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Golden Age, The [Paperback]

Michal Ajvaz

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Book Description

March 30 2010
The Golden Age is a fantastical travelogue in which a modern-day Gulliver writes a book about a civilization he once encountered on a tiny island in the Atlantic. The islanders seem at first to do nothing but sit and observe the world, and indeed draw no distinction between reality and representation, so that a mirror image seems as substantial to them as a person (and vice versa); but the center of their culture is revealed to be The Book, a handwritten, collective novel filled with feuding royal families, murderous sorcerers, and narrow escapes. Anyone is free to write in The Book, adding their own stories, crossing out others, or even ap- pending footnotes in the form of little paper pouches full of extra text but of course there are pouches within pouches, so that the story is impossible to read in order, and soon begins to overwhelm the narrator s orderly treatise.

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Product Details

  • Paperback: 280 pages
  • Publisher: DALKEY ARCHIVE PRESS (March 30 2010)
  • Language: English
  • ISBN-10: 1564785785
  • ISBN-13: 978-1564785787
  • Product Dimensions: 1.4 x 0.3 x 2 cm
  • Shipping Weight: 408 g
  • Amazon Bestsellers Rank: #703,127 in Books (See Top 100 in Books)

Product Description

Review

This 2001 novel, Ajvaz s most brilliantly complicated, is a fictional travelogue, part philosophical ethnography and part potboiling fairy tale. --Jonathan Bolton

Customer Reviews

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.9 out of 5 stars  7 reviews
32 of 33 people found the following review helpful
4.0 out of 5 stars Philosophical, Fantastical Travelogue June 2 2010
By A. Allen - Published on Amazon.com
Format:Paperback
This review was based on an Advanced Reader's Copy (ARC):

This dense little book took me much longer to read than I had anticipated by both the length and the description. I expected a light romp through the everyday experiences of the islanders and a longer foray into the "book" around which the island appears to be focused. Instead, I found an intellectual, philosophical, and incredibly thoughtful mock travelogue. The island of which the narrator speaks has an influential method of living, which pervades every aspect of the islanders lives, from their history, to the food that they eat and how they prepare it, to their so-called occupation, to their architecture, etc. This is initially described by the narrator, but as the travelogue proceeds, it becomes ever more apparent how pervasive the islanders' life view is.

The only exception to the islanders' seemingly lackadaisical and irreverent style of living seems to be their "book" -- the one "artform" that appears on the island. The book is what most of the reviews seem to focus on, logically so. Although "the book" itself is not really discussed and experienced until at least halfway through the travelogue, it is the most interesting and even unique aspect of the islanders life. Yet, even though "the book" is not really discussed until later in the travelogue, the first half of the travelogue is clearly necessary as background, so that "the book" is fully understood and appreciated. "The book" itself is interesting, but the tales within are absolutely fascinating. The reader almost feels as if he is losing sight of the beginning of any given tale, as it spins and diverges, but Ajvaz is skilled at bringing his reader full circle -- even if we need to wait a few more pages than is common. The wait, as Ajvaz himself notes, is often worth it, and the tale (within the tale within the tale...) is always rewarding.

Michal Ajvaz is a master at his art and has created a world that operates almost completely outside of most societal norms. He is adamant that he imparts no overall judgment either on the islanders or on the rest of the world, and I was convinced of his assertion. For me, the best parts were the divergent tales, both within "the book" and without. However, although the rest of the travelogue was not as "fun" as those tales, they were interesting and necessary to the whole.

I would not categorize this as "light reading," but I would highly recommend to anyone who is looking for something different, something a little chewy, and something to make you pause and think.
18 of 19 people found the following review helpful
5.0 out of 5 stars Fabulous fabulism Oct. 18 2010
By James Crossley - Published on Amazon.com
Format:Paperback
A novel of inaction, lassitude and unfinished business that turns out to be stuffed with incident. The narrator explains the strange culture and geography of the Atlantic island that was his home for three years--the place is nameless because the local language shifts so frequently that nothing sticks, and the inhabitants are mostly noted for their apparent indolence--and freely admits that his story barely qualifies as such, with no climax or even plot to speak of, and risks boring his scanty readership. But along the way, the book becomes a modern 1001 Nights, with digressive tales nested within tales, each topping the last in invention. A jewel thief makes a daring escape across a snowy roof; an astronomer loses himself in the lives of the otherworldly creatures he observes through his telescope; generations of royalty are destroyed by poisons, magic and plain old violence . . . far more goes on, in fact, than would seem to fit inside of The Golden Age's 300 pages.

What it all adds up to is another question, of course. The islanders would be befuddled by our search for "meaning" in any of this, which would seem to be at least part of Ajvaz's point. The book is actually quite provocative in its philosophical approach, and calls into question many of the assumptions of Western civilization, directly in its discussion of island life and even more potently through its atypical approach to narrative. In terms of sophistication and importance, Swift and Kafka are the names that are brought to mind. There's a sharp picture of modern life lurking behind the apparently unstructured surrealism. I especially liked the glimpse of budding, then fading romance that's captured in the narrator's almost offhanded mentions of his erstwhile island paramour.

I've probably made The Golden Age sound like pretty heavy going, but it's not. Though the details are often baroque, the language is clear and uncomplicated, and though it can give rise to serious reflection, Ajvaz doesn't ever seem to be taking himself too seriously. Just on the level of sheer imagination, it's tremendously enjoyable, outdoing the wildest productions of the SF and fantasy world. Take note, genre authors--this is where the bar's been set. Anyone with an interest in writing that lies outside the mainstream should take a look at what Ajvaz is up to.
6 of 7 people found the following review helpful
5.0 out of 5 stars A novel that shouldn't be missed May 18 2010
By Midwest Book Review - Published on Amazon.com
Format:Paperback
Every society has their own customs, but no matter how alien they seem, they are always still human. "The Golden Age" tells the story of a traveler who comes upon a small island with a unique world view, where many of the people sit and dream all day, and contribute to a communal collection of stories. This great story gives insight into humanity and its literature. From the Czech Republic, masterfully translated by Andrew Oakland, "The Golden Age" is a novel that shouldn't be missed.
3 of 3 people found the following review helpful
4.0 out of 5 stars A work on par with the best in postmodernism May 7 2011
By Zach Powers - Published on Amazon.com
Format:Paperback
This is a remarkable book that should draw instant comparisons to Calvino's If on a Winter's Night a Traveler for how it breaks traditional narrative in a way that explores the relationship between reader and text. The narrator of the novel sets out at the beginning to craft a travelogue about his stay on a fictitious, fabulistic island. The inhabitants of the island adhere to their own cultural norms, which bear little resemblance to those of the rest of the world. For example, their language, and the characters used to write it, are ever evolving (almost daily), so that meaning itself is a fluid thing. This fact is important later in the novel, when it switches from travelogue (descriptions of the island and its inhabitants) to a sharing of stories from the island's lone book. This book contains the only text on the island, and like the native language, it is constantly changing, successive readers altering the stories contained within, composing tangents (contained in pockets attached to the part of the text on which they elaborate), and blotting out any passage they don't particularly like. In addition, if a word is smudged (which often happens, as the islanders build their homes with walls of falling water through which they must often pass), no attempt is made to repair the text, and even the smudge becomes as important a part of the new, resulting story as any of the words that are still legible. The whole novel is filled with similar concepts, exploring the idea of mutability, perhaps exposing the flaws in the traditional, blind belief in concreteness.

The only reason I didn't give this novel 5 stars was because it didn't quite engage me, as a story, as completely as Ajvaz's The Other City, or in the same way as other, similarly postmodern works. Also, in some of the more conceptual moments, when the philosophy behind the novel is being explained, I think the translation could have been, if not clearer, then more flowing, in a way that would maintain the narrative pace instead of pulling the reader, just slightly, from its current. A fantastic book that I'd recommend to anyone. I can only hope that more of Ajvaz's works will appear in translation.
4.0 out of 5 stars A boundary dissolved (between the book's world and mine) Oct. 19 2014
By monica - Published on Amazon.com
Format:Kindle Edition
After several days of reading it I finished The Golden Age this afternoon and now I'm in a bit of a snit because I did. There seems to be a petulant 3-year-old in me stamping its foot and shouting 'No! Don't wanna read something else! I wanna read more of *that* book!' It's not that Golden Age is necessarily a great book or one of my favourites; it's that it was one of the most absorbing ones I've read in a long time, and so caught up in it was I that for the past few days I've been getting through routine daily tasks with unwonted alacrity because of the promise of re-entering this book upon finishing them.

As I read the first 50 or so pages in the section that comprises mostly descriptions and explanations of the ways of the islanders there were moments I became impatient with the number of words devoted to making the same points and expanding upon them: yes, yes, I get it, lack of boundaries is important to these people, let's move on now. But my impatience faded early on, partly because both Ajvaz and his characters used such creative ways to achieve the islanders' way of life, partly because the author was portraying subtly different facets of these people, partly because I felt sure that this section was laying a sturdy foundation for what was to follow, and most of all because I was becoming transfixed. And as you've gathered if you've read anything at all about Golden Age the other section of the book is a series of stories written by the islanders, though there are some as well inserted earlier on: most memorable of the latter is the tale of a cat burglar, a serif on a Galaries Lafayette sign, and a painting that I'd give my little finger to see, a tale that seemed to me a tribute to Life A User's Manual.

In fact several other books came to mind as I read The Golden Age but nothing by Borges or Calvino did (mostly because much though I've sometimes enjoyed reading those two none of what they've written stays in my mind) . This book may indeed as many other reviews suggest be like theirs but certainly you needn't have abiding love for their writing to enjoy Ajvaz's.

I'm sure that many readers would find this book disappointing or even unreadably tedious but I don't quite know what sort of reader I should warn off it. Probably if you value the straightforward, or aren't inclined to occasionally re-read passages, it's not your sort of book. It's mine, though. (So let's compromise: I won't suggest you read this & you won't hint that I should read Jonathan Franzen. Peace? Peace.)

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