From Amazon
Né en 1901, le sculpteur et peintre suisse Alberto Giacometti fait son apprentissage dans l'atelier de son père. Après quelques voyages en Italie où il est marqué notamment par Giotto et Le Tintoret, il arrive à Paris en 1922. Il devient vite un des protagonistes majeurs de la scène de l'avant-garde puis rompt en 1934 avec les surréalistes. Giacometti va désormais travailler avec un modèle, sur le thème de la figure. L'autre, son existence particulière, devient l'objet principal de sa réflexion, et l'artiste s'obstinera jusqu'à la fin de sa vie à restituer une "tête".
L'auteur de cet imposant ouvrage, le poète et critique d'art Yves Bonnefoy, aborde l'oeuvre de Giacometti chronologiquement, en relation avec sa biographie. S'appuyant sur ses écrits, ses rêves, il met en lumière, entre autres, son rapport à sa mère et son ambivalence devant la sexualité, sa violence intérieure et sa hantise de la mort. Bonnefoy propose une interprétation de l'oeuvre de Giacometti et une analyse de ses sculptures et de ses peintures dans un texte passionné qui nous fait pénétrer au coeur de l'univers de l'artiste. --Sylvie Lécallier
--This text refers to the
Hardcover
edition.
From Library Journal
One of the most universally admired artists of the 20th century, the Swiss-born sculptor/painter Alberto Giacometti (1901-66) is best known for a series of bronzes depicting ghostly, attenuated figures made during a burst of intense creative activity inspired partly by the cataclysmic events of World War II. The largest retrospective of Giacometti's work ever mounted almost 200 individual sculptures, paintings, and drawings, shown at Zurich's Kunsthaus and New York's MoMA has generated Klemm's fine catalog, the best book on this major figure to have appeared since James Lord's definitive Giacometti: A Biography (Noonday, 1997. reprint.). In addition to the aforementioned sculptures, Kunsthaus curator Klemm has assembled a farrago of this artist's eclectic accomplishments, from his early eminence among the Parisian Surrealists onward. Worth the entire cover price is the handful of pages depicting the astonishingly agile still-life drawings from the artist's productive mid-century years. An excellent and deeply inspiring book true to its subject; recommended for all art collections. Also timed to coincide with the exhibition is the publication of an elegantly packaged, slipcased set of two thin monographs profiling Alberto and his lesser-known sibling, Diego (1902-85), a designer of furniture and objets d'art and the metal smith who cast many of his brother's major bronzes. Identical in format and size, these books are primarily a conglomeration of a few dozen photos of artwork alongside short introductory biocritical essays and brief chronologies. Next to Klemm's hefty volume, each of these works feels more like a repackaged article from a glossy art journal, suitable as an attractive gift book but providing little for most library users. Nonetheless, as the only title currently available on the younger Giacometti, the set can be recommended for more comprehensive collections. Douglas F. Smith, Oakland P.L.
Copyright 2002 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.