A lone prospector ventures into Alaska looking for gold. He gets mixed up with some burly characters and falls in love with the beautiful Georgia. He tries to win her heart with his singular charm.
After the box-office failure of his first dramatic film, A Woman of Paris
, Charlie Chaplin brooded over his ensuing comedy. "The next film must be an epic!" he recalled in his autobiography. "The greatest!" He found inspiration, paradoxically, in stories of the backbreaking Alaskan gold rush and the cannibalistic Donner Party. These tales of tragedy and endurance provided Chaplin with a rich vein of comic possibilities. The Little Tramp finds himself in the Yukon, along with a swarm of prospectors heading over Chilkoot Pass (an amazing sight restaged by Chaplin in his opening scenes, filmed in the snowy Sierra Nevadas). When the Tramp is trapped in a mountain cabin with two other fortune hunters, Chaplin stages a veritable ballet of starvation, culminating in the cooking of a leathery boot. Back in town, the Tramp is smitten by a dance-hall girl (Georgia Hale), but it seems impossible that she could ever notice him. The Gold Rush
is one of Chaplin's simplest, loveliest features; and despite its high comedy, it never strays far from Chaplin's keen grasp of loneliness. In 1942, Chaplin reedited the film and added music and his own narration for a successful rerelease. --Robert Horton
--This text refers to an out of print or unavailable edition of this title.