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Ghost Story


Price: CDN$ 87.80
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Ships from and sold by M and N Media Canada.
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Ghost Story + The Changeling (Widescreen) + The Omen (Special Edition, Widescreen)
Price For All Three: CDN$ 104.74

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  • In Stock.
    Ships from and sold by M and N Media Canada.
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  • The Changeling (Widescreen) CDN$ 9.95

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Product Details

  • Actors: Craig Wasson, Alice Krige, Fred Astaire, John Houseman, Melvyn Douglas
  • Directors: John Irvin
  • Writers: Lawrence D. Cohen, Peter Straub
  • Producers: Burt Weissbourd, Douglas Green, Ronald G. Smith
  • Format: NTSC
  • Language: English
  • Subtitles: English
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Vid Canada
  • Release Date: March 25 1998
  • Run Time: 110 minutes
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (29 customer reviews)
  • ASIN: 6305077614
  • Amazon Bestsellers Rank: #81,230 in DVD (See Top 100 in DVD)


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Customer Reviews

3.4 out of 5 stars
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Most helpful customer reviews

Format: DVD
Several elderly gentleman are tormented by the ghost of a beautiful woman who is also in hot pursuit of one of the men's sons. The reason behind her revenge makes an interesting story that may please soft-core fans of the genre.

Based on Peter Straub's novel (which I have never read), "Ghost Story" stars several famous, accomplished actors, Fred Astaire (devoid of his dancing shoes), John Houseman, Douglas Fairbranks Jr and a new comer, the beautiful Alice Krige. Overall, the performances are good by the ensemble cast but the real star, in my opinion, is Krige as Eva/Alma, the ruthless ghost who has risen from her frozen surroundings to get her revenge. Aside from being possibly the most attractive killer cadaver ever screened, her performance really stands out. She is seductive, cold and calculating and her voice, along with that accent, makes her rather unpleasant character kind of irresistible. She was indeed perfectly cast and it looks like she had a great time playing the elusive ghost tormenting the cowardly men of The Chowder Society. She also has some of the best dialogue in the film and delivers each line with a mixture of seduction and malice - "Dance with me you little toad", "I think I'll take a bite out of you", "I thought you'd be dying to see me", "I will take you places you have never been, I will show you things you have never seen and I will see the life run out of you".

The cinematography is also excellent here and the overall look and feel of the film is effective and at times, chilling. We get some beautiful, eerie shots of the sleepy, quaint village covered in ice and blankets of snow adding much needed tension and fear, a frozen lake, a dark crumbling house with leaking, crumbling walls and colourful period costumes.
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By DeGraaf on Aug. 24 2013
Format: DVD Verified Purchase
I remember going to the show and seeing this movie. I liked it. I thought it was a good movie.
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Format: DVD
It's been at least fifteen years since I read Peter Straub's Ghost Story, and I must admit I've forgotten almost everything about the actual story. What I do remember is my conviction that Straub's novel was truly a masterpiece of the horror genre. Straub is a complete writer, not some penny dreadful hack, and that almost guarantees that no film can possibly do any of his writings justice. Movies revolve around characters and actions, and Straub's fiction really plays on a much higher level. Frankly, I'm surprised that anyone would even attempt to adapt Straub for the big screen. Robbed of its atmospheric build-up, Ghost Story (the film) proves quite incapable of immersing you in the dark shadows haunting the Chowder Club Society meetings. Unable to take on a life of its own onscreen, Ghost Story feels to me like an old made-for-TV movie.

The four elderly, distinguished gentlemen who make up the The Chowder Society have been trading ghost tales and scary stories for decades. For fifty years, however, not a one of them has ever even thought about mentioning the most disturbing story of all, one that they all secretly share. Eva was her name, a saucy little newcomer who had all four of their college-age hearts pitter-pattering as they stumbled over one another pitching woo in her general direction. It's weird enough for four best friends to all be wooing the same girl at the same time, but the director manages to make it even stranger and more confusing. Two of the guys constantly giggle like schoolgirls, none of them seem to have a clue about the essential nature of man-woman communications, and they all combine to make one of the film's most climactic scenes little more than pedestrian in terms of their emotional reactions.
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Format: DVD
First, let me say that Straub's novel is one of the finest ghost stories ever written. It's terrifying, too, as good ghost stories should be. Hence, I had high expectations of this film. The fact is the film is dreadful! It's almost nothing like the novel, and the only reason I give it two stars is due to some atmosphere. The cinematography looks good. That's about it. Spend your money, sure, but spend it on the novel and you'll spend many dark evenings in your reading chamber casting furtive glances at those darkened corners.
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By Michael Butts on June 6 2004
Format: DVD
When I first saw GHOST STORY on its initial release, I found it to be an entertaining, if not faithful, adaptation of Peter Straub's frightening novel. Now, some 20 years later, I found the movie less entertaining. The main problem I think is the enigmatic nature of the ghost, Eva Galli or Alma Mosely. Was she evil or supernatural prior to her death? And why doesn't she kill Donald as she did his brother? Was she really alive when she went down in the car? And what in the world do the Bates have to do with anything? And the classic "I am You" line is powerless without an explanation.
John Irvin's direction is also lackluster and sober. Of all the classic actors involved, none of them showed the power they have possessed in other roles. Although a talented actor, Craig Wasson was woefully miscast. Only Alice Krige as the ghostly Alma and Jacqueline Brookes as Astaire's wife bring any luster or poignancy to the film.
It's not a bad film by any means, and it does have some frightening moments with a wonderful score by Phillipe Sarde. I wish someone would remake it, however, and bring out more of the wonderful scariness of the novel.
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