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Tyrone Slothrop, a GI in London in 1944, has a big problem. Whenever he gets an erection, a Blitz bomb hits. Slothrop gets excited, and then (as Thomas Pynchon puts it in his sinister, insinuatingly sibilant opening sentence), "a screaming comes across the sky," heralding an angel of death, a V-2 rocket. The novel's title, Gravity's Rainbow, refers to the rocket's vapor arc, a cruel dark parody of what God sent Noah to symbolize his promise never to destroy humanity again. History has been a big trick: the plan is to switch from floods to obliterating fire from the sky.
Slothrop's father was an unwitting part of the cosmic doublecross. To provide for the boy's future Harvard education, he took cash from the mad German scientist Laszlo Jamf, who performed Pavlovian experiments on the infant Tyrone. Laszlo invented Imipolex G, a new plastic useful in rocket insulation, and conditioned Tyrone's privates to respond to its presence. Now the grown-up Tyrone helplessly senses the Imipolex G in incoming V-2s, and his military superiors are investigating him. Soon he is on the run from legions of bizarre enemies through the phantasmagoric horrors of Germany.
That's just the Imipolex G tip of the shrieking vehicle that is Pynchon's book. It's pretty much impossible to follow a standard plot; one must have faith that each manic episode is connected with the great plot to blow up the world with the ultimate rocket. There is not one story, but a proliferation of characters (Pirate Prentice, Teddy Bloat, Tantivy Mucker-Maffick, Saure Bummer, and more) and events that tantalize the reader with suggestions of vast patterns only just past our comprehension. You will enjoy Pynchon's cartoon inferno far more if you consult Steven Weisenburger's brief companion to the novel, which sorts out Pynchon's blizzard of references to science, history, high culture, and the lowest of jokes. Rest easy: there really is a simple reason why Kekulé von Stradonitz's dream about a serpent biting its tail (which solved the structure of the benzene molecule) belongs in the same novel as the comic-book-hero Plastic Man.
Pynchon doesn't want you to rest easy with solved mysteries, though. Gravity's Rainbow uses beautiful prose to induce an altered state of consciousness, a buzz. It's a trip, and it will last. --Tim Appelo
"The best seller described as the kind of Ulysses which Joyce might have written if he had been a Boeing engineer with a fetish for quadrille paper" Irish Examiner "I read this at 19 or so and just thought, like, f*ck, wow: this is the marker, the pace-setter for the contemporary novel" -- Tom McCarthy, author of 'C' "Thomas Pynchon, the greatest, wildest and most infuriating author of his generation." -- Ian Rankin Guardian "Pynchon is both the US's most serious and most funny writer." -- Thomas Leveritt Independent "Gravity's Rainbow is bonecrushingly dense, compulsively elaborate, silly, obscene, funny, tragic, pastoral, historical, philosophical, poetic, grindingly dull, inspired, horrific, cold, bloated, beached and blasted...[Pynchon's] novel is in this sense a work of paranoid genius, a magnificent necropolis that will take its place amidst the grand detritus of our culture. Its teetering structure is greater by far than the many surrounding literary shacks and hovels." New York Times --This text refers to an alternate Paperback edition.See all Product Description
I keep this book on my shelf for profiling purposes. When someone tells me how great it is, I casually take it in my hands and beat them senseless with it.Published on Dec 15 2010 by Paul Kersey
GRAVITY'S RAINBOW isn't a book that's read and put on the shelf, it's intended to change the way we view our world by becoming a part of it. Read morePublished on March 24 2005 by Brace Gfeen
Given the cultural and political climate today, and especially in America, it's no wonder that more people are re-discovering GRAVITY'S RAINBOW. Read morePublished on Jan. 7 2005 by Robert Crandle, Jr.
Before I throw in my two cents, I should admit that, aside from Faulkner, I believe Pynchon to be the most gifted American writer of the 20th Century. Read morePublished on May 21 2004
This book is woefully underappreciated, in large part, I suspect, because of all the terminal 'glitz' surrounding it- in re its opaqueness, its fairly mammoth scope, its... Read morePublished on April 22 2004 by Sean M. Winkel
Maybe it's entertaining if you take huge quantities of lsd, otherwise it's a nightmare. Pynchon forces offensive, sexist, nonsensical free-associations at the reader for hundreds... Read morePublished on April 12 2004 by Phat Phallus
This book has an undeserved reputation. People I've known refer to it as though it were some kind of monolithic, unapproachable text, like the Bible, or the Greek translation of... Read morePublished on March 21 2004 by Henry Platte
Certain books are written (and read) in order to impress other people with how smart one is. The technique is simple, invented by Joyce and imitated here by Pynchon: adopt an... Read morePublished on March 14 2004
Fantastic prose, a great cast of characters, and a series of events that leave you alternately amazed, pensive, and completely pulled into the book. Read morePublished on Feb. 7 2004 by J. Fairfield