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As for what experimental theology was, Lyra had no more idea than the urchins. She had formed the notion that it was concerned with magic, with the movements of the stars and planets, with tiny particles of matter, but that was guesswork, really. Probably the stars had daemons just as humans did, and experimental theology involved talking to them.Not that Lyra spends much time worrying about it; what she likes best is "clambering over the College roofs with Roger the kitchen boy who was her particular friend, to spit plum stones on the heads of passing Scholars or to hoot like owls outside a window where a tutorial was going on, or racing through the narrow streets, or stealing apples from the market, or waging war." But Lyra's carefree existence changes forever when she and her daemon, Pantalaimon, first prevent an assassination attempt against her uncle, the powerful Lord Asriel, and then overhear a secret discussion about a mysterious entity known as Dust. Soon she and Pan are swept up in a dangerous game involving disappearing children, a beautiful woman with a golden monkey daemon, a trip to the far north, and a set of allies ranging from "gyptians" to witches to an armor-clad polar bear.
In The Golden Compass, Philip Pullman has written a masterpiece that transcends genre. It is a children's book that will appeal to adults, a fantasy novel that will charm even the most hardened realist. Best of all, the author doesn't speak down to his audience, nor does he pull his punches; there is genuine terror in this book, and heartbreak, betrayal, and loss. There is also love, loyalty, and an abiding morality that infuses the story but never overwhelms it. This is one of those rare novels that one wishes would never end. Fortunately, its sequel, The Subtle Knife, will help put off that inevitability for a while longer. --Alix Wilber
This book is well worth the read because it is so well written. It is not another epic fantasy knock-off of J.R.R. Tolkien. I sense that the author has not created anything new, but has eclipsed his peers by the sheer lyricism and quality in the storytelling.
The purpose of this review is not to rehash the story. I could simply put you on notice that there are gypsies, armored bears, witches and the like. However, the much greater thing here is quality. This is why I will read the second book and why you should read the first.
Usually marketed to young adult readers, the novel helps bring forth the idea of growing up and finding one's self. One of the elements of the novel that caught my eye was that everyone had what was known as a daemon, which is a physical appearance of a person's soul. The dae-mons are there as consciences; and for young readers, it allows them to begin learning about the psyche of themselves. We learn that daemons are capable of changing forms until the stage of adolescence is reached and as is seen with Lyra's own daemon, Pantalaimon, the forms change to match its owner's mood and thoughts. This helps young adults and even children learn that for a good portion of their lives, they will be a mixture of emotions and nothing is ever set in stone. Only when a person is finally old enough to realize what they were meant to do does life begin to settle, which can begin to happen at an adolescent phase. And that is just one example of the way in which Pullman uses symbolism to appeal to his audience.
However, The Golden Compass also delves deeper for adults who pick up the book. The intricacies found in the book that deal with politics and the church and the way in which they are all connected in order to make people "happy" are ideas that often times, only adults will be able to understand completely. There is the sense of enjoyment while reading a novel that not only manages to remind us that we all still have a child living within us, but that can also teach us of the workings of the world through debates, discoveries, emotions, and world views. There are subtleties in even the ideas that seem miniscule at first; while the daemons can be seen as mere physical manifestations of the human soul, it can be further examined and the slight fact that daemons are almost always the opposite sex of its owner is something a bit more complex. The thought that daemons could possibly also be an extension of the soul in terms of one's soul mate is a proposal that only an adult would be able to comprehend, furthering along the simplicity of a child's mind while reading the novel.
Although Pullman's trilogy is often compared to the works of J.R.R. Tolkien and J.K. Rowling, the only similarity I can see is the idea of a world that is similar to the one we know but with differences that cannot be overlooked. While all three novel collections use mythology and fantasy as a background, The Golden Compass manages to allow both children and adults to en-joy the words of the novel in diverse ways, depending on what type of perspective the reader has. Whereas J.K. Rowling's Harry Potter series is very clear-cut and to-the-point and J.R.R Tolkien's The Lord of the Rings collection is a deeper delving into the convolution of a mystic world, Pullman merges both those styles in a piece of work that is highly unmatched.
Despite age, the genre the novel is placed in, and its target audience, Philip Pullman de-livers a work of fiction that will become a timeless piece in due time. The Golden Compass is a read that no one should miss because whether it is a child-like fairy tale or a mysterious, dark, and winding story that is being sought after, the book delivers just that. It is a riveting tale that once it has been started, the book will never leave your hands for the mere reason that, despite the cliché, it is too good to put down until it has been finished.