Chronicle of the Beatles' Let it Be Disaster, did not offer any information that has not already been documented in fragments from various authors and publications. And the one thing that Sulpy and Schwieghardt do not dirctely do is answer their question of who or what broke up the Beatles. It is obvious that Yoko Ono played a major role in the breakup (Sulpy and Schweighardt's observations show her overbearing control over John's creativity and attempt at the Beatles' as well, which will play out during the Imagine sessions)along with how John, Paul, George, and Ringo changed and matured as individuals during time in which the Get Back or Let it Be sessions occurred.

The most insightful aspect of the book had been Sulpy and Schweighardt's method of chronologically showing how each track developed and evolved. What the book does is show an inkling on how the Beatles'quickly directed their musical endeavors toward being solo artists. As you read each synopsis of each song that each member was attempting to collaborate lyrically or musically, you also see several of the songs, which will eventually become solo works by each respective member down the road. One unfortunate thought comes to mind, "hey, that could have been a Beatle song." Nevertheless, it was written by a Beatle.

Despite that thought, the Beatles possessed a diverse musical heritage. This was displayed in various parts of the book describing sessions where two or all four members jammed to songs dating back to their youth, and to artists of their time --Buddy Holly, Chuck Berry, Elvis, Bob Dylan, The Band, and various standards. They would later intertwine the melodies of those songs into the songs in which they were working on.

Get Back should not be considered a record of the Beatles' "swan song", but rather a representation of their love for various musical genres and collaboration as four individuals, which contributed to what the Beatles were and always will be: a part of Rock and Roll history and culture.

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4.0 out of 5 stars it's a big job, but someone had to do it, Aug 8 2003
By 
A. K. Marlett (Golden Valley, MN, USA) - See all my reviews
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This review is from: Get Back: The Unauthorized Chronicle of the Beatles' " Let It Be" Disaster (Paperback)
the authors did a wonderful job of recording the happenings of the tapes available to them at the time. however, even since 1994, many new tapes have surfaced and are easy to come by in bootleg circles. i found this out by following along with a 17-disc set and realizing that i had a complete version of "bye bye love" that the author's hadn't heard (at the time). so, the book needs a new edition, certainly.

however, as one other reviewer already stated, the author's need to take a break from reading beatles' minds. it's not so much that they take sides (though Yoko seems to get bashed just because the author's feel obligated to), it's more that they actually believe they know what's going through the beatles' minds. and then sometimes they contradict themselves so obviously that you wonder if the book was ever edited.

for instance, for some reason they decided to say that paul "enthusiastically" reherses everyone's songs, even george's. first of all, several pages earlier, the authors mentioned paul yawning while george explined the chords of "all things must pass." then, one page after they claim how much more enthusiastic paul was, they say how bored paul is with someone else's song and that he really wants to just play his piano numbers. a stupid mistake.

still, get this book and get some GB sessions bootlegs. you'll become a more intelligent beatles fan :)

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4.0 out of 5 stars Good, but flawed, April 7 2003
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This review is from: Get Back: The Unauthorized Chronicle of the Beatles' " Let It Be" Disaster (Paperback)
I read this book and enjoyed it immensely, with a few reservations. As a Beatles fan, I did not find it boring at all, and in fact, I was saddened it had to end so soon. I really enjoyed reading what happened, how they rehearse, and the creation process, even if this is the worst example of the Beatles doing so. There are a few revelations, as well. Yoko does not seem quite as intrusive as I believed she was, and she is quite humorous sometimes with her off-the-wall comments.

From the look of it, it does seem like a few myths are debunked, though not the one the authors seem to think. John often complained he was not able to contribute new material because of Paul "hogging" the later records. For this session, at least, Paul appears to keep asking John to bring in new material to work on. Paul seems honestly wanting Lennon to contribute. It is Lennon himself who doesn't seem to want to. The other myth seems to be the common complaint of John that "Across the Universe" was not properly paid attention to. It DOES seem a little like Lennon himself was not that interested in working on the tune as well, so blaming the other Beatles seems a little harsh.

Having said that, I want to explain how there is HUGE flaw in this book committed by the authors. They inject into the book what the Beatles are "thinking" when they do things, something they cannot possibly know. They also give REASONS for actions for Beatles which is plainly just an opinion, but which they treat as a fact.

Case in point; They say that Paul backs up Lennon and agrees with Lennon on some things because he is scared if he does not, Lennon will leave the group. At one point, Paul does appear to not want to confront Lennon about Yoko because he perhaps fears John will just pick Yoko over the Beatles, but they use this blanket statement over all of Paul's actions toward John, something they cannot possibly know. I mean, every single thing Paul agrees with Lennon on should not be assumed to be because of this one angle. I mean, this goes way beyond the bounds of what they can know.

This book also assumes to show that George left the group because of John and not Paul and treat this as if it is indeed some sort of fact. But the truth is, the tapes that lead up to George leaving are missing, so it is impossible for them to simply assume this because of the actions of Lennon against Harrison, which are very evident, but which did not cause Harrison to immediately leave. They state that Paul is helpful, cheerful, etc., in the tapes, so he must not have really been the cause, ignoring the very real fact that Harrison himself said Paul was the reason he left. Just because Paul acted better than John in the tapes that people have does not mean he did not do something atrociously inappropriate in the missing tapes that preceeded George leaving. They say the myth is debunked, and I see no such thing. I've never heard McCartney ever say that it was John and not him that caused Harrison to leave, which is something he would seem to say since he is the always the culprit in the story.

Also, the authors seem to suggest Paul was much nicer than John in this respect, but that fails to explain if he was, why Harrison was brutal in referencing to Paul after the Beatles broke up, with quotes like he would join a band with Lennon anytime but would never join a band with McCartney. So since the tapes leading up to the quitting are missing, and Harrison himself said it was Paul, and his anger about Paul after the Beatles, I think it is safe to assume there was a big blow-up in the missing tapes between Paul and George. The authors try to excuse McCartney, making Lennon the villian. And it is true, Lennon is quite nasty in "Let It Be" to George, but that is no reason to say Paul is innocent. They both are not too nice. But Harrison's attitude is just as well to blame. Lennon could not have missed the dagger thrown at him in "I Me Mine," and we all know how Lennon reacts to such things, as we saw when Paul did the same thing to John in "Too Many People" a few years later.

But if you take out the authors' opinions and read it just as a document of sorts, it is incredibly interesting and I enjoyed every

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