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Gilda (Bilingual) [Import]

4.8 out of 5 stars 42 customer reviews

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Product Details

  • Actors: Rita Hayworth, Glenn Ford, George Macready, Joseph Calleia, Steven Geray
  • Directors: Charles Vidor
  • Writers: Ben Hecht, E.A. Ellington, Jo Eisinger, Marion Parsonnet
  • Producers: Virginia Van Upp
  • Format: Black & White, Color, DVD-Video, Full Screen, Subtitled, NTSC, Import
  • Language: English
  • Subtitles: English, Spanish, French, Portuguese, Chinese, Thai, Korean
  • Dubbed: French, Portuguese, Spanish
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Canadian Home Video Rating : Parental Guidance (PG)
  • Studio: Sony Pictures Home Entertainment
  • Release Date: Nov. 7 2000
  • Run Time: 110 minutes
  • Average Customer Review: 4.8 out of 5 stars 42 customer reviews
  • ASIN: B00004XPPK
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Product Description

All film noirs need deceit, betrayal, dialogue hard as diamonds--and dames even harder than that. But Gilda is the only one with the dame front and center, and for good reason. Rita Hayworth shimmers in the 1946 classic, which spins on a tortured plot involving the title character (Hayworth); her imperious husband (George Macready), a ruthless casino owner and head of an Argentine tungsten cartel (!); and Johnny Farrell (Glenn Ford), Gilda's ex-lover and now her husband's go-fer. But no one watches Gilda for the plot, except to learn that all the characters have secrets--perhaps even ones they would kill for. Hayworth captures Gilda's vulnerability beneath her devil-may-care front ("If I'd been a ranch, they would have named me the Bar Nothing"). Not to be missed: Hayworth's slinky striptease to "Put the Blame on Mame." --Anne Hurley

Special Features

The best thing about this DVD is the restoration done by the UCLA Film Archive, rendering the black-and-white cinematography sumptuous, especially in scenes in which Gilda wears sequins or satin (practically every scene). There's a short bio of Hayworth and her ascent at Columbia, as well as trailers for Gilda and some other Columbia films that have been released on DVD. --Anne Hurley

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Customer Reviews

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Top Customer Reviews

Format: DVD
Columbia Pictures presents "GILDA" (1945) ~ (110 min/B&W) ~ Starring: Rota Hayworth, Glenn Ford, George Macready, Joseph Calleia & Steven Geray

Directed by Charles Vidor

When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends.

Great tight tense script, direction and cast makes an all-time classic noir, but it's George Macready who gives such an icy cold character performance, that when he's on the screen nobody else seems to be there, even though Hayworth and Ford are steaming up the cameras with their hot steaming scenes.

* Special footnote: ~ Rita Hayworth had to wear a corset while shooting "Put the Blame on Mame," as she gave birth to her first daughter, Rebecca, months before filming ~ In the scene where Gilda is brought back to Argentina by Tom, she slaps Johnny hard across both sides of his face. In reality, Rita Hayworth's smacks broke two of 'Glenn Ford''s teeth.
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Format: DVD
Columbia Pictures made 32 movies with Rita Hayworth thus she became known as the "The Columbia Lady". But after making a series of steamy romance films including "GILDA", she became known as "The Love Goddess".
Gilda was such an important Hollywood film that the UCLA Film and Television Archives with Sony Pictures digitally restored & remastered both picture & sound flawlessly. Gilda also is Archived in The Library of Congress.
This Standard (4:3 tv) Black/White film is perfectly presented in this collectable DVD. Hayworth is at her best and absolutely beautiful.
Summary; A steamy romance between Bosses wife ( Rita Hayworth) and South American casino manager (Glenn Ford). A love hate romantic triangle forms along with black mail, bribery, corruption, double crossing & murder. This fast pace romantic drama keeps us guessing and the surprise ending is a 1940's Hollywood gem.
Extra Features: featurette, Rita Hayworth - The Columbia Lady (some very enjoyable dance sequences with Fred Astaire), Vintage Advertising, Talent Files & Trailers.
Hayworth is "GILDA". This is a great movie to enjoy over & over. Get the popcorn ready and sit back and watch the "Love Goddess" at her steamy best. Enjoy.
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Format: DVD
Much has been made of the obvious pleasures in "Gilda" -- the stunning, idol-making performance of Rita Hayworth; the famous striptease-that-really-is-a-tease; the overripe dialogue (somebody could make a good drinking game based on how many times somebody says "Johnny" to Glenn Ford); the perversely sexual subtexts involving Gilda and Johnny, Gilda and Ballin, and certainly, Ballin and Johnny (!) But the other pleasures of this movie shouldn't be overlooked. For one thing, it's one of the best LOOKING movies ever to come out of the 1940's: stunning sets, gorgeous costumes, and most of all, eye-popping black-and-white photography, making effective use of noir conventions (everyone is forever stepping into or out of shadows) and creating Glenn Ford and Rita Hayworth as pinnacles of physical beauty; neither one ever looked this good again, although Rita came close in "You Were Never Lovelier".
Maybe my favorite overlooked treat in "Gilda" is the enigmatic character of Uncle Pio, who has some of the best lines in the movie as he wittily comments on the foibles of the characters,
acting as a sort of Shakespearean Fool. Screenwriting this good is certainly part of what makes "Gilda" so special and brings its fans back to watch again and again.
One final comment: if Rita Hayworth really does her own singing during the quiet version of "Mame" in the nightclub at 5 a.m., as I've read and heard, the lady was not only gorgeous and a terrific dancer, she had quite a voice, too!
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Format: DVD
Rita Hayworth went down in Hollywood history as the Love Goddess. Her title role in *Gilda* (Columbia Pictures, 1946) leaves no doubt why. Yet here she is much more than a sex symbol. For one thing, Rita was a seriously talented actress. For another, she was one of the best dancers in films. To this day her performance in *Gilda* remains unrivaled as a combo of skill, sensuality, sensitivity, and sheer drop-dead pulchritude. Columbia's catchy ad-phrase for the film was, "There never was a woman like Gilda." You'd better believe it. Glenn Ford perfectly fills out the character of Johnny Farrel, the young gambler who hates to love femme fatale Gilda. In return, Gilda loves to hate Johnny. George MacReady offers an outstanding performance as murderous Ballin Mundson, the man Gilda fears.
If you like movies that challenge the viewer to figure out hidden meanings, then *Gilda* is for you. "Maybe that stands for something," Rita-as-Gilda says near the beginning; "Maybe that means something," she says near the end. Halfway through she says, "Any psychiatrist would say that means something." The question of interpretation hangs over the entire film, loaded as it is with symbolism and double-entendres.
On the other hand, you can ignore the subtext and enjoy *Gilda* as a noirish romantic mystery-thriller. It's a beautiful flick to look at in black and white, and it's never boring, even all the decades since it was made. Some reviewers say the plot is difficult to follow. I don't agree; the story is both logical and economical. But that may be because I understand *Gilda* to be a dramatized introduction to the psychological concepts of C.G. Jung. Never mind.
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