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The Girl Who Kicked the Hornet's Nest (DVD Packaging) [DVD + Blu-ray]


Price: CDN$ 48.59
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Frequently Bought Together

The Girl Who Kicked the Hornet's Nest (DVD Packaging) [DVD + Blu-ray] + The Girl Who Played With Fire / Millènium 2 (Bilingue) [Blu-ray + DVD] (Bilingual) + The Girl with the Dragon Tattoo / Millènium: Le Film [Blu-ray + DVD] (Bilingual)
Price For All Three: CDN$ 79.35

These items are shipped from and sold by different sellers.


Product Details

  • Actors: Noomi Rapace, Michael Nyqvist, Lena Endre
  • Directors: Niels Arden Oplev
  • Writers: Stieg Larsson, Nikolaj Arcel, Rasmus Heisterberg
  • Format: DVD-Video, Subtitled, NTSC, Widescreen, Dolby
  • Language: Swedish, English
  • Subtitles: English
  • Region: Region A/1
  • Aspect Ratio: 1.85:1
  • Number of discs: 2
  • MPAA Rating: R
  • Studio: Alliance Films
  • Release Date: Jan. 25 2011
  • Run Time: 147 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (24 customer reviews)
  • ASIN: B004AHKMWK
  • Amazon Bestsellers Rank: #29,253 in DVD (See Top 100 in DVD)

Product Description

Amazon.ca

It takes a while, but the saga of one of the more fascinating characters put on the page or the screen in recent years comes to a satisfying conclusion with The Girl Who Kicked the Hornet's Nest, the last installment of the late Swedish author Stieg Larsson's so-called "Millennium Trilogy." That character is Lisbeth Salander, the computer-hacking, Goth-loving, dark angel of revenge, played by Noomi Rapace with the same black stare and taciturn charisma that were so riveting in the first two films (The Girl with the Dragon Tattoo and The Girl Who Played with Fire, both also released in 2010).

When we last saw her, Lisbeth was trying to kill her father, a Russian defector and abusive monster; in the process, the girl was seriously wounded by her half-brother, a hulking freak with a strange condition that renders him impervious to physical pain. As the new film opens, all three are still alive, and she's being taken to a hospital to recover while waiting to stand trial for attempted murder. Meanwhile, her champion and erstwhile lover, journalist Mikael Blomkvist (Michael Nyqvist), sets about uncovering the full extent of the conspiracy responsible for (among other crimes) Lisbeth's being sent to an asylum at age 12 while her father was protected by evil forces within the government.This investigation, which puts not only Lisbeth but also Blomkvist and his colleagues in considerable danger, leads to "the Section," a thoroughly repellent bunch of aging liars, killers, thieves, and perverts with a great many secrets they'd like to keep (the oily Dr. Peter Teleborian, who was responsible for Lisbeth's "treatment" as a child, emerges as the most vile antagonist since the guardian who brutally assaulted her in the first film).

Although much of the exhaustive detail about these and other matters has been eliminated by director Daniel Alfredson (who also helmed The Girl Who Played with Fire) and screenwriters Jonas Frykberg and Ulf Ryberg for the purpose of adapting the novel to the screen, The Girl Who Kicked the Hornet's Nest is still quite long (148 minutes), and less kinetic and violent than the earlier films; there are some exciting sequences, but Lisbeth, previously an unlikely but magnetic action heroine, is seen mostly on a hospital bed or in a courtroom, and much of the film is spent on procedural matters. Still, the fact that the loose ends are wrapped up in fairly conventional fashion doesn't make the conclusion any less satisfying. In fact, the only real letdown comes from knowing that we won't get to see Noomi Rapace play Lisbeth Salander again. --Sam Graham

Special Features

Blu-ray Exclusive Features:
  • Interview with Actress Noomi Rapace
  • Interview with Actor Michael Nyqvist
  • Theatrical Trailer

Customer Reviews

4.2 out of 5 stars

Most helpful customer reviews

8 of 8 people found the following review helpful By Ian Gordon Malcomson HALL OF FAMETOP 50 REVIEWER on Feb. 16 2011
Format: DVD
"Restless thoughts, like a deadly swarm of hornets arm'd, no sooner found alone, but rush upon me thronging." - the Poet John Milton

I watched this movie recently and found it to be a worthy companion to an already outstanding modern novel. Nothing like being able to visualize a well-crafted crime thriller with all its drama and suspense. Here are some of my observations about this performance that a potential viewer might want to be aware of in viewing this production:
A. [T]he singsong qualities of spoken Swedish should not get in the way of following the story. In fact, I found the accompanying Swedish voices to make the subtitles easier to follow. They seemed to give the dialogue a nice lilt;
B. [T]he film is a fairly accurate rendition of the novel on three counts: the plot line is easy to follow; the main characters come through as authentic in their many encounters with complex issues; and the tempo was a similar pace;
C. [T]he film expresses a similar intensity of interpersonal conflict described in the novel. It is the same raw fear and loathing that carries the film through to a meaningful conclusion and makes the original novel a captivating read;
D. [T]he acting matches the character's roles in the novel: Lis Salander is that same brooding, tortured person in both preentations;
E. Read the novel first and get a sense of what Larsson is trying to tell his reader about the problems facing modern Swedish society. After that the movie becomes a kind of cinematic reward for wrestling with a complex tale about the disturbing and often dark side of the national conscience.
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7 of 7 people found the following review helpful By J. Tupone TOP 500 REVIEWER on Jan. 22 2011
Format: Blu-ray Verified Purchase
This is a fantastic foreign film. When I found it was in Swedish I didn't care to watch it, but after talking to a few individuals who thought highly of the novel I thought about it. It also received great reviews from several critics. Overall this is a great crime film and it's not like typical crime or mystery stories. The story is well written, the actors are well-chosen for the characters and the quality of the film is terrific.

I would recommend this film for anyone and I have doubts that the upcoming Hollywood version (to be released in 2011) will be anywhere near as great given the cast that has been chosen. I would recommend watching the original Swedish version.
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By K. Gordon TOP 50 REVIEWER on Dec 10 2014
Format: Blu-ray
A return to form after "The Girl Who Played With Fire" fell into a bit of 'middle part of a trilogy disease'; lots of exposition and setting up for the last part, together with a feeling of marking time, that nothing can really get too resolved. Consequently both the sense of danger, and emotional impact were lower, even though there was a lot more running around, shooting, etc. It felt more like a Hollywood action film.

But here we get back into deeper themes, back into Lisbeth Sander's head. There's less action, but more psychology and complex behavior, and that's where the strength of the trilogy lies. There are fight scenes, sure, but the most intense scenes are the film's courtroom battles, and it's almost as scary to think that Lisbeth may self-destruct, as that others may destroy her.

Noomi Rapace does her best work of the trilogy here. We get Lisbeth's stone exterior, but there are always just enough hints of the damaged little girl she was to keep her heartbreaking. Her long but filled silences, and minimal dialogue betray how painful it is for her to even try to trust other human beings. The series theme's about the damage that men do to women comes back to the forefront, and we're less in a thriller than a character study with thrills.

I still think the first film, "The Girl With the Dragon Tattoo" felt the most gritty and real. The scope of the bad guys was less theatrical, the conspiracies more believable because they're more limited, less grandiose. But as a conclusion to the three act opera, this is pretty damn solid, and certainly stuck with me in the days after I saw it.
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5 of 6 people found the following review helpful By trek fan on Jan. 31 2011
Format: Blu-ray
i watched this movie last night and i could not take my eye's off the screen it was so intense i almost fell off the couch. when they took that prick away in handcuffs i was like crying with joy..i hope they do not make an american version because they will surely F*** it up... [sorry i had to do it]
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3 of 4 people found the following review helpful By E. A Solinas HALL OF FAMETOP 50 REVIEWER on Oct. 26 2010
"The Girl Who Kicked A Hornet's Nest" is really more like "The Girl Who Played With Fire Part II" -- this movie begins mere minutes after the end of the previous one, and everything stems from the film before it. The third and final film adapted from Stieg Larsson's Millennium Trilogy is a taut, unnerving exploration of a government cover-up -- with the titular "girl" as their victim.

Lisbeth Salander (Noomi Rapace) has been shot in the head, and is rushed to a hospital for surgery -- the same hospital as her evil father Zalachenko. And since she's still being framed for murder, Mikael (Michael Nyqvist) devotes the forthcoming issue of "Millennium" to clearing her name and revealing the government's dirty secrets (including how they had her institutionalized as a kid).

But when Zalachenko threatens to rat them out, the "Section" sends an assassin to shoot him. Unfortunately, this group also wants want to punish Lisbeth by sticking her in another mental home, and the pedophile director Teleborian is all too happy to lock her up. The best chance Lisbeth has is to send her own "autobiograpy" to Mikael.

It's not a whodunnit, and it's not a straight thriller. "The Girl Who Kicked The Hornet's Nest" is a slow-moving, complex affair, centering on powerful men who try to crush women who defy them, and a system filled with in corrupt muck, cruelty and murder. It's part legal drama, part conspiracy story, and part bloody thriller.

And while not as harrowing as the movies before it, this movie is a bleak tangled web of threats, evidence,stalkings, and the occasional gory death (along with the hysteria that accompanies them).
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