Girl Sleuth: Nancy Drew and the Women Who Created Her [Hardcover]

The intrepid Nancy Drew has given girls a sense of their own power since she was born, Athena-like, from the mind of Edward Stratemeyer in 1929 and raised after his death in 1930 by his daughter Harriet Stratemeyer Adams and Mildred Wirt Benson, a journalist who was the first to write the novels under the pen name Carolyn Keene. Poet and critic Rehak invigorates all the players in the Drew story, and it's truly fun to see behind the scenes of the girl sleuth's creation, her transformation as different writers took on the series, and the publishing phenomenon—the highly productive Stratemeyer Syndicate machine—that made her possible. Rehak's most ambitious choice is to reflect on how Nancy Drew mirrors girls' lives and the ups and downs of the women's movement. This approach is compelling, but not particularly well executed. Rehak's breathless prose doesn't do justice to the complexity of the large social trends she describes, and tangents into Feminism 101 derail the story that really works—the life of a publishing juggernaut. All the same, Stratemeyer himself would undoubtedly say that the story is worth telling. Drew fans are likely to agree.
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Adult/High School-As much a social history of the times as a book about the popular series, this is a fun title that will appeal to older teens who remember the series fondly. In 1930, she arrived in her shiny blue roadster and she has remained a part of the children's book scene ever since. While Nancy may have been the brainchild of Edward Stratemeyer, creator of the successful Stratemeyer Syndicate, it was the devotion of Harriet, his daughter, and syndicate writer Mildred Wirt Benson who brought her to life. The series succeeded beyond anyone's wildest dreams but things were not always peaceful in River Heights. Rehak does a good job of explaining the intricacies of the Stratemeyer Syndicate and the sometimes-rocky relationship between these two strong women, each of whom felt a sense of ownership of the girl detective. Those who followed the many adventures of Nancy Drew and her friends will be fascinated with the behind-the-scene stories of just who Carolyn Keene really was.-Peggy Bercher, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

*Starred Review* For 75 years, reading Nancy Drew mysteries has been a literary rite of passage for millions of young girls. In this lively offering, poet and critic Rehak tells the tale of the creative trio behind the celebrated pseudonym Carolyn Keene. Children's book mogul Edward Stratemeyer powered the extraordinarily successful Stratemeyer Syndicate (the character of Nancy Drew, the copper-haired teen sleuth who tackled cases with passion and panache, was but one of his creations, which included the Bobbsey Twins and the Hardy Boys). His daughter, Harriet Stratemeyer Adams, was the well-to-do mother of two who took over the business upon his death. ?And enterprising Iowa journalist Mildred Wirt Benson, the original voice of Nancy Drew, devoted decades of her life to ghostwriting titles for the series. Both Harriet and Mildred were talented, driven women who challenged the domestic labels affixed to them. Even at the age of 93, Mildred was described as having "a tangle of white curls and the dismissive air of Robert DeNiro." Packed with revealing anecdotes, Rehak's meticulously researched account of the publishing phenomenon that survived the Depression and WWII (and was even feted by feminists in the 1960s) will delight fans of the beloved gumshoe whose gumption guaranteed that every reprobate got his due. Read this alongside Greenwald's The Secret of the Hardy Boys (2004), about another Stratemeyer ghostwriter, Leslie McFarlane, the voice of the first 16 Hardy Boys novels. Allison Block
Copyright © American Library Association. All rights reserved

ADVANCE PRAISE FOR GIRL SLEUTH "Witty, fast-paced, and smart, Girl Sleuth makes the story behind Nancy Drew as much fun to read as the mystery novels themselves. It's superb."

"Rehak chronicles a character who influenced at least two generations of women in a highly readable, exhaustive book." (Boston Phoenix )

The intrepid Nancy Drew has given girls a sense of their own power since she was born, Athena-like, from the mind of Edward Stratemeyer in 1929 and raised after his death in 1930 by his daughter Harriet Stratemeyer Adams and Mildred Wirt Benson, a journalist who was the first to write the novels under the pen name Carolyn Keene. Poet and critic Rehak invigorates all the players in the Drew story, and it's truly fun to see behind the scenes of the girl sleuth's creation, her transformation as different writers took on the series, and the publishing phenomenon-the highly productive Stratemeyer Syndicate machine-that made her possible. Rehak's most ambitious choice is to reflect on how Nancy Drew mirrors girls' lives and the ups and downs of the women's movement. This approach is compelling, but not particularly well executed. Rehak's breathless prose doesn't do justice to the complexity of the large social trends she describes, and tangents into Feminism 101 derail the story that really works-the life of a publishing juggernaut. All the same, Stratemeyer himself would undoubtedly say that the story is worth telling. Drew fans are likely to agree.
(Publishers Weekly )

Aplucky "titian-haired" sleuth solved her first mystery in 1930. Eighty million books later, Nancy Drew has survived the Depression, World War II, and the sixties (when she was taken up with a vengeance by women's libbers) to enter the pantheon of American girlhood. As beloved by girls today as she was by their grandmothers, Nancy Drew has both inspired and reflected the changes in her readers' lives. Now, in a narrative with all the vivid energy and page-turning pace of Nancy's adventures, Melanie Rehak solves an enduring literary mystery: Who created Nancy Drew? And how did she go from pulp heroine to icon? The brainchild of children's book mogul Edward Stratemeyer, Nancy was brought to life by two women: Mildred Wirt Benson, a pioneering journalist from Iowa, and Harriet Stratemeyer Adams, a well-bred wife and mother who took over as CEO after her father died. In a century-spanning story Rehak traces their roles-and Nancy's-in forging the modern American woman. With ebullience, wit, and a wealth of little-known source material, Rehak celebrates our unstoppable girl detective.

In 1930 a plucky girl detective stepped out of her shiny blue roadster, dressed in a smart tweed suit, ready to restore a stolen inheritance to its rightful owner. Tied up by the villains, she managed to free herself and bring them to justice - all while wearing a pencil skirt and high heels. Eighty million books later, Nancy Drew has survived the Depression, World War II, and the sixties (when she was taken up with a vengeance by women's libbers), and emerged as beloved by girls today as she was by their grandmothers. Now, in a narrative with all the fast-paced thrill of one of Nancy's adventures, Melanie Rehak solves a page-turning literary mystery: Who created Nancy Drew? And how did she go from pulp heroine to American icon? With ebullience, wit, and a wealth of little-known source material, Rehak weaves a behind-the-scenes history of Nancy and her groundbreaking creators. Taking us from The Secret of the Old Clock to The Secret of the Spa, Rehak tells all about our fearless sleuth - including the fact that both Nancy and her "author," Carolyn Keene, were invented by Edward Stratemeyer, a dime-novel genius who also created the Bobbsey Twins and the Hardy Boys. But Nancy Drew was actually brought to life by two remarkable women: original author Mildred Wirt Benson, a convention-flouting Midwestern journalist, and Harriet Stratemeyer Adams, a wife and mother who transformed herself into a CEO to run her father's company after he died. Together, Benson and Adams created a character that has inspired generations of girls to be as strong-willed and as bold as they were. Melanie Rehak will send you back to your old Nancy Drews -- but thanks to GIRL SLEUTH you'll never read them the same way again.

THE FIRST BEHIND-THE-SCENES HISTORY OF THE BELOVED GIRL DETECTIVE "Through the history of Nancy Drew, Rehak sheds light on perhaps the most successful writing franchise of all time and also the cultural and historic changes through which it passed. Grab your flashlights, girls. The mystery of Carolyn Keene is about to begin." -- Karen Joy Fowler, author of THE JANE AUSTEN BOOK CLUB * The original proposal for Nancy Drew suggested that her name be Stella Strong, Nell Cody, Helen Hale, or Diana Dare. "GIRL SLEUTH is meticulously researched, elegantly written, and riveting. Melanie Rehak juxtaposes teen sleuth Nancy Drew's omnipotence with the all-too-real struggles of her creators." --Susan Kandel, author of NOT A GIRL DETECTIVE * When Nancy Drew was introduced she wore cloche hats and gloves whenever she was out in public. In the 50s she changed to sport dresses and rompers and even -- gasp -- pants. "Witty, fast-paced, and smart, Girl Sleuth makes the story behind Nancy Drew as much fun to read as the mystery novels themselves. It's superb." --Jean Strouse, author of Morgan, American Financier * Nancy and her boyfriend Ned Nickerson never once kissed, although in The Secret of the Old Attic she does "faint into his strong arms."

MELANIE REHAK is a poet and critic. She is the author of Girl Sleuth: Nany Drew and the Women Who Created Her, which won an Agatha Award for nonfiction and the Edgar Award for Best Biography. A recipient of the New York Public Library's Tukman Fellowship at the Cullman Center for Scholars and Writers, she writes for the New York Times Magazine, the New Yorker, Vogue, and The Nation, among others. She lives in Brooklyn. 

The Stratemeyer Clan These suggestions are for a new series for girls verging on novels. 224 pages, to retail at fifty cents. I have called this line the "Stella Strong Stories," but they might also be called "Diana Drew Stories," "Diana Dare Stories," "Nan Nelson Stories," "Nan Drew Stories" or "Helen Hale Stories" . . . Stella Strong, a girl of sixteen, is the daughter of a District Attorney of many years standing. He is a widower and often talks over his affairs with Stella and the girl was present during many interviews her father had with noted detectives and at the solving of many intricate mysteries. Then, quite unexpectedly, Stella plunged into some mysteries of her own and found herself wound up in a series of exciting situations. An up-to-date American girl at her best, bright, clever, resourceful and full of energy. *** IN SEPTEMBER of 1929 children's book mogul Edward Stratemeyer sent one of his inimitable typed memos to Grosset Dunlap, his longtime publisher, describing a new line of books he hoped they would launch the following spring. Though he proved to have an uncharacteristically tin ear when it came to choosing a name for his heroine- any other option on his list of possibilities had a better ring to it than "Stella"-his sense of her life and her intrepid personality were flawless. While they had no way of knowing that Stratemeyer's girl detective would eventually become a celebrity not only in the children's book world but in the world at large, Grosset Dunlap's editors certainly knew a good thing when they saw it. They accepted Stratemeyer's series on the basis of his memo, which also included brief plotlines for the first five books in the series, and his reputation, which, by the time "Nan Drew" burst on to the scene with her fashionable outfits and boundless intelligence, had been the source of admiration and envy-and a great fortune for Stratemeyer-for several decades. When his latest proposal reached their Manhattan office, he had been writing for children for more than forty years and was so steeped in the idiom of his chosen genre that he had given even the events of his own life-which were rather straightforward and businesslike when it came down to it-the sheen and thrill of a juvenile story. This transformation had begun at the moment of his first serious publication in a children's story paper in November of 1889. It was a fanciful tale called "Victor Horton's Idea," and it told of a boy who went out into the world to live life-unsuccessfully, it would transpire-like the characters in his favorite dime novels. Victor was fifteen years old, naturally bright and lively, and if he had not held so high of an opinion of himself, he would have been a first-rate lad. Besides being conceited, Victor was dissatisfied with the quietness of country life. He longed to go forth into the great world and achieve fame and fortune. Now, though this idea is often a very laudable one, it was not so in the present instance.