Ignoring all the fuzz about postmodern writing, I constantly found myself asking, what kind of impact did writers like Thomas Pynchon, Don DeLillo or William Gaddis might have had to other writers and, even more significant, what trace have they left in modern writing. In David Foster Wallace's collection of short stories, "Girl with curious hair", I found a large portion of my questions answered.
I've just finished it in almost one sitting, and like so often, when the book you've just finished didn't turned out to be total crap, you start missing its characters.
I miss Julie Smith from the "Jeopardy !" show, I wanna stick to "Sick Puppy" and his punky friends visiting a Keith Jarrett (!) concert. I feel sorry for old pal Chuck Nunn, jr., who, after a car accident, had his eyes constantly popping out their holes (!!). I deeply felt for the woman who "appeared in the David Letterman show", don't be nervous anymore ! And then finally there's David Boyd, first boy and close friend of the president of the United States, Lynton B.Johnson !
David Foster Wallace presents each of the five stories in a different tone, a different style: There's the more traditional narrative form in the first story, pure satire (with shades of Brett Easton Ellis's "American Psycho") in the second, and a haunting yet nightmarish and illogical atmosphere in the third one. The fourth story comes with a dry, almost documentary-like kind of prose, while the fifth and last story (the LBJ story) once again returns to more traditional grounds.
But don't worry: David Foster Wallace successfully manages to avoid pretentiousness or self-indulgence and never lets "Girl with curious hair" end up in a writing skill showcase !
This book is funny, it's brilliant, it should be regarded as a modern classic, but word comes around his other books are even better <...> oboy !