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From Amazon
"What is real and what is not?" David Mitchell's Ghostwritten: A Novel in Nine Parts plays with precisely this question throughout its elaborately compartmentalized narrative. (That there are 10 chapters in this 9-part invention is just one more aspect of the author's mysterious schema.) With its multitude of voices and globe-girdling locations--Tokyo, Hong Kong, Mongolia, Petersburg, London--this first novel offers readers a vertiginous, sometimes seductive, display of persona and place.
At the heart of Mitchell's book is the global extension of the postmodern city, and the networks (cultural, technological, phantasmagoric) to which it gives rise. A metropolis like Tokyo is quite literally beyond our comprehension:
Twenty million people live and work in Tokyo. It's so big that nobody really knows where it stops. It's long since filled up the plain, and now it's creeping up the mountains to the west and reclaiming land from the bay in the east. The city never stops rewriting itself. In the time one street guide is produced, it's already become out of date. It's a tall city, and a deep one, as well as a spread-out one.At this level, urban sprawl becomes an epistemological condition. On one hand it leads to a Japanese death cult, purging the "unclean" from the city's subway with nerve gas. And on the other, it produces a certain splintering of the human personality. "I'm this person, I'm this person, I'm that person, I'm that person too," chants Neal, the narrator of the book's second part. "No wonder it's all such a ... mess." He's talking about his life as a Hong Kong trader, a "man of departments, compartments, apartments." But he might also be describing the experience of reading Ghostwritten. At once loquacious and knowing, leisurely and frantic, Mitchell offers a huge, but fragmentary, portmanteau. And while he's labored diligently to solder together the many parts--the aching bodies, the reality police, the impossibly complex machinery of contemporary life--his novel, too, may suffer from an excess of split personality. --Vicky Lebeau --This text refers to the Hardcover edition.
From Publishers Weekly
Nine disparate but interconnected tales (and a short coda) in Mitchell's impressive debut examine 21st-century notions of community, coincidence, causality, catastrophe and fate. Each episode in this mammoth sociocultural tapestry is related in the first person, and set in a different international locale. The gripping first story introduces Keisuke Tanaka, aka Quasar, a fanatical Japanese doomsday cultist who's on the lam in Okinawa after completing a successful gas attack in a Tokyo subway. The links between Quasar and the novel's next narrator, Satoru Sonada, a teenage jazz aficionado, are tenuous at first. Both are denizens of Tokyo; both tend toward nearly monomaniacal obsessiveness; both went to the same school (albeit at different times) and shared a common teacher, the crass Mr. Ikeda. As the plot progresses, however, the connections between narrators become more complex, richly imaginative and thematically suggestive. Key symbols and metaphors repeat, mutating provocatively in new contexts. Innocuous descriptions accrue a subtle but probing irony through repetition; images of wild birds taking flight, luminous night skies and even bloody head wounds implicate and involve Mitchell's characters in an exquisitely choreographed dance of coincidence, connection and fluid, intuitive meanings. Other performers include a corrupt but (literally) haunted Hong Kong lawyer; an unnamed, time-battered Chinese tea-shop proprietress; a nomadic, disembodied intelligence on a voyage of self-discovery through Mongolia; a seductive and wily Russian art thief; a London-based musician, ghostwriter and ne'er-do-well; a brilliant but imperiled Irish physicist; and a loud-mouthed late-night radio-show host who unwittingly brushes with a global cyber-catastrophe. Already a sensation on its publication in England, Mitchell's wildly variegated story can be abstruse and elusive in its larger themes, but the gorgeous prose and vibrant, original construction make this an accomplishment not to be missed. 5-city author tour.
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
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Most helpful customer reviews
2 of 2 people found the following review helpful
5.0 out of 5 stars
This book rocks.,
By A Customer
Few people can successfully balance and interweave so many varied perspectives, but Mitchell does so with grace and beauty. His prose is rich but not overwrought, his characters are fully realized, and his story says something important about an ever shrinking world. This is the kind of book Americans need to read more often to remind them that we are not alone on this planet, and that human dignity and foibles are universal. Check out his other book Number9dream as well.
1 of 1 people found the following review helpful
5.0 out of 5 stars
surprise,
By Celia (Porto Alegre, R.S. Brazil) - See all my reviews
This review is from: Ghostwritten (Paperback)
Very intriguing, very original, very fresh ideas. I was totally taken by surprise by this firstnovelwriter. He seems to be so familiar with so many different realities and , what is stranger, he makes us feel at home in a ger in Mongolia or as a cult-controlled terrorist, or a transmigrating spirit or a guide at the Hermitage... I am looking forward for his next book. I wonder where he will take me.
1 of 1 people found the following review helpful
5.0 out of 5 stars
I'm jealous...,
By A Customer
This review is from: Ghostwritten (Paperback)
I'm absolutely jealous that Mitchell can write so well. He has written a book that I will not forget. Each chapter is more or less a short story centering on one character. However, each character seems to be connected in one way or another. Now, critics have said that this novel is very much the same as writings of a famous Japanese writer (a role model, evidently, to Mitchell), however, unless you are a graduate in World lit. or from Japan, I don't think you would know any different.
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