From Publishers Weekly
"The grief is up already. It is an early riser, waiting with its gummy arms wrapped around my neck, its hot, sour breath in my ear." Sophie Stanton feels far too young to be a widow, but after just three years of marriage, her wonderful husband, Ethan, succumbs to cancer. With the world rolling on, unaware of her pain, Sophie does the only sensible thing: she locks herself in her house and lives on what she can buy at the convenience store in furtive midnight shopping sprees. Everything hurtsthe telemarketers asking to speak to Ethan, mail with his name on it, his shirts, which still smell like him. At first Sophie is a "good" widow, gracious and melancholy, but after she drives her car through the garage door, something snaps; she starts showing up at work in her bathrobe and hiding under displays in stores. Her boss suggests she take a break, so she sells her house and moves to Ashland, Ore., to live with her best friend, Ruth, and start over. Grief comes along, toobut with a troubled, pyromaniac teen assigned to her by a volunteer agency, a charming actor dogging her and a new job prepping desserts at a local restaurant, Sophie is forced to explore the misery that has consumed her. Throughout this heartbreaking, gorgeous look at loss, Winston imbues her heroine and her narrative with the kind of grace, bitter humor and rapier-sharp realness that will dig deep into a reader's heart and refuse to let go. Sophie is wounded terribly, but she's also funny, fresh and utterly believable. There's nary a moment of triteness in this outstanding debut.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
When 36-year-old Sophie Stanton finds herself a widow, she copes the only way she knows how--by falling apart and surviving on ice cream. When her erratic behavior costs Sophie her job, she packs up, sells her house, and moves to Ashland, Oregon, to find herself and lose her grief. Amanda Foreman reads Sophie's struggles and triumphs with a solid sense of humor and tolerance, and captures beautifully the whiny nature of Sophie's rants, insecurities, and break-downs. The story itself moves slowly, but Sophie's self-pity, tiresome at times, is bearable thanks to Foreman's sympathetic performance. Foreman also shines when delivering the dialogue of 13-year-old Crystal, rife with attitude and self-destructiveness. A solid abridgment and happy ending make this a worthwhile listen. H.L.S. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to an out of print or unavailable edition of this title.