Gothika (Widescreen)

Miranda is a psychiatrist in a dark and dreary prison where we are introduced to her as she is working with patient Chloe Sava (Penelope Cruz). Miranda seems clinical and cool, if not cold. One of the other staff psychiatrists, Pete Graham (Robert Downey Jr.) seems interested in her, but she has recently wed her boss, Dr. Douglas Grey (Charles S. Dutton). That night, after taking a swim in the prison pool, she drives home during a thunderstorm and is forced to take a detour. The figure of a ghostly girl appears in the middle of the road and Miranda crashes her car. Miranda tries to help the girl, who looks like she has been the victim of something horrible, but then the girl bursts into flames. The next thing Miranda knows she wakes up a prisoner in her own institution where she is told by Pete that she has been accused of brutally murdering her husband with an axe. Miranda remembers nothing.

Chloe explains to Miranda that once you are declared to be officially insane anything you say will automatically be considered to be the ravings of a lunatic. Miranda is put in the impossible position of convincing her captors that she is sane. However, that is really not much of a problem because she is so distraught and confused that she convinces both herself and the viewers that maybe she is insane, and if that is true, then maybe it is true that she killed her husband. Berry's performance bounces back and forth between screaming hysteria and a guarded detachment in an effort to survive everything that is being thrown at her by not only the authorities trying to convict her of murder but also of her own mind. For those that thought Berry's Oscar for "Monster's Ball" did not prove she was a real actress, "Gothika" proves she is clearly more than a pretty face.

There is a paradox in this film, what some may consider a fatal flaw, in that in the final analysis all of the pieces do not fit. Even once you know what is going on it does not really explain everything that is happening. Watch the film a second time and you will see this is clearly the case. However I think this was really more a question of keeping us guessing rather than having problems with story construction. Kassovitz and screenwriter Sebastian Gutierrez are developing a sense of mystery and terror that literally extends to the end of the film where the final scene provides another piece of what is really an unfinished puzzle. Listen to Kassovitz's commentary on this DVD and he will repeatedly talk about what they did to make individual scenes scary, without a clear regard for what it meant for the logic of the film. Either you buy into the end result or this movie is going to grossly offend you. There probably is not going to be any middle ground on this one.

Final Note: Kassovitz earns points by filming a group shower scene with Berry, Cruz, and over a dozen other women that is totally in keeping with the atmosphere of the film. These women are all naked, but the scene is filmed in such a way that they are not nude (that will make sense when you see it). When that scene started I was mentally rolling my eyes at what I thought was going to be coming up next and Kassovitz simply did not go there. That says something.