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Give Me Your Heart: Tales of Mystery and Suspense [Hardcover]

Joyce Carol Oates

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Book Description

Dec 22 2010 Otto Penzler Books

“Haunting . . . Written in the author’s classic, clear style, these narratives enchant.”—Boston Globe

The need for love—obsessive, self-destructive, unpredictable—takes us to forbidden places, as in the chilling world of Give Me Your Heart, a new collection of stories by the inimitable Joyce Carol Oates. In ten razor-sharp stories, children veer beyond their parents’ control, wives and husbands wake up to find that they hardly know each other, haunted pasts intrude upon uncertain futures, and those who bring us the most harm may be the nearest at hand.

“Dread, in fiction, can be a magnificent thing . . . Oates isn’t writing horror fiction, but she might as well be. Her stories pack the same kind of visceral wallop.”—Los Angeles Times


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About the Author

JOYCE CAROL OATES is the recipient of the PEN/Malamud Award for Excellence in Short Fiction and the winner of the National Book Award. Among her major works are We Were the Mulvaneys, Blonde, and The Falls.

Excerpt. © Reprinted by permission. All rights reserved.

Give Me Your Heart
Dear Dr. K——,
 It’s been a long time, hasn’t it! Twenty-three years, nine months, and eleven days.
 Since we last saw each other. Since you last saw, “nude” on your naked knees, me.
 Dr. K——! The formal salutation isn’t meant as flattery, still less as mockery—please understand. I am not writing after so many years to beg an unreasonable favor of you (I hope), or to make demands, merely to inquire if, in your judgment, I should go through the formality, and the trouble, of applying to be the lucky recipient of your most precious organ, your heart. If I may expect to collect what is due to me, after so many years.
 I’ve learned that you, the renowned Dr. K——, are one who has generously signed a “living will” donating his organs to those in need. Not for Dr. K—— an old-fashioned, selfish funeral and burial in a cemetery, nor even cremation. Good for you, Dr. K——! But I want only your heart, not your kidneys, liver, or eyes. These I will waive, that others more needy will benefit.
 Of course, I mean to make my application as others do, in medical situations similar to my own. I would not expect favoritism. The actual application would be made through my cardiologist. Caucasian female of youthful middle age, attractive, intelligent, optimistic though with a malfunctioning heart, otherwise in perfect health. No acknowledgment would be made of our old relationship, on my part at least. Though you, dear Dr. K——, as the potential heart donor, could indicate your own preference, surely?
 All this would transpire when you die, Dr. K——, I mean. Of course! Not a moment before.
 (I guess you might not be aware that you’re destined to die soon? Within the year? In a “tragic,” “freak” accident, as it will be called? In an “ironic,” “unspeakably ugly” end to a “brilliant career”? I’m sorry that I can’t be more specific about time, place, means; even whether you’ll die alone, or with a family member or two. But that’s the nature of accident, Dr. K——. It’s a -surprise.)
 Dr. K——, don’t frown so! You’re a handsome man still, and still vain, despite your thinning gray hair, which, like other vain men with hair loss, you’ve taken to combing slantwise over the shiny dome of your head, imagining that since you can’t see this ploy in the mirror, it can’t be seen by others. But I can see.
 Fumbling, you turn to the last page of this letter to see my signature—“Angel”—and you’re forced to remember, suddenly . . . With a pang of guilt.
 Her! She’s still . . . alive?
 That’s right, Dr. K——! More alive now than ever.
 Naturally you’d come to imagine I had vanished. I had ceased to exist. Since you’d long ago ceased to think of me.
 You’re frightened. Your heart, that guilty organ, has begun to pound. At a second-floor window of your house on Richmond Street (expensively restored Victorian, pale gray shingles with dark blue trim, “quaint,” “dignified,” among others of its type in the exclusive old residential neighborhood east of the Theological Seminary), you stare out anxiously at—what?
 Not me, obviously. I’m not there.
 At any rate, I’m not in sight.
 Yet how the pale-glowering sky seems to throb with a sinister intensity! Like a great eye staring.
 Dr. K——, I mean you no harm! Truly. This letter is in no way a demand for your (posthumous) heart, nor even a “verbal threat.” If you decide, foolishly, to show it to the police, they will assure you it’s harmless, it isn’t illegal, it’s only a request for information: should I, the “love of your life” you have not seen in twenty-three years, apply to be the recipient of your heart? What are Angel’s chances?
 I only wish to collect what’s mine. What was promised to me, so long ago. I’ve been faithful to our love, Dr. K——!
 You laugh, harshly. Incredulously. How can you reply to Angel, when Angel has included no last name, and no address? You will have to seek me. To save yourself, seek me.
 You crumple this letter in your fist, throw it onto the floor.
 You walk away, stumble away, you mean to forget, obviously you can’t forget, the crumpled pages of my handwritten letter on the floor of—is it your study? on the second floor of the dignified old Victorian house at 119 Richmond Street?—where someone might discover them, and pick them up to read what you wouldn’t wish another living person to read, especially not someone “close” to you. (As if our families, especially our blood kin, are “close” to us as in the true intimacy of erotic love.) So naturally you return; with badly shaking fingers you pick up the scattered pages, smooth them out, and continue to read.
 Dear Dr. K——! Please understand: I am not bitter, I don’t harbor obsessions. That is not my nature. I have my own life, and I have even had a (moderately successful) career. I am a normal woman of my time and place. I am like the exquisite black-and-silver diamond-headed spider, the so-called happy spider, the sole subspecies of Araneidae that is said to be free to spin part-improvised webs, both oval and funnel, and to roam the world at will, equally at home in damp grasses and the dry, dark, protected interiors of manmade places; rejoicing in (relative) free will within the inevitable restrictions of Araneidae behavior; with a sharp venomous sting, sometimes lethal to human beings, especially to children.
 Like the diamond-head, I have many eyes. Like the diamond-head, I may be perceived as “happy,” “joyous,” “exulting,” in the eyes of others. For such is my role, my performance.
 It’s true, for years I was stoically reconciled to my loss, in fact to my losses. (Not that I blame you for these losses, Dr. K——. Though a neutral observer might conclude that my immune system has been damaged as a result of my physical and mental collapse following your abrupt dismissal of me from your life.) Then, last March, seeing your photograph in the paper—“Distinguished Theologian K—— to Head Seminary”—and, a few weeks later, when you were named to the President’s Commission on Religion and Bioethics, I reconsidered. The time of anonymity and silence is over, I thought. Why not try? Why not try to collect what he owes you?
 Do you remember Angel’s name now? That name that for twenty-three years, nine months, and eleven days you have not wished to utter?
 Seek my name in any telephone directory; you won’t find it. For possibly my number is unlisted; possibly I don’t have a telephone. Possibly my name has been changed. (Legally.) Possibly I live in a distant city in a distant region of the continent; or possibly, like the diamond-head spider (adult size approximately that of your right thumbnail, Dr. K——), I dwell quietly within your roof, spinning my exquisite webs amid the shadowy beams of your basement, or in a niche between your handsome old mahogany desk and the wall, or, a delicious thought, in the airless cave beneath the four-poster brass antique bed you and the second Mrs. K—— share in the doldrums of late middle age.
 So close am I, yet invisible!
 Dear Dr. K——! Once you marveled at my “flawless Vermeer” skin and “spun-gold” hair rippling down my back, which you stroked, and closed in your fist. Once I was your Angel, your “beloved.” I basked in your love, for I did not question it. I was young; I was virginal in spirit as well as body, and would not have questioned the word of a distinguished elder. And in the paroxysm of lovemaking, when you gave yourself up utterly to me, or so it seemed, how could you have . . . deceived?
 Dr. K—— of the Theological Seminary, biblical scholar and authority, protégé of Reinhold Niebuhr, and author of “brilliant,” “revolutionary” exegeses of the Dead Sea Scrolls, among other esoteric subjects.
 But I had no idea, you are protesting. I’d given her no reason to believe, to expect . . .
 (That I would believe your declarations of love? That I would take you at your word?)
 My darling, you have my heart. Always, forever. Your promise!

These days, Dr. K——, my skin is no longer flawless. It has become the frank, flawed skin of a middle-aged woman who makes no effort to disguise her age. My hair, once shimmering strawberry-blond, is now faded, dry and brittle as broom sage; I keep it trimmed short, like a man’s, with scissors, scarcely glancing into a mirror as I snip! snip-snip! away. My face, though reasonably attractive, I suppose, is in fact a blur to most observers, including especially middle-aged American men; you’ve glanced at me, and through me, dear Dr. K——, upon more than one recent occasion, no more recognizing your Angel than you would have recognized a plate heaped with food you’d devoured twenty-three years ago with a zestful appetite, or an old, long-exhausted and dismissed sexual fantasy of adolescence.
 For the record: I was the woman in a plain, khaki-colored trench coat and matching hat who waited patiently at the university bookstore as a line of your admirers moved slowly forward for Dr. K—— to sign copies of The Ethical Life: Twenty-First-Century Challenges. (A slender theological treatise, not a mega-bestseller, of course, but a quite respectable bestseller, most popular in university and up...


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Amazon.com: 3.7 out of 5 stars  25 reviews
7 of 7 people found the following review helpful
4.0 out of 5 stars Horror Stories Without Any Element of the Supernatural Jan 15 2011
By Bonnie Brody - Published on Amazon.com
Format:Hardcover
Give Me Your Heart, the newest collection of short stories by Joyce Carol Oates, shimmers with violence, actual or imagined. Reading these stories is like hearing footsteps in your home when you know you're the only one there. They're like seeing something impossible out of the corner of your eye and being sure that you've seen it no matter what your rational self tells you. The stories make your heart race and your eyes open wide in horror. They do not come to us gently. Joyce Carol Oates grabs the reader and pulls him into her unique vision where fear, panic, tension, death, love and murder prevail, often simultaneously. These are horror stories without any element of the super-natural. She's the real McCoy of this genre.

This collection contains ten stories, many of them about the dark side of needing love. In `Give Me Your Heart', we hear an ex-lover rant about wanting her lover's heart - actually and metaphorically. We listen to her as she goes more and more around the bend. In `Split/Brain', Trudy Gould has been caretaker for her ill husband day and night, spending all her time at the hospital. One day, he demands that she return home to get a journal that he forgot. When she arrives at her home, she recognizes her sister's car parked there and imagines her troubled, drug-addled and violent nephew in her house. She plays out this scenario in head: she either enters the house and is killed by her nephew or she turns and leaves. What will her choice be?

Some of these stories deal with the obsessive character of love or the feeling that you don't really know the person you love. In `The First Husband', a married man stumbles across photos of his wife with her first husband. He can't get over his jealousy and believes that his wife is hiding something from him. He becomes obsessed with her first husband and this leads to tragic consequences.

The theme that love is dangerous is apparent in almost every story. In `Strip Poker', a group of older men in their twenties get a fourteen year-old girl to go with them to their lake cabin. They get her drunk and play strip poker with her. The game is tense and on the verge of becoming dangerous. How the girl turns events to her favor is a joy to behold in all its poignancy. In `Smothered', a troubled woman with a history of drug addiction and rootlessness has recovered memories of her parents smothering and killing a baby girl. This memory is part of a sensational murder case that occurred in 1974. The smothered child was never identified and the murderer was never found. When the police come to question the woman's mother, she is shocked. The memory appears to be part of a drug-addled incident in the daughter's teen-aged years. However, the mother feels torn and betrayed as this is just another way her estranged daughter has turned against her.

Sometimes, the most dangerous person is the one that is closest to you. In `The Spill', John Henry is what we'd now call developmentally disabled or chronically mentally ill. When he is an adolescent, he is brought to live at his uncle's home as his mother can no longer handle him. It is 1951 and there is no such thing as special education in the rural Adirondacks where this story takes place. John Henry, after repeating fourth grade, is told he can't return to school. His uncle has him doing difficult farm chores all day. His aunt Lizabeta has a special connection with John Henry while also being very leery of him with her own children. Her emotions start to get twisted up inside her.

`Bleed' is my favorite story in the collection. A boy evolves from closeness with his parents to distance. He leaves his childhood behind him. This is due to two distinct incidents, both involving child abductions and rapes. His parents question him about these incidents, of which he has no knowledge. However, these images continue to haunt him and, as a young man, he finds himself caught up in a nightmare situation consisting of rape and abduction.

These are not stories for the fragile or weak-hearted among us. They are all scary and they all play on our visceral fears and nightmares. Joyce Carol Oates is a master of this. She understands those things we all fear, the nightmares that are common to us all. That these stories do not contain elements of the super-natural is not comforting. It makes them all the more frightening.
5 of 6 people found the following review helpful
4.0 out of 5 stars Excellent Stories From Oates. Sep 16 2010
By SpacegrassMan - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
I don't have to tell anyone that Joyce Carol Oates knows how to write strong fiction that leaves you thinking about them long after you've read the last sentence. She's very, very good at what she does, and this collection of stories will not let her fans down.

Don't expect normal horror or suspense, rather a selection of stories that deals with the darkness that lives within us all, and how her flesh and blood characters deal with their darknesses. Very well written, and not boring if you love intelligent storytelling.

I honestly can't pick a favorite story, because I felt they were all quite good. I would tell any Oates fans that if you've loved any of her previous collections, that this one will not let you down, either.

A slim volume that packs a hard emotional punch.
2 of 2 people found the following review helpful
4.0 out of 5 stars where is justice? Aug 25 2010
By Case Quarter - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
ten more stories by oates. these are categorized as mystery and suspense. they're mystery stories with no solution, the kind of tv mystery dramas like 'columbo' where before the first commercial you know how the crime was committed and by whom; that's where oates ends her stories, suspended, suspension, suspense, with the exception of `the first husband' and `bleed' which are horror stories.

`give me your heart' is a letter of a woman stalking an old lover.

`split/brain' is an intuitive suspicion a woman will or will not act upon told in a stream of consciousness style in a single paragraph.

`strip poker' and `nowhere' are parallel stories about young teen aged girls, one 13, the other 15, both with incarcerated fathers, both girls in lakefront scenarios with groups of men in their 20s, drinking heavily.

`smother' is about infantcide, a theme suggested in a couple of the other stories.

`tetanus' is about a pre teen glue sniffer who threatened to stab his mother and brother, taken into custody and left at family services with a sympathetic counselor.

`the spill' is a overly long story about a woman who marries a man living in the foothills of the adirondack mountains with his sons from a first marriage, his elderly aunt and mother and his retarded nephew, john henry. `the spill' is written in the style of edith wharton's `ethan frome' and john steinbeck's `of mice and men'.

`vena cava' is about a marine corporal home from the war, wounded physically and psychologically.

these aren't stories with happy endings. these are stories of events we read about in our newspapers, hoping they never become our stories.

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