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A Good Fall: Stories
 
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A Good Fall: Stories [Hardcover]

Ha Jin
4.0 out of 5 stars  See all reviews (1 customer review)

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"With startling clarity, Jin explores the challenges, loneliness and uplift associated with discovering one's place in America." –Publisher's Weekly

“His best work so far, this collection includes immortal stories of the immigrant experience, comparable to the best of Malamud and Singer.”
Kansas City Star, Top 100 Books
 
“Everyone in A Good Fall struggles with past and present, and Ha Jin requires dynamic change of them all…these understated clashes of culture reveal careful thematic design and provide an almost 360-degree view of this select human experience: The concerns of people everywhere trying to make a better life come alive, one deceptively simple story at a time.” –Miami Herald
 
“Jin employs a simple, workmanlike style to match the lives of his characters. But instead of feeling flat-footed, his unvarnished prose adds a no-nonsense charm to the stories.” –Chicago Sun-Times

"[Jin] is a master of the straightforward line; he makes the most of his spareness. As in Chekhov's late work, his writing (which is mostly stripped of adjectives and adverbs) covers a lot of ground quickly—no-frills sentences about Chinese immigrants who lead no-frills lives in New York" –The New Republic

 
“In short, the storyteller's art is richly on display here. Ha Jin has a singular talent for snaring a reader. His premises are gripping, his emotional bedrock hard and true…You might even call it: captivating.” –The Washington Post
 
“His masterful storytelling persists - meticulous, droll, convincing, populated with memorable characters - not to mention the indelible portrait of an immigrant life he gives us. What is also consistent is his prowess to study and reveal, often with heartfelt humor, the compromised and damaged heart and soul, and the impact of time and history on ordinary people.” –San Francisco Chronicle
 
“12 engrossing, visceral tales about the difficulties faced by Chinese immigrants in America…Jin’s prose (and particularly his dialogue) is baldly direct, without flourishes but not without nuance.” –Christian Science Monitor
 
“A collection of sublime moments…Perhaps Jin's point is that despite all the suffering and turmoil involved in living in America, the strong may triumph here after all. It's a message worth hearing these days.” –Denver Post

"Marvelous...One of the most powerful novels of the year, a richly textured and quietly engrossing portrait of the artist as a Chinese immigrant."—Entertainment Weekly 

"Ha Jin’s ear and eye for Chinese American life are acute, as is his sense of how one life can encompass a full spectrum of irony, desperation, and magic…The quest for freedom yields surprising and resonant complications in Ha Jin’s sorrowful, funny, and bittersweet stories." –Booklist

"Jin again captures the smallest details to create uniquely resonating portraits of everyday people…" –Library Journal
 
“In A Good Fall, a lonely composer takes comfort in the antics of his girlfriend’s parakeet; a Chinese professor attempts to defect with the help of a reluctant former student; and young children change their names to more American-sounding ones, unaware of how deeply this will hurt their grandparents. Also included are the rich imagery, attention to detail and wry humor that are Jin’s stock in trade and that, when taken together, offer—as fellow writer Francine Prose has noted—‘a compelling exploration of the . . . terrain that is the human heart.’”
Fredericksburg Free Lance-Star
 
“The author, whose novel Waiting won the National Book Award in 1999, writes with warmth and humor about what it means to be a bewildered stranger in a strange land, no matter where one is born.” –People Magazine
 
“This may be Ha Jin's best work yet, his stories often ascending to the mystical penumbra we expect of Singer, Malamud, or O'Connor.” –The Huffington Post
 
“In this new collection of stories, former Emory University professor Ha Jin reflects on the life of Chinese immigrants in America, crafting each fleeting portrait with a spare precision and attention to detail uncanny for a relative newcomer to the English language.” –Atlanta Magazine
 
“In his first story collection since 2000, Jin offers 12 visceral tales that read with the immediacy of videotaped interviews. Set in Queens, New York, they illuminate the difficulties faced by Chinese immigrants grappling with exploitative employers, demanding relatives, and the rub between American and Chinese attitudes towards family.”
–Barnes and Noble Review, “The Best Short Story Collections of 2009”
 
“Jin tells every character’s story with a mixture of compassion and humor, conveying the validity of his or her daily worries, but showing too that, as with all human complications, and no matter our cultural heritage, we are often our own worst enemies.”—BookPage

"Has all the hallmarks of the works that arguably have made [Ha Jin] Boston’s greatest living author." —Boston Magazine

"The essence of the short story [is] to tell the tale with as few words as possible but as many words as necessary . . . It is wonderful when done well. [Ha Jin does] very well indeed. . . . He shows how difficult it is for the Chinese to overcome the broad differences in language, lifestyle and beliefs they encounter here. Yet he also shows what keeps them coming and why they stay—economic opportunity and freedom." —The Advocate

"Not to be missed. . . . A beautifully written, elegant, subtle, and yet always precise collection. . . . A Good Fall shows the daily struggles of immigrant life, but ultimately the hopefulness that can come with starting over."
Asian Review of Books

"Jin continues his skillful and deeply felt exploration of immigrant conflicts. . . . The collection as a whole celebrate[s] immigrant resilience: the courage to embrace calamity, hit the pavement and keep walking toward a brighter future." —The Los Angeles Times

"Quiet, careful, restrained prose—prose whose absence of flourish can, at times, make it all the more eloquent." –New York Times Book Review

"In these stark, deeply moving, acutely insightful, and often strikingly humorous stories, we are reminded once again of the storytelling prowess of this superb writer."
–freshfiction.com

“Jin is a master of the straightforward line; he makes the most of his spareness…Jin’s forte is to begin with a cliché of ‘the immigrant experience’ and then, with a light touch, to upend it, or stretch it to the breaking point, or chuckle over it, or recover the sweetness in it.” –The New America

Product Description

In his first book of stories since The Bridegroom was published in 2000 ("Finely wrought . . . Every story here is cut like a stone."—Chicago Sun-Times), National Book Award–winning Ha Jin gives us a collection that delves into the experience of Chinese immigrants in America.
 
With the same profound attention to detail that is a hallmark of his previous acclaimed works of fiction, Ha Jin depicts here the full spectrum of immigrant life and the daily struggles—some minute, some grand—faced by these intriguing individuals.
 
A lonely composer takes comfort in the antics of his girlfriend's parakeet; young children decide to change their names so that they might sound more "American," unaware of how deeply this will hurt their grandparents; a Chinese professor of English attempts to defect with the help of a reluctant former student. All of Ha Jin's characters struggle in situations that stir within them a desire to remain attached to be loyal to their homeland and its traditions as they explore and avail themselves of the freedom that life in a new country offers.
 
In these stark, deeply moving, acutely insightful, and often strikingly humorous stories, we are reminded once again of the storytelling prowess of this superb writer.

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4.0 out of 5 stars Emigrants, beware!, Aug 31 2011
By 
Richard J. Mcisaac (Canada) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
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This review is from: A Good Fall (Paperback)
A Good Fall, Ha Jin, Vintage, N.Y., 2009. Pp. 240

HA Jin writes about some unusual and normal problems faced by many immigrants. They involve such things as: spending money on things which they cannot afford; failed loves and resulting loneliness; an older lady falling for a tutor due to loneliness and the resulting Choice. Loneliness is a common theme expressed in Shame, the Beauty & Temporary Love. The theme is the same but the story and how the characters handle their loneliness differs.

A very common problem with all in-laws is the resentment felt towards their interference. In the Children as Enemies, it is the children who resent the grandparent's interference. The problem is multiplied when the 'Americanized' children resist cultural practices. This is an unfortunate mix which I have often seen. The first generation grandparents can't understand why the third generation grand children can't behave the same as they would in China. In the Crossfire, a similar situation occurs trapping the son between filial obligations and those to his wife.

One story deals with separated spouses. After a few years, one of them can no longer bare the aloneness and takes in a lover. In Temporary Love we read of an unusual match where two married immigrants begin an innocent relationship and live together to save money. The end result is disastrous. Pension Plan touches on the precarious position in which some caregivers can find themselves. Many immigrants enter Canada on caregiver visas and this story they could relate to easily. In the House Behind a Weeping Cherry, many common problems are revealed. We often hear of girls brought over under false pretenses and are virtually slaves working for a pittance or forced into prostitution. Many of these girls are indebted to a dishonest agent who paid their ticket and then are bound to him due to low wages and exorbitant interest. These girls, usually coming from destitute circumstances, do not want to return to China and at the same time are held hostage for fear of the agent falsely reporting them to Immigration. All these problems are exposed through Ha Jin's writings of true experiences.

Ha Jin retains a loose cohesiveness with each story by using graduate students all living in Flushing, N.Y. The one technique I don't particularly like is the way he leaves all the stories hanging. We like 'happy endings' or some kind of resolution with the 'good guy' always winning out. With each of his stories, there is no definitive black and white ending. There is always the potential for his story endings to be otherwise. For example, in the English Professor, the question remains: did he officially become tenured; did he lose his mind; and did he recover sufficiently to teach?

These stories might assist some to better understand the plights, the uncertainties, the fears, and the struggles immigrants undergo. Loneliness and loss of a familiar culture deserves empathy, understanding and patients. It is hoped these stories may provide this.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.2 out of 5 stars (12 customer reviews)

22 of 23 people found the following review helpful
4.0 out of 5 stars A Portrait of the Immigrant Day-to-Day Struggle..., Dec 5 2009
By D. Kanigan - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: A Good Fall: Stories (Hardcover)
This book has twelve short stories set in Flushing, one of New York's largest Chinese immigrant communities. Author traverses the anxieties and struggles of the immigrants - some young (Monk down on his luck), some old (grandparents despised by Americanized grandchildren), some rich (professionals) and some dirt poor working in sweatshops and as prostitutes. This is not a soothing or uplifting book - but a real gritty portrait of the day-to-day Asian immigrant struggles with assimilation into American life - the loneliness of being without family back home - the hardship of making a living and learning the language - the yearning of finding someone to love.

Unlike other immigrant readings - you won't find them trashing America or wishing to go back home due to the hardship. These immigrants knuckle down and survive - they grind it out in the chase of the American dream - yet can't quite let go of their life back home.

Author has a smooth writing style. I found myself remarkably engaged in the conversational style prose and its captivating simplicity. Jin has an innate ability to capture the details of the living conditions of the characters in each of the stories along with a rich imagery of the neighborhoods. If I had any criticism of the collection of stories, is that their conclusions are often too abrupt and fall off a cliff while others are too contrived - in both cases I was left wanting for a more finessed, nuanced or insightful ending.

I particularly enjoyed the following passages:

"Certainly I wouldn't lend her the money, because that might amount to hitting a dog with a meatball--nothing would come back."

"At our ages--my wife is sixty-three and I'm sixty-seven--and at this time it's hard to adjust to life here. In America it feels as if the older you are, the more inferior you grow."

"We haven't practiced division and multiplication this year, so I'm not familiar with them anymore." He offered that as an excuse. There was no way I could make him understand that once you learned something, you were supposed to master it and make it part of yourself. That's why we say knowledge is wealth. You can get richer and richer by accumulating it within."

"He still felt for this woman. Somehow he couldn't drive from his mind her image behind the food stand, her face steaming with sweat and her eyes downcast in front of customers while her knotted hands were packing snacks into Styrofoam boxes."

He remembered that when he was taking the entrance exam fourteen years back, his parents had stood in the rain under a shared umbrella, waiting for him with a lunch tin, sodas, and tangerines wrapped in a handkerchief. They each had half a shoulder soaked through. Oh, never could he forget their anxious faces. A surge of gratitude drove him to the brink of tears. If only he could speak freely to them again."

"Rusheng, you worry too much," Molin jumped in, combing his dyed yellow hair with his fingers. "Look at me--I've never had a full-time job, but I'm still surviving, breathing like everyone else. You should learn how to take it easy and enjoy life."

"Without the past, how can we make sense of now?" "I've come to believe that one has to get rid of the past to survive. Dump your past and don't even think about it, as if it never existed." "How can that be possible? Where did you get that stupid idea?" "That is the way I want to live, the only way to live."

"You can always change. This is America, where it's never too late to turn over a new page. That's why my parents came here."

4 of 4 people found the following review helpful
4.0 out of 5 stars finely crafted stories speak of the immigrant experience, Jan 17 2010
By P. J. Owen - Published on Amazon.com
This review is from: A Good Fall: Stories (Hardcover)
This book was given to me as a gift from a friend who I had shared my love of Ha Jin's great novel `Waiting' with. Interestingly, as much as I loved `Waiting', I had never picked up anything else by him! So I was excited to start in on this new collection of short stories.

There are two things that stand out in this work. First is just the pure craft of it. These are exquisitely crafted stories. Jin is an English professor, after all, but the quality of this writing transcends that of the quality to be expected of any old English professor. It is that of a craftsman who has harnessed a great talent to the extent that the work seems effortless. (I'm sure it's not, but that just confirms my point.) His sentences are crisp and business-like, but not at all dull. In fact they almost crackle off the page. It's this blend of traits that makes this, or any other writing, so good.

Second, Jin writes movingly of the experience of the Chinese immigrant in America. The difficulties and hardships these people endure throughout the collection give us an almost instantaneous sympathy for the characters, even ones who aren't all that nice. `Children as Enemies' is about an old couple who are terrorized by their Americanized grandchildren. In `Temporary Love' we see the fall-out of being a `war-time' couple', or men and women who cohabitate in the States pretending to be married while waiting for their real spouses to come from China. In `A Good Fall', a monk is pushed to extreme measures when his `master' kicks him out of his temple, penniless, and without having paid him a penny for his work. Each story, whether they center on this theme or not, uses a different component of it in some way.

My favorites were `A Composer and his Parakeet', in which a composer reaches his inner self while baby-sitting a parakeet; `The Beauty' in which a jealous husband investigates his wife for cheating and finds that she's deceiving him in a way he could have never imagined; and `The English Professor' in which an anxious professor up for tenure re-evaluates his career choices and goes through a mini-mid-life crisis.

But there really isn't a bad story here. I highly recommend this book.

3 of 3 people found the following review helpful
5.0 out of 5 stars Superlative!, Jan 21 2010
By Cary B. Barad - Published on Amazon.com
This review is from: A Good Fall: Stories (Hardcover)
This is one of the best short story collections to be published recently. It is comprised of highly literate, yet down-to-earth tales of enchanting, humorous, thoughtful and infuriating characters who will undoubtedly provide readers with much enjoyment and many insights into human nature. The "exotic" quality of a large but little known ethnic group (Chinese-Americans and immigrants) adds to the learning experience. Very well done and highly recommended.
 Go to Amazon.com to see all 12 reviews  4.2 out of 5 stars 
 
 
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