Vous voulez voir cette page en français ? Cliquez ici.


or
Sign in to turn on 1-Click ordering.
or
Amazon Prime Free Trial required. Sign up when you check out. Learn More
More Buying Choices
Have one to sell? Sell yours here

Glenn Gould: 1957 Recordings (

Bernstein; Gould; Columbia Symphony Orchestra , Bach J.S. Audio CD

Price: CDN$ 10.48 & FREE Shipping on orders over CDN$ 25. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Only 1 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
Want it delivered Wednesday, October 1? Choose One-Day Shipping at checkout.
Join Amazon Student in Canada


Product Details


Product Description

Product Description

Canadian pianist Glenn Gould' first Columbia recording, his classic 1955 Goldberg Variations , and second, Beethoven' last three piano sonatas , were followed by this 1957 rendition of Bach' D minor Concerto, praised by The New York Times critic H

Product Description

Glenn Gould, piano - Columbia Symphony Orchestra - Leonard Bernstein, direction

Customer Reviews

There are no customer reviews yet on Amazon.ca
5 star
4 star
3 star
2 star
1 star
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 5.0 out of 5 stars  1 review
1 of 1 people found the following review helpful
5.0 out of 5 stars Staccato clarity July 3 2012
By Ralph Moore - Published on Amazon.com
Format:Audio CD
Anyone who loves Glenn Gould in Bach will want to own this disc. The sound is somewhat clangourous but cleaned-up mono whereby the orchestra is scratchy but the piano emerges sharply enough in a manner redolent of the harpsichord but with the tonal colouring afforded by a concert grand. The joy of Gould's playing derives from how he retains sonority while articulating so percussively and at such high speed. His interpretation conveys his sheer delight in the spirit of the music; as ever, even at the comparatively tender age of 25, he is humming away to provide a vocal obbligato underlay. I don't find that too distracting; in fact it's rather endearing. The grandeur of the opening Toccata in Partita No.6 provides an index to whether you respond to Gould's style; if you don't like it, don't bother in general. There is a kind of hieratic certainty to his playing which does not preclude warmth or subtlety of his phrasing - but you know you are on a journey and linked to the cosmic wheel.

Look for similar items by category


Feedback