The old woman (Big Edie) and the her elder daughter (Little Edie), both confined to a large, old, decrept home, focused on lost memories and events that never happened.
Little Edie is largely focused on her youth, wishing that she had taken up opportunities in the past that she turned down. Her mother, Big Edie, tells her daughter that her regret over not doing things in the past is meaningless because back then, Little Edie genuinely did not want to do those things. That is perhaps one of the most philosophical moments in the documentary.
This film is very revealing, and it is a truly intimate portrayal of two women. You learn more about then perhaps than you otherwise would in a typical documentary that asks why they are important, what is their significance to their rich and well-known relative, Jackie O, and how did they end up in this situation.
This movie will be implanted in the public persona for many years to come, particularly because of the radical fashion sense of Little Edie, and also because she demonstrates that people do change their behavior, if even slightly, once a camera is nearby.