While trying to cope with the recent loss of his father and the emptiness of his marriage, Ray Shackleford ""recreates"" wonderful rock-and-roll recording sessions that never happened. 25,000 first printing. $20,000 ad/promo.
This is a highly imaginative and creative book, taking a great concept and just executing it beautifully. On top of that, Shiner has weaved in a very moving story of personal redemption, a marriage on the rocks, and a sense that the ideals of the 60s have been lost or diluted through time, attrition, and missed opportunities.
If you have an interest in this subject matter, you will enjoy this book and turn every page with interest, waiting for the next flight of fancy of the very creative mind of Lewis Shiner.
Glimpses does not hide the fact that it is about the 60s and rock music (given the demographics of the population, probably wise--there are a lot more reminiscing Boomers than fed-up Xers), and I likely took my time turning to it because it wore its influences on its jacket. I bought the book when it came out because I knew Lew Shiner from Austin and had all his other books. Lew's previous novels are kind of a mixed bag. His first, Frontera, was published by Baen, not your usual source for quality literature, and while enjoyable enough at the time, I'm not sure that Frontera has weathered quite as well as its cyberpunk contemporaries. In his second novel, Deserted Cities of the Heart, Lew's style and subject matter improved tremendously. In my internal cataloging schema, I tend to group Deserted Cities of the Heart with Pat Murphy's The City, Not Long After and Karen Joy Fowler's Artificial Things. See the paradigm shift: from Cyberpunk to feminism in one novel.Read more ›