From Publishers Weekly
Katie Crouch reads her own book with expression, but she often doesn't do enough to differentiate character voices and doesn't even attempt a Southern accent for these Southern debutantes. More importantly, she lacks the narrator skill to surmount the challenges presented by her writing: unexpected leaps forward in time, skipping over important events, and inexplicably changing from first to third person in some chapters. A more experienced reader might have been able to bridge the transitions and make the audio feel seamless, but as it is, the audio comes across as choppy and often jarring, like a poorly-done abridgement (even though it is unabridged). In addition, when reading the last moment of the book, in which protagonist Sarah reflects on her life and future and what she's learned, Crouch sounds flat, as though she's simply reading aloud, rather than truly being Sarah thinking. Stick with the print version. A Little, Brown hardcover (Reviews, Jan. 28).
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Product Description
Sarah Walters, the narrator of GIRLS IN TRUCKS, is a reluctant Camellia Society debutante. She has always felt ill-fitted to the rococo ways of Southern womanhood and family, and is anxious to shake the bonds of her youth. Still, she follows the traditional path laid out for her. This is Charleston, and in this beautiful, dark, segregated town, established rules and manners mean everything.
But as Sarah grows older, she finds that her Camellia lessons fail her, particularly as she goes to college, moves North, and navigates love and life in New York. There, Sarah and her group of displaced deb sisters try to define themselves within the realities of modern life. Heartbreak, addiction, disappointing jobs and death fail to live up to the hazy, happy future promised to them by their Camellia mothers and sisters.
When some unexpected bumps in the road--an unplanned birth, a family death--lead Sarah back home, she's forced to take another long look at the fading empire of her youth. It takes a strange turn of events to finally ground Sarah enough to make some serious choices. And only then does she realize that as much as she tried to deny it, where she comes from will always affect where she ends up. The motto of her girlhood cotillion society, "Once a Camellia, always a Camellia," may turn out to have more wisdom and pull to it than she ever could have guessed.