Musicians, as artists and people, grow and change over the course of time; what this album is IS that change, without us getting to see the band change. Sort of...ten years of evolution did occur, and it is easy to referrence. Just go check out Download, ohGr, Ritalin, and cevin's various projects during that time. Each one of those not only hinted to what a reformed SP would sound like, but also contributed its own flavor to the new album. Thus, if you've been keeping track of things, the new album isn't much of a surprise. Other reviewers are shouting "betrayal" and "sell out" - that occurred with their million-dollar contract for The Process. Even then, though, SP was so deviant they couldn't break themselves down into the mainstream mould.
The Greater Wrong shows the band continuing with their old approach: heavy beats, layered electronics, innovations in vocal manipulations. What has changed is the reliance on guitar, way less use of dialog samples and sound samples (both of which are now, 20 years later, waaaay mainstream), and there's less "angst" in the vocals. So, it's a new sound for them...but every single album had a new sound in the old days! That's what we, as fans, appreciate about SP: they refuse to reduce themselves to a formulatic sound, an immitation of past successes. They're bold enough to keep branching out. Is this album commercially accessable? Well, the first two tracks are, and that can color the way you perceive the rest of the album (note: commercial in this case is not a bad thing). However, several of the songs here wouldn't have been out of place on Last Rights even.
Another consideration is all the guest performances. While it keeps things fresh, it also dilutes the artistic focus a bit. In some ways The Greater Wrong of The Right is a safe product, but I think we'll see more experimentation in future (???) releases from the band. My favorite album of theirs is still Too Dark Park, but this one is great too.