When the first season of Gravion ended, basically none of the questions raised throughout the series had been answered. For example: Where is Eiji's sister? Are Toga and Leele even human? What past is Sandman hiding? Most importantly, what is the origin of the Zeravire and why are they attacking Earth? Is someone controlling them? Well, I have to say that in Volume 1 of Gravion Zwei, we might have taken half a baby step towards getting the answers to some of this, but it doesn't look like a sure thing. The back of the DVD trumpets "Effeminate Heroes! Giant Fighting Robots! Gravity-Defying Breasts!" which appears to be a desperate ploy by ADV Films to improve the sales of this show to the lowest denominator. It does have all those things, but its not the borderline porn that it's hyped to be. If anything it's more about comedy than the first season, and seeing the characters get on each other's nerves or just being in everyday situations like a company picnic or a hot springs trip is great. Yet, in the end, there's always an alarm triggered off by an encroaching Zeravire, and everybody gets into their mecha transforming overacting hand motioning alien butt kicking mode! (If the Zeravire are aliens) The Gravion crew is also getting some competition because the government is tired of being beholden to the mysterious Sandman and is planning to mass-produce its own Gravion-like mecha.
I actually thought Volume 1 of Zwei was more enjoyable than the previous season's installments. My favorite part of this anime was always the story before the token battle of the week at the end. Most of the episodes of this DVD deal with what leads up to the battle instead of focusing on the battle itself. The conflict between Eiji and Luna has gotten even funnier, and at times it seems as if they might be in love. Even Sandman seems to be enjoying himself this time around, letting the Gravion crew have a break at a hot springs resort. I know the whole giant robot with assembling vehicles has been done to death, but so what! The fun is in the path to the metamorphosis, not in the transformation itself.