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Ghost & the Darkness, the
 
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Ghost & the Darkness, the

Michael Douglas , Val Kilmer , Stephen Hopkins    R (Restricted)   VHS Tape
4.3 out of 5 stars  See all reviews (82 customer reviews)

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Val Kilmer stars as Lt. Col. John Patterson, a 19th-century Irish engineer drafted by Britain's railroad bosses to build a trestle bridge over an African river, thus expanding the empire a tiny bit more. In Tsavo, Patterson is instantly hailed for killing a man-eating lion that had been making life hell for native workers. But morale sinks when a pair of unstoppable big cats devour more men and destroy the project. Along comes an Ahab-like, expatriate American hunter (Michael Douglas) to help Patterson face the almost preternatural powers of the two killers. The script by William Goldman (Butch Cassidy and the Sundance Kid) is based on fact, though the film owes more to Spielberg (specifically to Jaws) than history. There are also suggestive echoes of Kipling and Conrad in the material and characters, and there are hints of emotional complexity and psychological nuance that make one wish this could have been a great film instead of a merely fun one. --Tom Keogh

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Customer Reviews

82 Reviews
5 star:
 (45)
4 star:
 (22)
3 star:
 (10)
2 star:
 (3)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (82 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
5.0 out of 5 stars Contrary to criticism, this is an excellent film., July 3 2004
Lt. Col. John Patterson (Val Kilmer) is sent to Tsavo, Africa to build a bridge across a river, thus allowing the British railroad to enter deeper into Africa, bringing civilization and advancement into the Dark Continent. Once Patterson arrives, he is greeted by a situation in which a man-eating lion is harassing the workers and delaying the construction of the bridge. He goes out one night and kills the lion with one shot, winning the confidence of the workers and, therefore, pushing the project ahead of schedule.

Unfortunately, two more man-eating lions begin to make daily harassments on the work camp, killing over 30 men, and eventually halting the construction, in spite of all that Patterson can do.

Enter Charles Remington (Michael Douglas), famous and professional wildlife hunter.

The rest of the drama unfolds as we see how Remington and Patterson deal with the crisis as the death toll reaches over a hundred.

Contrary to many previous reviews on the movie, The Ghost and the Darkness is an excellent film. Brilliant cinematography, breathtaking scenery, and beautiful and robust music are only a part of this great adventure yarn (which is based, stronger than you might think, on the true story). The acting of all the actors, once again contrary to popular criticism, is very good; not "over-the-top" at all. The film has a robust and powerful feel that accurately echoes the ruggedness and strength of Africa and the great men who tried to tame her. The authenticity of the film's props (costumes, weapons, tools, vehicles, etc.) is also impressive. The special effects are perfectly convincing and the lions are real.

The film has a good length (an hour and forty minutes) and never loses its pace or sense of direction. The film is straightforward and, at many moments, downright powerful. The tension is strong and, yes, this film is better than "Jaws" in every way, not to mention more mature than the sharkie movie. And, "The Ghost and the Darkness" is much more than a mere thriller. It is also a historical drama of high caliber.

Warning: If you are a feminist, you will find this movie too "macho". But if you admire the indomitable spirit of the Victorian era's adventurers, you will appreciate the film's strong (and realistically imperfect) characters. And sorry, there are no sugar-cutie boys who run to Angelina Jolie for help and no Super-Chicks who come to save the day (thank goodness).

Well, if you have not seen the movie, rent it and watch it. I would buy it but purchasing it is up to you. I highly, highly, recommend this film.

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3.0 out of 5 stars LION EYES, Jun 11 2004
By 
Michael Butts (Berkeley Springs, WV USA) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
THE GHOST AND THE DARKNESS is a well made movie, with sweeping vistas of the African landscape; glorious sunsets and night scenes; a wonderful score by the ever talented Jerry Goldsmith. Unfortunately, the actors and script don't match this type of excellence. William Goldman's story never really lets us know what makes Val Kilmer and Michael Douglas tick. Kilmer is saddled with an Irish accent that he can't maintain for the whole film, and Douglas attempts to be Crocodile Hunter Jim Irwin. Only John Kani as Samuel, Bernard Hill as the doctor, and Tom Wilkinson as the despicably hateable Beaumont emerge with fine performances.
Admittedly, some of the scenes with the lion attacks were effectively frightening and there is one in a dream sequence that is actually breathtaking.
Ultimately, I found myself apathetic to the fate of our heroes, and in fact, one of them is cheated out of a good scene (no plot spoiling, though).
All in all, an entertaining, if empty thriller.
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3.0 out of 5 stars Not Worth Watching More Than Once, May 21 2004
By 
Debbie Lee Wesselmann (the Lehigh Valley, PA) - See all my reviews
(REAL NAME)   
This African adventure based on a real account pumps the adrenalin in true Hollywood style - and that's not necessarily a good thing. Val Kilmer plays engineer John Patterson, who has always been able to overcome all obstacles through sheer will and hard work, until, that is, he gets sent to Africa to build a bridge. In Africa, the country of his dreams, John's work is sabotaged not by man but by beast. Two man-eating lions are mauling and dragging off workers not only in their sleep but eventually in broad daylight, completely against the nature of their species. They kill not for food but for "sport." Charles Remington (Michael Douglas), an experienced hunter, is called in to help restore calm by killing the lions.

This might have been an exciting story if the filmmakers had not chosen to ratchet up the terror by making these lions seem supernaturally invincible. The lions are imbued with so much (supposedly scary) intelligence that they trick Remington and Patterson more than once so they can make their kills. They become evil instead of unpredictable. As the film progresses, everything gets even more unbelievably hokey as the actors strap on their machismo. Still, the scenes with the lions are chair-grabbing tense; it's only after the scenes have ended that the viewer is likely to see how ridiculous it all is.

The best part of this film comes before the lions appear, when Patterson is suffering from the pride we know he'll lose, and as the camera pans over the African savannah. But most viewers aren't watching this film for its character development and cinematography. If only the suspense had not been artificially heightened, this could have been a solid thriller.

This is a decent escapist movie with not much to offer on second viewing. I'd make this a rental instead of a purchase.

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